A survey by Art Newspaper shows that almost one third of US Museum solo shows go to artists represented by just one of the top five galleries worldwide: Marian Goodman, Gagosian, Hauser & Wirth, David Zwirner, or Pace.  “Curators are abdicating and delegating their responsibilities to more adventurous gallerists who, aside from the profit motive and in some respects because of it, seem in many cases to be bolder and more curious than their institutional counterparts,” says Robert Storr, the dean of the Yale University School of Art. (more…)

Kader Attia, Repair, Culture’s Agency (2014), via Art Observed

In light of its subject matter, the New Museum wastes no time in describing the challenges ahead of Here and Elsewhere, its current exhibition focusing on contemporary Arabic and Middle Eastern art.  Taking its title from the 1976 Jean-Luc Godard documentary of the same name, the museum effectively poses the same questions that plagued Godard’s quasi-documentary on the Palestinian army.  Faced with an inability to complete his statement on the complex social issues and the subsequent defeat of Palestine in the Six Days War, Godard instead sought a middle ground between the embattled nation and his French homeland.  The film is spiked with cinema verité segments, abstract performance and experimental camerawork that ultimately places a considerable distance between the film and any sense of cohesive, authoritative statement. (more…)