Search Results

Judge Rules for Family of Franz West in Court Battle Over Artist’s Estate

Friday, June 30th, 2017

Tate Modern to Launch Largest Ever UK Modigliani Retrospective

Tuesday, June 27th, 2017

Nicholas Serota’s Impact on Tate Profiled in The Guardian

Friday, June 23rd, 2017

Mitchell-Innes & Nash to Represent Estate of General Idea

Wednesday, June 14th, 2017

Thaddaeus Ropac to Represent James Rosenquist Estate Worldwide

Monday, June 12th, 2017

Tate Britain to Embark on Rehang of Collection

Wednesday, June 7th, 2017

Maria Balshaw Begins Work at the Tate

Tuesday, June 6th, 2017

David Hockney’s Tate Britain Retrospective Becomes Museum’s Most Popular Show

Wednesday, May 31st, 2017

The Guardian Traces Nicholas Serota’s Impact on Tate Over the Course of His Career

Wednesday, May 31st, 2017

Tate Announces Exhibition Schedule for 2018

Friday, May 26th, 2017

Telegraph Notes Trends Towards Art as a Real Estate Tool in New Developments

Thursday, May 25th, 2017

Tate Modern Names Expansion After Len Blavatnick

Friday, May 5th, 2017

Tate Under Fire for Asking Staff to Chip in Towards Boat for Nicholas Serota

Sunday, April 30th, 2017

Hauser & Wirth to Represent Estate of Geta Brătescu

Sunday, April 30th, 2017

Late Artist Marisol Leaves Entire Estate to Albright-Knox Museum

Sunday, April 30th, 2017

Sprüth Magers to Represent Estate of Otto Piene

Wednesday, April 19th, 2017

Bruce Nauman to Open Series of Shows at Tate Modern

Wednesday, April 12th, 2017

NYT Looks Inside San Quentin State Prison’s Art Program

Monday, April 3rd, 2017

Tate Britain to Remain Open Until Midnight for Final Days of David Hockney Show

Monday, March 27th, 2017

Whitney Director Adam Weinberg Issues Statement on N.E.A. Funding

Tuesday, March 21st, 2017

Superflex to Take Over Tate Modern Turbine Hall this Fall

Monday, March 20th, 2017

London – Wolfgang Tillmans: “2017” at Tate Modern Through June 11th, 2017

Friday, March 17th, 2017

Spiral Jetty Named State Work of Art in Utah

Thursday, March 16th, 2017

NYT Reflects on Current State of Met Museum, Tenure of Thomas Campbell

Thursday, March 2nd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
Read More »

Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
Read More »

Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
Read More »

REFERENCE LIBRARY