The New York Times profiles Dick Polich, the foundry owner and metalworker who has worked closely with some of the world’s most ambitious contemporary artists, including Louise Bourgeois, Alexander Calder, Jasper Johns, Louise Nevelson, and Frank Stella.  “He told me, ‘You’re trying to push the envelope, and I’ll go there with you,’” says sculptor Rona Pondick. “And then he said, ‘And while I’m going there with you, can I show you a few things I’m playing around with?’ ” (more…)

The annual Sculpture in the City festival has opened in London, with a work by artist João Onofre commanding notable attention.  Titled Box Sized Die, the small black cube contains a black metal band, Unfathomable Ruination, playing until they run out of oxygen. (more…)

Lee Bul, Via Negativa II (2012), via Art Observed

On view at Lehmann Maupin in New York is an exhibition of works by South Korean artist Lee Bul, exploring “the intrinsic tension within utopian idealism,” and composed of sculptural works and large-scale installations.  Addressing humanity’s vision of an ideal future, the works focus on formal, architectural, and theoretical concepts, moving away from her former focus on the human form and into a consideration of the larger human environment.

Lee Bul, Untitled sculpture (M5) (2014), via Art Observed

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Frank Stella, The Big Flea Tower (2013), all images Courtesy Peter Freeman Inc.

On view at Peter Freeman, Inc. is a solo show of recent sculptures by Frank Stella, drawn mostly from his series Scarlatti K and Circus which were created using 3-D printing technology and metal pipes and rods. The exhibition will continue through February 22, 2014.

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Richard Deacon, Four by Four (2012), via Marian Goodman

Marian Goodman is currently presenting a selection of new works by Welsh sculptor Richard Deacon, documenting the artist’s ongoing interest in form and surface through a variety of both hung and freestanding sculptures.  Composed of both wood and metal works, Deacon’s pieces on view explore the implications of texture on the form and presentation of the work, and the dissonances in volume and presence that result. (more…)