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Bill Viola to Return to Florence for Career Retrospective Next Year

Tuesday, September 6th, 2016

Bill Viola to Install New Companion to “Martyrs” at St. Paul Cathedral

Tuesday, July 26th, 2016

Beijing – Bill Viola: “Transformation” at Farschou Foundation Through March 22nd, 2015

Sunday, March 15th, 2015

Bill Viola Interviewed in The Guardian

Monday, May 26th, 2014

Paris – Bill Viola at the Grand Palais Through July 21st, 2014

Thursday, May 8th, 2014

London – Bill Viola: “Frustrated Actions and Futile Gestures” at Blain Southern Gallery through July 27th, 2013

Tuesday, July 9th, 2013

Go See – London: Bill Viola ‘The Quintet of the Unseen’ at Blain Southern Gallery through March 26, 2011

Friday, March 18th, 2011

Go See – New York: Bill Viola: ‘Bodies of Light’ at James Cohan Gallery through December 19,2009

Thursday, November 19th, 2009

Go See: Bill Viola ‘Installations’ at Haunch of Venison, Berlin, through February 21st and ‘Screenings’ through February 15th

Tuesday, February 10th, 2009

Bill Viola

Wednesday, December 3rd, 2008

AO Preview – Miami Beach: Miami Art Week and Art Basel Miami Beach, November 30th – December 4th, 2016

Sunday, November 27th, 2016

Miami Herald Spotlights Challenges at MoCA North Miami

Monday, February 8th, 2016

AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

German Station to Broadcast 3 Week Long Video Art Festival

Monday, August 19th, 2013

Pinault to Exhibit Private Collection During FIAC

Thursday, July 25th, 2013

Financial Times Publishes Collecting Section

Monday, June 10th, 2013

AO Interview – New York: Peter Campus “now and then” at Bryce Wolkowitz Gallery

Sunday, January 13th, 2013

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

AO Breaking – Deutsche Bank and the Guggenheim Museum end Berlin collaboration

Monday, February 6th, 2012

Living Artists

Thursday, July 7th, 2011

Art News – Online: VIP Art Fair Opens Virtual Doors on Saturday, January 22nd; Over 2000 Artworks at 139 Galleries On View Through January 30th, 2011

Monday, January 24th, 2011

AO News Summary: Jorge Pardo wins $500,000 MacArthur ‘Genius’ Grant

Wednesday, September 29th, 2010

AO Newslinks for Tuesday December 1st, 2009

Tuesday, December 1st, 2009

Newslinks for Monday September 21st, 2009

Monday, September 21st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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