Richard Tuttle, I Don’t Know, or The Weave of Textile Language, (Installation View), all images courtesy Tate Modern

The largest work ever created by American sculptor Richard Tuttle (1941) is currently on view at Tate Modern’s Turbine Hall, which has been the host to some of the world’s most striking works of monumental contemporary art.  I Don’t Know, or The Weave of Textile Language was a commissioned work, composed of vast cuts of fabrics designed by Tuttle himself from both manmade and natural fibers. Three vibrant colors are hung in a bold, majestic display, making use of its coiling form to generate a sense of movement within the massive hall.

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Alexander Calder, Occident (1975) all images courtesy Gagosian Gallery

On view at Gagosian Gallery in London is the second segment of a two-part exhibition of American sculptor and painter Alexander Calder’s gouache paintings. The first part was held in New York at Gagosian’s Madison Avenue location through June 14th, and on June 10th the second part opened in London, slated to continue through July 26th, 2014.

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The chairman of the Pace Gallery, Arne Glimcher, has been appointed to the rank of Officer in the National Order of the Legion of Honor by decree of the President of the French Republic.  The highest honor bestowed on either French citizen or foreigner, Glimcher joins the ranks of fellow Americans Thomas Edison, Simon Newcomb, and John Singer Sargent, as thanks for his “exemplary commitment to the vitality of art worldwide.” (more…)

Tom Sachs, Barbie Slave Ship (2013), via Artist’s Website

The opening of the Lyon Biennale last week has garnished a considerable spotlight in the art world so far, thanks in part to artist Tom Sach’s challenging, monumental new sculpture, Barbie Slave Ship, which takes the iconic brand American dolls for a sinister twist.  Examining structures of control and exploitation, the enormous, scale-model ship is a chillingly bizarre “playset” of sorts, complete with pink flags and an onboard “grog” bar, complete with full-size liquor bottles.

Tom Sachs, Barbie Slave Ship (2013), via Artist’s Website (more…)

One of Leonardo da Vinci’s notebooks exploring the possibilities and potentials for human flight will come to the Smithsonian Institution this fall, on view at the National Air and Space Museum in Washington, DC.  Codex on the Flight of Birds, which will begin showing in mid-September, explores the various concerns of flight, including weight, space, and an early exploration of the force of gravity, years before Newton formally named it as such.  “Centuries before any real progress toward a practical flying machine was achieved, Leonardo expressed the seeds of the ideas that would lead to humans spreading their wings,” says National Air and Space chief curator Peter Jakab. (more…)

James Turrell, Aten Reign (2013) (Installation View) © James Turrell, Photo: David Heald © Solomon R. Guggenheim Foundation, New York

The highly anticipated James Turrell exhibition at the Guggenheim Museum, which opened last month, and remains on view through the summer, has renewed the ongoing debate surrounding contemporary artworks of Disney-esque proportions, especially considering whether or not these spectacle-inducing affairs are worthy of the attention they often command. Like his ongoing work-in-progress, Rodin Crater (a massive naked-eye observatory built within an ancient crater near Flagstaff, Arizona), Turrell’s multi-venue comeback is not exactly a modest undertaking, with concurrent exhibitions on view at The Los Angeles County Museum of Art and The Museum of Fine Arts in Houston. At the Guggenheim, Turrell joins Matthew Barney, Nam June Paik, Maurizio Cattelan, and others who have mediated Frank Lloyd Wright’s iconic rotunda through Turrell’s site specific Aten Reign, which uses an ingenious system of stretched fabrics and LED lights to create the illusion of billowing clouds of color that unfold in concentric rings through the rising levels, with visitors invited to watch the dizzying light show from the rotunda floor. Four other historical projected light works, three of which date to the 1960s, are also on view in adjacent galleries along with a selection of thirteen aquatints that, with expert lighting and position, appear to emit a soft glow. However, it is Aten Reign that has generated the most buzz, both good and bad.

James Turrell, Aten Reign (2013) (Installation View) © James Turrell, Photo: David Heald © Solomon R. Guggenheim Foundation, New York  (more…)

Jeff Koons, Gazing Ball (Snowman), (2013), via Daniel Creahan for Art Observed

The counterpoint to Gagosian Gallery’s survey of recent work by Jeff Koons, David Zwirner is currently presenting a markedly more subdued set of works by the American artist.  Consisting of a cohesive series of plaster and steel sculptures, Gazing Ball fuses Koons’ signature approach to American kitsch and the art historical with a new sense of minimalism.

Jeff Koons, Gazing Ball (Farnese Hercules), (2013), via Daniel Creahan for Art Observed (more…)

Alexander Calder, Calder After the War (Installation View), courtesy of Pace London

Currently on view at Pace Gallery London, from April 19th through June 7th, is an exhibition of over fifty works by Alexander Calder, created between 1945 and 1949, one of his most well-known periods during which he pioneered many of his sculptural abstractions through movement in three dimensions, particularly via his mobiles and stabiles.

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Alex Katz, Sunset 2, (2008) via Museum Haus Konstruktiv

The Swiss museum Haus Konstruktiv is currently presenting Landscapes, a solo exhibition of work by American Painter, Alex Katz, focusing mainly on the artist’s landscapes and natural scenes, spanning from 1948 until today.  The exhibition marks the first comprehensive display of Katz’s work by a Swiss Institution, despite his international acclaim and presence in several important private Swiss collections. Of particular note are a number of included works that have previously never been displayed. (more…)

The former home of the American Folk Art Museum, constructed just 12 years ago, will be demolished to facilitate an expansion by the Museum of Modern Art.  MoMA had purchased the building several years ago as the Folk Art Museum tried to pay off debts from an expansion, and plans to erect a new building to complete its proposed five-building campus expansion.  “We have a lot of art that we own that we would like to show,” said real estate developer and museum chairman Jerry I. Speyer “When we built what exists today we didn’t get as much exhibition space as we really need.” (more…)

Jim Shaw (Installation View), via Simon Lee

On view at London’s Simon Lee Gallery is a solo exhibition of eclectic new works by Los Angeles-based, American artist Jim Shaw. A California Institute of the Arts graduate and longtime L.A. resident, Shaw’s works highlight the anxieties and triumphs of  late capitalist society, phantasmic religion and the shamanic, mythical world of his dream life. This idiosyncratic body of work utilizes comic book aesthetic in pencil drawings and groupings of sculptures juxtaposed against new painted and drawn portraits of unhinged and broken body parts, which engender a distinct unease in the viewer.  

Jim Shaw, Oden’s Broken Staff and Emerald City Asgard (2013), via Simon Lee

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Anthony McCall, Face to Face (2013), via Sean Kelly Gallery

Anthony McCall’s body of work is punctuated by decades of silence.  Withdrawing from the art world in the late 1970’s after a number of promising exhibitions and installations around the globe, the artist completely ceased his artistic production until 2003, when he began experimenting with digital film projectors.  10 years later, the artist is presenting Face to Face at Sean Kelly Gallery, showing two works from the opposite ends of the artist’s career.

Anthony McCall, Face to Face (2013), via Sean Kelly Gallery

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Portage Falls on the Genessee, a painting by Hudson River School Founder Thomas Cole has been removed from the Seward House Historic Museum in Auburn, NY by its owner, citing poor protection of the work by the institution.  The removal of the painting, given to then New York Governor William Seward by the artist in thanks for his work o the Erie Canal, has caused a stir in the upstate town, with many describing its removal and potential sale as a “betrayal.”  “You’re giving away the centerpiece of the Seward House. The picture is integral to the museum. It doesn’t make any sense.”  Says Hudson River Museum director  Michael Botwinick. (more…)

Roy Lichtenstein, Whaam! (1963), via Tate Modern

Blazing a path through the world of contemporary and avant-garde art, Roy Lichtenstein stands as a giant of post-war painting, sculpture and conceptual art.  Celebrating the artist’s position at the vanguard of 20th century art, the Tate Modern is hosting a massive retrospective of the artist’s work, the first of its kind since the artist’s death in 1997.

Roy Lichtenstein, Sea Shore (1964), via The Guardian

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James Franco, Gay Town (2012), via Peres Projects

Peres Projects located in Berlin is presenting a month-long, solo exhibition by American actor, filmmaker, writer and artist James Franco from Saturday February 9th, titled GAY TOWN.

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Diane Arbus – A young man in curlers at home on West 20th Street, N.Y.C. (1966), Martin-Gropius-Bau Museum

In partnership with Jeu de Paume, Paris, The Estate of Diane Arbus LLC, Fotomuseum Winterthur and Foam Photography Museum, Amsterdam, The Martin-Gropius-Bau Museum is hosting a major retrospective of the work of American Photographer Diane Arbus, including a number of previously unseen pieces.

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