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Whitney Acquires 32 Works from Whitney Biennial

Tuesday, November 28th, 2017

New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

AO On Site – New York: Frieze New York Art Fair on Randall’s Island May 14th-17th, 2015

Saturday, May 16th, 2015

Frieze New York Announces 2015 Projects Artists

Friday, February 6th, 2015

AO On Site – Los Angeles: The Los Angeles Art Show and Art Los Angeles Contemporary, January 18-22, 2012

Saturday, February 4th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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