Ida Applebroog, The Ethics of Desire (Installation View)

The Ethics of Desire is the title of the currently running Ida Applebroog exhibition at Hauser & Wirth. In her decades long career, the New York native has frequently used her work to dismantle and reform sexual politics and its echoes in society (i.e. the women’s liberation movement, body politics and gender classification, to name a few).  Her turbulent biography, from a childhood in a Jewish Orthodox family in the Bronx to her time in Chicago and California, gained further momentum when she relocated in New York in the mid 1970’s. (more…)

Public art pioneer Suzanne Lacy has announced a major project coming to Brooklyn on October 19th.  Created in collaboration with Creative Time, the project will install “300 women and a few men” on the stoops of apartments in Prospect Heights, and on the steps of the Brooklyn Museum to engage pedestrians and visitors in dialogues on contemporary gender politics.  The project is informed by 5 months of research Lacy completed this year with an advisory board of 16 activists. (more…)

A new article in the Guardian is questioning the lack of gender parity in the contemporary art world, noting the lack of any females on the list of top 100 auction sales, and a small percentage of female artists in public collections.  “People are saying: ‘I find I can’t even have this conversation about equality in the art world’,” says curator Gemma Rolls-Bentley, “because so many people think it’s already been achieved. Because figures like Tracey Emin have defied the statistics, their rare success misleads people into thinking women get an equal shot.” (more…)

The sale of Berthe Morisot’s Après le déjeuner for £6,985,250 at Christie’s Modern Art Auction this week has set a new record for female painters.  The record highlights a major difference in market value between male and female painters, with top sales for male artists far beyond that sales range.  While institutions like the Museum of Modern Art have pushed for more equitable status for female artists, some speculate that monied interests have still not caught up in appreciation of contemporary female artists. (more…)