Mika Rottenberg, Bowls Balls Souls Holes (Bingo) (2014), via Andrea Nguyen for Art Observed

Currently on view at Palais de Tokyo for its annual summer exhibition, Argentinian-born, New York-based artist Mika Rottenberg presents a broad selection of works, bringing a series of her expansive installation and video works, alongside new commissions, to the Paris institution’s grounds.  Centered around the artist’s recent Venice Biennale commission, NoNoseKnows, the show runs across a broad variety of the artist’s work over the last decade, exploring themes of production, economy, and the body through her own uniquely madcap lens. (more…)

Mika Rottenberg, Still from Sneeze (2008), via Magasin 3

Sneeze to Squeeze is the first solo exhibition of work by New York-based video artist Mika Rottenberg in Sweden. Exploring the themes of labor, production and contemporary body-image, this major exhibition captures the spirit of the artist’s broad range of filmic work, while also offering a thorough, studied look at her work in installation and photography.

Mika Rottenberg, Still from Squeeze (2010), via Magasin 3 (more…)

Marilyn Minter and Massimiliano Gioni at the opening. All photos on site for Art Observed by Rachel Willis and Samuel Sveen.

Maurizio Cattelan, who recently swore off his career as an artist, has taken a large step into the business side of the art world. The famed artist has teamed up with longtime friend and project partner—and notable curator—Massimiliano Gioni for a new exhibition space, Family Business. Located in the front of the Anna Kustera Gallery in Chelsea, at 520 West 21^st Street, Family Business is a small non-profit venue geared towards both the making and showing of conceptually and aesthetically experimental art. The inaugural show, appropriately titled “The Virgin Show,” consists of a group of artists whose work has never been exhibited in New York before. There are a few exceptions to the rule however, with established artists like Laurel Nakadate and Mika Rottenberg showing some of their earliest works. The show was curated by Marilyn Minter who, in line with the theme of the show, has referred to herself as a “Virgin Curator.” To top off the theme, the band The Virgins played a short acoustic set, with visitors shuffled out to make room in the small space.

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Move over vaporetti — there’s a new barge in town. Slated to gracing the banks of the Grand Canal in Venice over the past five days was a project by The Garage Center for Contemporary Culture, entitled “Commercial Break.” The exhibition is organized by Neville Wakefield, a contemporary art writer prolific curator globally. Powered by POST Magazine, “Commercial Break” considers itself to be a provocative architectural intervention in a city where no advertising is traditionally displayed. Unfortunately, as Artinfo reported, the city pulled permits a few days before and the videos were instead screened at the project’s Bauer Hotel party. The woman behind the “GCCC” is Dasha Zukhova, girlfriend of Russian oligarch Roman Abramovich; it is the institution’s second project in Venice.  All videos are now viewable on the exhibition’s website.

Among videos featured is one by  Richard Phillips, starring Lindsey Lohan.

More text and images after the jump…

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