Marcel Broodthaers, Les Portes, 1969. Vacuum-formed plastic, hand painted, 192 x 178 cm. All images courtesy of Michael Werner Gallery.

Currently on view at Michael Werner Gallery is Marcel Broodthaers “Major Works.” The exhibition marks the second this fall of Belgian conceptual artist Broodthaers, who began his career as a poet before turning to visual art at age 40. Stemming from his roots in poetry, Broodthaers’ visual practice involved playful, provocative juxtapositions of word and image, poetry and object, language and art. His work is varied, dabbling in appropriations, film, image and text combinations, and mixed media installations he called decors.

The artist found inspiration in the Surrealists and American Pop artists, citing influence from Oldenburg, Segal, Mallarmé, and Magritte. Unfortunately, the artist’s career was tragically cut short when, a mere twelve years later, he succumbed to liver disease on his 52nd birthday. However, he leaves behind an astounding number of works, many of which have had a profound impact on future artists, including Richard Prince, Rachel Harrison, Philippe Parreno and Tino Sehgal.

Marcel Broodthaers, Dites Partout Que Je L’Ai Dit (Say Everywhere That I Have Said It), 1974. Parrot under bell jar, audiotape, 2 framed works. Variable dimensions.

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Jonathan Meese, “mutter mit roter Brille und roetlicher Perlenkette,” part of “The Figure and Dr. Freud,” a group exhibition on at Haunch of Venison New York.

Haunch of Venison’s New York branch is showing “The Figure and Dr. Freud,” a group exhibition by 31 artists from the last century.  These include past and currently producing artists, from the sculptor Alberto Giacometti to the painter Daniel Richter.  The show, which closes on August 22, focuses on the human figure as the artists have rendered it, through the lenses of the late Dr. Freud’s psychoanalytic theories.

Related links:
Haunch of Venison
Sigmund Freud [freudfile]

David Salle, “With All Due Respect Sir, We Need Modesty Blaise,” at Haunch of Venison.

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