David Shrigley at Anton Kern Gallery (Installation View)

An ‘Open’ sign outside David Shrigley’s new exhibition at Anton Kern Gallery greets visitors, announcing that the gallery is ready for business. In his sixth solo show with the gallery, the Glasgow-based artist brings together seventy-eight drawings, along with two sculptural pieces and a video.  Coming in two different sizes, these ink and acrylic drawings on paper deliver the artist’s signature, whimsical technique, putting him in a distinct place in today’s art world.

(more…)

John Baldessari, Pictures & Scripts: A glass of water sweetheart (2015), all images courtesy Marian Goodman Gallery

On view at both Marian Goodman Gallery, London and Galerie Marian Goodman, Paris are two simultaneous exhibitions by John Baldessari: Pictures & Scripts and Early Work. The London gallery’s Pictures & Scripts show focuses on a series of new works, while the Paris gallery will show a selection of the artist’s important early catalog.

(more…)

Cary Leibowitz, Hey! I’m Not Deppressed Anymore (2013), Courtesy INVISIBLE-EXPORTS, New York

“Hey! I’m not depressed anymore.” So reads one of the simplistic, shaped canvases currently on view at Cary Leibowitz’s new show at Invisible-Exports.  It’s familiar territory for the artist, whose signature conflations of text and paint frequently dwell on the comical neuroses inherent in modern living, scaled appropriately for the New York art world.  It was Leibowitz, of course, whose enormous wooden sign sat outside the Armory Show earlier this year, reading “I Need to Start Seeing a Therapist,” blowing his work up to monumental scale for the equally daunting size of the exhibition contained within Piers 92 and 94. (more…)

Maurizio Cattelan, KAPUTT (Installation View), via Fondation Beyeler

KAPUTT, an installation by Italian-born sculptor, painter, and installation artist, Maurizio Cattelan is currently on display at the Fondation Beyeler until October 6th. Known for his humor and morbid imagery, especially in his use of taxidermied animals, Cattelan has been described as “as one of the great post-Duchampian artists, and a smartass, too” by Jonathan P. Binstock, curator of contemporary art at the Corcoran Gallery of Art.  This installation draws upon many of the themes found in the artist’s previous work, and viewers may be reminded of the numerous tongue in cheek sculptures Cattelan has already exhibited at the Vienna Secession; Museum für Moderne Kunst, Frankfurt; Kunsthalle Basel; MoMA and MoMA PS 1, New York; Museum Fridericianum, Kassel; The Tate Gallery, London; and Moderna Museet, Stockholm. (more…)