Lauren Cornell, the Curator of this year’s New Museum Triennial, is interviewed in Dazed this week, reflecting on her origins in experimental film, her work with Rhizome, and her work in addressing gender and sexuality as a curator.  “I think it seems especially hard or frustrating to come up as a young artist now in an art world that seems to think of itself as ‘over’ inequality, while consistently rewarding white men more than anyone else,” she says.  “In this context, it’s important to create spaces for ongoing inequalities to be named and dealt with constructively.” (more…)

Cory Arcangel is interviewed by Dazed this week, as the artist prepares to open his first solo gallery exhibition in Italy.   “Back in the early aughts, Italy was one of those places where it was always very advanced in terms of their understanding of art on the Internet,” Arcangel says.  “I don’t know if people know this but there were a couple of places in the world where people were really excited about the idea that you could make art on the Internet. New York, Eastern Europe, and Italy. I think people forgot about that whole era.” (more…)

Miranda July’s Somebody app, via Miranda July

Artist Miranda July has announced a unique new app design, titled Somebody, which uses active participants and users to deliver messages to other users rather than receive a standard text-based message or email.   (more…)

A recent article in the New York Times takes a closer look at a new movement in the physical display of digital art. The movement seeks a middle ground between digital photo frames used in homes and professional digital art displays used in galleries, creating a larger, more sophisticated screen on which art aficionados can display both personal pictures and favorite artists. These screens are capable of showing only one image at a time, however, an effort by developers to encourage a “slower, more thoughtful pace.”

Ai Weiwei has backed the new Digital Arts website The Space which will commission and showcase new art online for website visitors.  The artist has also donated the names of 5,196 student victims from the Sichuan Earthquakes in 2008, in the hope that The Space will use them to create a new work.  “It gives another opportunity and a platform for artists or somebody like me to work with. I believe many, many young people and students will love it,” Ai says.  (more…)

Gerhard Richter, Abdu (2009),  © Gerhard Richter 2013

Currently on display at Gagosian Gallery’s London space on Davies Street are a series of 4 tapestries, created in 2009 by prominent artist Gerhard Richter, entitled Abdu, Iblan, Musa and Yusuf.  Combining the artist’s signature style with bold new aesthetic forms, the works are based on the artist’s 1990 work, Abstract Painting (724-4).

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High profile technology companies, investors and entrepreneurs are quickly becoming major players in the art world, financing tech-centered arts installations and entering the currently lucrative art market.  Interested less in globally recognized artists and more in digitally forward-thinking projects, these new buyers are changing the landscape and market for contemporary art.  An engineer will look at a photograph or video art in a way a banker couldn’t— we think in ones and zeros, we think in terms of screens,” says collector and tech-entrepreneur Trevor Traina.

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Beginning their eight night run at Tate Modern last night, German electronic museum pioneers Kraftwerk played their debut album Autobahn to a crowd of 1,250 in the museum’s Turbine Hall.  Mirroring their run of shows at New York’s Museum of Modern Art last year, the band will play one of their eight full length albums each night, closing on February 14th with their last album, Tour de France.  “I saw them three-and-a-half years ago at the Manchester Velodrome and now that the whole show is in 3D and with surround sound, it’s incredible. It’s amazing that 40 years into their career, they’re still relevant,” said Andy McCluskey of electronic act Orchestral Maneuvers in the Dark. (more…)

Wade Guyton, Untitled (2010), Courtesy The Whitney Museum.

Through January 13, The Whitney hosts a mid-career solo exhibition of the work of Wade Guyton.  Often aligned with abstract Modernist giant Andy Warhol, Guyton self-identifies as a painter, despite a body of work lacking the processes of hand-to-paper creation.  Through frequent use of his signature X’s and U’s, Guyton explores the symbols of modernity and calls into question the nature of production in the fine arts.

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