Move over vaporetti — there’s a new barge in town. Slated to gracing the banks of the Grand Canal in Venice over the past five days was a project by The Garage Center for Contemporary Culture, entitled “Commercial Break.” The exhibition is organized by Neville Wakefield, a contemporary art writer prolific curator globally. Powered by POST Magazine, “Commercial Break” considers itself to be a provocative architectural intervention in a city where no advertising is traditionally displayed. Unfortunately, as Artinfo reported, the city pulled permits a few days before and the videos were instead screened at the project’s Bauer Hotel party. The woman behind the “GCCC” is Dasha Zukhova, girlfriend of Russian oligarch Roman Abramovich; it is the institution’s second project in Venice.  All videos are now viewable on the exhibition’s website.

Among videos featured is one by  Richard Phillips, starring Lindsey Lohan.

More text and images after the jump…

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via Rivington Arms

Turkish born, Brooklyn based Pinar Yolacan’s second solo show opened this evening at Rivington Arms on the lower east side tonight. Yolacan’s work features portraits of steadfast, unwavering females clothed in couture made of…animal parts. Yes, skin, claws, intestines, stomachs, are all “sewn” into garments, the undulations of flesh becoming ruffles, ruched, and lace. This show is entitled “Maria”, its Afro-Brazilian subjects are all inhabitants of Ithaparica, Bahia, a small island found off of the northeastern coast of Brazil. Yolacan has dressed them in hand made costumes that are reminiscent of colonial dress as worn by Portuguese slave masters. On top of the dresses, she drapes various “garments” frozen animal parts, which thaw as she shoots. By the end of the shoot, the meat is close to rotten and discarded while the images are left as a memory of her constructed identities – Yolacan stated in a style.com interview, “When you put on the clothes of another culture, it changes how you stand, how you feel, the gestures you make.”

Live Flesh via Style.com

Images from the opening after the Jump

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