Global contemporary art events and news observed from New York City. Suggestion? Email us.

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

Move over vaporetti — there’s a new barge in town. Slated to gracing the banks of the Grand Canal in Venice over the past five days was a project by The Garage Center for Contemporary Culture, entitled “Commercial Break.” The exhibition is organized by Neville Wakefield, a contemporary art writer prolific curator globally. Powered by POST Magazine, “Commercial Break” considers itself to be a provocative architectural intervention in a city where no advertising is traditionally displayed. Unfortunately, as Artinfo reported, the city pulled permits a few days before and the videos were instead screened at the project’s Bauer Hotel party. The woman behind the “GCCC” is Dasha Zukhova, girlfriend of Russian oligarch Roman Abramovich; it is the institution’s second project in Venice.  All videos are now viewable on the exhibition’s website.


Among videos featured is one by  Richard Phillips, starring Lindsey Lohan.

More text and images after the jump…

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AO Auction/Event Preview -Watermill, New York: The 16th Annual Watermill Summer Auction and Benefit July 25, 2009

Thursday, July 23rd, 2009


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Manaus, Christophe Schlingensief. Inferno, this year’s theme of the 16th Annual Watermill Summer Benefit. Via Hamptons

The Byrd Hoffman Watermill Foundation’s sixteenth Annual Summer Benefit will take place on July 25th in the Hamptons.  Robert Wilson, its Artistic Director, envisages an event that will include various installations, theatrical performances and auctions all framed by this year’s theme- Inferno.  An auction in support of artistic programming at the Watermill Center conducted by Simon de Pury, Chairman of Phillips de Pury auction house, will certainly be one of the highlights of the evening.

Related Links:
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Inferno: The Sixteenth Annual Watermill Summer Benefit [Artdaily]
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Sixteenth Annual Watermill Summer Benefit [The Watermill Center]
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About Watermill [the Watermill Center]
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16th Annual Watermill Center Benefit [Artinfo]
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Summer Is a-Kooning In: We Preview Watermill Benefit Goodies!
[NYObserver]
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Simon de Pury [Bigthink]
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Welcome to Watermill – a review of last year’s (2008) Watermill Benefit [BIZBASH]


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Julian, Elizabeth Peyton. At the Annual Watermill Benefit this year. Via Watermill Center

More pictures and text after the jump… (more…)

AO On Site: Adel Abdessemed’s Rio at David Zwirner, Friday April 3rd showing through May 9th, 2009

Tuesday, April 14th, 2009

Adel Abdessemed, Music box (foreground), 2009 and Prostitute (background), 2008

David Zwirner presents Adel Abdessemed’s first solo gallery exhibition in New York.  The particular installation of the exhibition throughout the three main gallery spaces (519 W 19th st., 525 W 19th st., 533 W 19th st.) allows the visitors to set out their own path in a maze-like environment that nevertheless respects the autonomy of the individual artworks. RIO includes Abdessemed’s latest 2008 and 2009 drawings, photographs, videos and sculpture, which are of a strong political nature. Prostitute (2008) addresses religion through a number of copies of the Koran, the Tora and the Bible that were handwritten by prostitutes and Practice zero tolerance (retournée) (2008) consists of a mold of an impounded car from the 2005 violent uprisings in the Paris banlieues.  Abdessemed has titled the show after his daughter with whom he shares the fascination with which “she contemplates the big animals in the zoo that are thirsty and hungry.”  The exhibition runs through 9 May, 2009.

Adel Abdessemed, Telle mère tel fils, 2008

Adel Abdessemed: RIO
David Zwirner
519,525 and 533 West 19th Street

RELATED LINKS
Exhibition Page, Press Release and Biography
[David Zwirner]
Exhibition Review highlighting Telle m
ère tel fils (2008) [Design Boom]
Biography and Discussion of Nature of Abdessemed’s Work
[Re-Title]
Exhibition Review
[Supertouch]
Exhibition Review II [NY Art Beat]
Article on Controversial Work by Abdessemed [National Coalition Against Censorship]
Video on Controversial Work by Abdessemed (graphic nature, in Italian) [Ribeiro Art]

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Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Maurizio Cattelan, Ostrich, 1997, Via the Garage Center for Contemporary Culture

On March 19, The Garage Center for Contemporary Culture (GCCC) in Moscow celebrated the opening of A Certain State of the World? Highlights from the François Pinault Foundation Collection, an exhibition of international contemporary art from the collection of François Pinault curated by Caroline Bourgeois.  The show includes works -curated along themes of war, the society of spectacle and the globalized world- by thirty three top-ranking artists from North-America, Europe, Africa, the Middle-East and Asia, working with a variety of media.  Amid many noteworthy pieces, visitors can admire Jeff Koons’ famed Hanging Heart (1994-2006). Hanging Heart sold for $23.6 million on auction at Sotheby’s in November 2007 and was first publicly displayed at the inaugural exhibition of François Pinault’s Collection at the Palazzo Grassi in Venice.  Other artists included in the exhibition are: Chen Zen, Bill Viola, Francesco Vezzoli, Joana Vasconcelos, Tim Noble & Sue Webster, Pascale Marthine Tayou, Marion Tampon Lajarriette, Cindy Sherman, Paul Pfeiffer, Philipe Parreno, Takashi Murakami, Paul McCarthy, Mike Kelley, Kimsooja, Y.Z. Kami, Pierre Huyghe, Subodh Gupta, Johan Grimonprez, Loris Gréaud, Dan Flavin, Peter Fischli & David Weiss, Liu Dahong, Maurizio Cattelan, Cao Fei, Carlos Amorales, Francis Alÿs, Jennifer Allora and Guillermo Calzadilla and Adel Abdessemed.

The Garage Center for Contemporary Culture
A Certain State of the World?
Highlights from the François Pinault Foundation Collection

Obraztsova street 19 A, Moscow
March 20 – June 14, 2009

RELATED LINKS

Gallery Website (in Russian) [The Garage Center for Contemporary Culture]
Interview with Daria Zhukova on the Eve of the Opening Night [Financial Times]
A Review of the Opening Night [Saatchi Gallery]
A Review by The Guardian [The Guardian]
Article on Russian Art World and the GCCC [The Economist]
Article on Daria Zhukova and the Exhibition [The First Post]
Article on Daria Zhukova and the Exhibition [The Times UK]
Exhibition Review [The Moscow Times]

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