Global contemporary art events and news observed from New York City. Suggestion? Email us.

London – Pierre Huyghe: “UUmwelt” at Serpentine Gallery Through February 10th, 2018

Sunday, October 21st, 2018

Pierre Huyghe, Uumwelt (Installation View), via Serpentine
Pierre Huyghe, UUmwelt (Installation View), Installation view, Serpentine Gallery, London, (3 October 2018 – 10 February 2019). Copyright Ola Rindal. Courtesy of the artist and Serpentine Galleries

Artist Pierre Huyghe is known for his complex immersive ecosystems, creating impressive arrangements of space and material that incorporate living organisms, active agents and forces that gradually transform or reactivate the gallery in which its placed.  For his new exhibition at The Serpentine Gallery in the UK, which opened during Frieze London this past month, the artist has turned the museum into a porous and contingent environment, housing different forms of cognition, emerging intelligence, biological reproduction and instinctual behaviors. (more…)

Francis Kéré Tapped to Design the Serpentine Summer Pavilion in London

Tuesday, February 21st, 2017

Francis Kéré's design for the Serpentine, via The Guardian
Francis Kéré’s design for the Serpentine, via The Guardian

The Serpentine Galleries will host architect Diébédo Francis Kéré (founder and head of Kéré Architecture) as this year’s Serpentine Pavilion designer, making the architect the first African designer invited to work with the British Institution’s annual project.  Kéré, who splits his time between Berlin and his home city of Gando in Burkino Faso, has created a massive elevated canopy, much like the stretching branches of a tree, under which the Serpentine will host its annual series of talks, performances and other events.   (more…)

Bjarke Ingels Heads Group of Designers for Ambitious Serpentine Pavilion Projects

Thursday, February 11th, 2016

Bjarke Ingels has been announced as the commissioned architect for the 2016 Serpentine Pavilion, but the star Danish architect is also joined by an additional four designers this year, each of whom will initiate a design in a different location around the Kensington Gardens lawns.   (more…)

London – Duane Hanson at The Serpentine Gallery Through September 13th, 2015

Thursday, August 6th, 2015

Duane Hanson, Queenie II (1988)
Duane Hanson, Queenie II (1988), All images by Luke Hayes for Serpentine Gallery.

Currently on view at London’s Serpentine Gallery is a retrospective of Duane Hanson, the late American sculpture whose hyperrealistic sculptures of individuals pulled from daily life still manage to create a potent sense of awe are on view.  The show, his first survey in the British capital since 1997, strikes a chord against the backdrop of today’s high-tech art production methods and complex conceptual depictions.  (more…)

New Project Focuses On Artists Born After 1989

Thursday, August 7th, 2014

An article in the New York Times explores the project 89plus, an initiative founded last year by Simon Castets, director of the Swiss Insitute, and Hans Ulrich Obrist, co-director of the Serpentine Gallery, in the hopes of fostering artists born after 1989. 89plus has already attracted over 5,000 interested young artists, including several hundred that have participated in workshops at the Luma Foundation in Zurich, the Serpentine Gallery, and Mexico City’s Museo Jumex, among others. (more…)

London – Jake and Dinos Chapman: “Come and See” At the Serpentine Sackler Through February 9th, 2014

Saturday, February 1st, 2014


Jake and Dinos Chapman, The Sum of all Evil (2012-2013), via Serpentine Sackler

An exhibition of Jake and Dinos Chapman, the English brothers turned artistic-collaborators, is currently on view at the Serpentine Sackler Gallery in London’s Hyde Park through February 9.  Titled Come and See, the show is something of a magnum opus – the Chapmans display an interest in any and all media, from painting to film. Their cheeky disregard to a medium-centric practice allows them to mesh subject material in mock conspiracy-theory style. Posed KKK members, McDonald’s characters and scenes of war and chaos reminiscent of Urs Graf or their frequent muse, Francisco Goya are assembled in an “overtly-designed-chaos” where homage and meaning are tossed about for the sake of pointed caricature. (more…)

London: Jonas Mekas at The Serpentine Gallery Through January 27th, 2013

Sunday, January 20th, 2013


Jonas Mekas, Jonas Mekas (Installation View), Via Serpentine Gallery

Lithuanian-American artist Jonas Mekas has worn many hats over his sixty-plus year career. Emigrating to the United States after his imprisonment in labor camps during World War II, Mekas began creating films that embraced a diaristic approach to documenting the events of his own life, but were informed by his active participation in the New York avant-garde film scene of the 1950’s. (more…)

London – Yoko Ono: “To The Light” at Serpentine Gallery Through September 9th, 2012

Saturday, September 1st, 2012


Yoko Ono – To The Light (Installation View), Serpentine Gallery

As part of the London 2012 festival, The Serpentine Gallery has invited international art icon and activist Yoko Ono to exhibit a major retrospective of her work. Spanning the artist’s 50 year career, the exhibition covers both classic and newer works, including Smile, Ono’s large-scale participatory video project.

(more…)

London: Ai Weiwei and Herzog & de Meuron debut their collaborative 2012 Serpentine Pavilion

Friday, June 1st, 2012

Images via Serpentine Gallery.

This summer the recently opened Serpentine Gallery Pavilion in London celebrates its 12th anniversary.  Since 2000, this architectural event has featured temporary structures by such designers as Zaha Hadid and Jean Nouvel.  This year, Chinese artist Ai Weiwei, along with Swiss architects Jacques Herzog and Pierre de Meuron (Herzog & de Meuron), known for their design of the Tate Modern and previous collaboration with Ai on Beijing’s Bird Nest National Stadium, has dug down into the Kensington Gardens to create an underground pavilion commemorating its long history.

(more…)

London: Serpentine Gallery commissions Ai Weiwei and Herzog & de Meuron collaboration for 2012 Pavilion Series

Tuesday, February 7th, 2012


–>
Herzog & de Meuron, Ai Weiwei outside their Beijing ‘Bird’s Nest.’ Via Bustler.

The Serpentine Gallery in London announced today that Chinese activist-artist Ai Weiwei and Swiss architects Herzog & de Meuron will team up for the 12th annual Serpentine Gallery Pavilion commission. The trio will translate their 2008 collaboration of the ‘Bird’s Nest’ arena at the Beijing Olympics into a twelve pillar pavilion in conjunction with the London 2012 Festival and the London Games. Unearthing the eleven foundations of previous pavilions, a new column will be placed on each, with the twelfth situated as a ‘wild card.’ 1.5 meters tall, the twelfth column will hold a floating platform roof, collecting water and creating a reflecting pool, while also offering the versatility of a ‘dance floor’ once drained.

See the previous eleven pavilions after the jump…

(more…)

Go See – London: Michelangelo Pistoletto “The Mirror of Judgement” at the Serpentine Gallery through September 17th, 2011

Friday, August 12th, 2011


Michelangelo Pistoletto, Installation view (2011), all images via Serpentine Gallery

Currently showing at the Serpentine Gallery is Michelangelo Pistoletto‘s sprawling labyrinth of one continuous roll of corrugated cardboard. Custom made for the space, the chest-high installation snakes in and out of each room, constantly diverting the viewer’s course and occasionally taking them to one of several main focus points at which large mirrors (a motif repeatedly used by the artist) are located.

More images and story after the jump…

(more…)

Go See – London: Philippe Parreno at the Serpentine Gallery Through February 13th, 2011

Monday, January 3rd, 2011


Philippe Parreno, Invisibleboy, 2010. Via Serpentine Gallery

“I’m best known for my film about Zidane, which showed a super-visible body. After making that it seemed a good idea to make films about someone who doesn’t exist, at least not on paper.” In the Guardian, Philippe Parreno is referring to his most recent video, Invisibleboy currently on view at the Serpentine Gallery. The film depicts the imaginary reality of a young illegal alien in New York’s Chinatown, with the creatures that inhabit the boy’s mind scratched onto the film stock.  Along with three other short video pieces, Invisibleboy is part of Parreno’s highly choreographed exhibition at the Serpentine, which, despite their highly disparate content, are conjoined by Parreno’s use of the exhibition space as an experiential medium. From a Thai compound to Robert Kennedy’s funeral ride, Parreno’s work is highly specific and seemingly unrelated, yet his consideration of time and sequence with regard to the viewer’s experience are the central themes in his body of work. The concept of viewer perception also exists within the narrative of much of his work.

More text and images after the jump…

(more…)

Go See-London: Anish Kapoor “Turning the World Upside Down” at Serpentine Gallery through March 13th, 2011

Sunday, October 10th, 2010


Sky Mirror, Red
(2009) by Anish Kapoor, via The Guardian

On view in London’s Kensington Gardens is a major exhibition of outdoor sculpture by London-based artist Anish Kapoor. Presented jointly by the Serpentine Gallery and the Royal Parks, the exhibition displays works not previously shown together in London. Dispersed throughout the gardens, Kapoor’s sculptures are made from highly-reflective stainless steel, which create large mirrored surfaces to distort the image the surrounding environment.


C-Curve
(2007) by Anish Kapoor, via The Guardian

More text and images after the jump…

(more…)

Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010


–>
Above: Karen Kilimnik, Me Corner of Haight & Ashbury, 1966, 1998.
–>
Below: Joseph Cornell, Untitled, c. 1953.
–>
Image courtesy of the Artists, 303 Gallery New York and Sprueth Magers Gallery Berlin London.

Currently on view at Sprueth Magers London is “Something Beautiful,” a collaborative show by American artists Joseph Cornell and Karen Kilimnik. Curated by Todd Levin, the exhibition features paintings, collages, and mixed-media installations that reflect the influence of the Romantic-era ballet on both artists.

Joseph Cornell (1903-1972) was an American artist known for pioneering the art of assemblage. Created from found objects, Cornell’s boxes often read like three-dimensional Surrealist paintings. He admired the work of Max Ernst and Rene Magritte, but claimed to have found their work to be too dark.  His work was also inspired heavily by his beliefs in Christian Science, which he adopted in his early twenties. He never received formal training as an artist, but was influenced by American Transcendentalist poetry and French Symbolist painters, such as Mallarme and Nerval. Another motif of his work, 19th century European ballet dancers, comes to life in this exhibition.

Similarly, Karen Kilimnik’s work redeploys discreet objects in a quest for the romantic sublime. Theater and stagecraft have figured strongly in her installations, and her use of particular materials suggests the influence of Cornell. Often making direct references to Degas and other Impressionist painters, Kilimnik’s subjects occupy a nineteenth-century world: one of mystery, drama, and romance.

Anthony Byrt, in his review for Art Forum, refers to Levin’s conceptual approach here as a “bold curatorial statement,” suggesting that the premise upon which the two artists are connected is a precarious one. However, “Ballet aside,” says Byrt, “tangible links do emerge, such as theatricality, quiet spectacle, and ideas of feminine beauty, which both artists explore.”


–>
Karen Kilimnik, Paris Opera Rats, 1993. Image credited as above.

More text and images after the jump…

(more…)

Go See – London: Pop Life at Tate Modern featuring Andy Warhol, Damien Hirst, Jeff Koons, Keith Haring, Tracey Emin and more. Through January 17, 2010

Saturday, October 24th, 2009


Gavin Turk, Pop (1993), showing with Tate Modern’s “Pop Life: Art in a Material World” through January 17. Image via The London Paper.

Tate Modern is currently showing works by artists that embrace mass media and popular culture. Its motto is Andy Warhol’s proclamation that “good business is the best art,” and artists such as Damien Hirst, Jeff Koons, Tracey Emin, and more present works that are, accordingly, a blend of popular and left of center culture. “Pop Life: Art in a Material World,” which also features a new piece by Takashi Murakami, closes on January 17.


Foreground, House of Martin Luther King (1990), by Rob Pruitt and Walter Early; background, Damien Hirst’s False Idol (2008). From “Pop Life,” images via The Guardian.

more images and story after the jump…

(more…)

Go See – London: Serpentine Gallery Summer Pavilion designed by SANAA through October 18, 2009

Friday, July 10th, 2009


SANAA’s Summer Pavilion at the Serpentine Gallery via The Guardian

The Serpentine Gallery unveiled their 2009 Summer Pavilion yesterday. Designed by Japanese architectural duo SANAA, the pavilion is made of curving, sloping, and highly polished aluminum overhead the gallery’s outdoor café. The mirror effect blends the surrounding park into the café. Ryue Nishizawa, half of SANAA said, “When we started sketching ideas we thought of water, rainbows and leaves.” This is the ninth consecutive summer pavilion at the Serpentine, which invites architects who have not designed buildings in London before to create a temporary structure outside the gallery.  Previous architects include Zaha Hadid, Rem Koolhaas, and Frank Gehry.

Serpentine Gallery Pavilion 2009: Kazuyo Sejima & Ryue Nishizawa of SANAA [Serpentine Gallery]
Sanaa’s summer pavilion brings sunshine to the Serpentine [Guardian]
Serpentine Gallery Pavilion by SANAA, London [Times UK]
A breath of fresh air: The new Serpentine pavilion [Independent]
‘The Serpentine Pavilion is the ideal brief’ [Architects’ Journal]
Sanaa’s Serpentine pavilion shows a lightness of touch [BuildingDesign]
Serpentine Gallery ‘reflective cloud’ pavilion unveiled [Guardian]
Serpentine Gallery’s new ‘floating’ pavilion is unveiled [Telegraph]
London Serpentine Gets Mirror Cloud Pavilion by SANAA [Bloomberg]
First images: Serpentine Gallery Pavilion by SANAA [Building]

(more…)

Go See – London: Jeff Koons ‘POPEYE SERIES’ at the Serpentine Gallery opens tomorrow, through September 13, 2009

Wednesday, July 1st, 2009

Jeff Koons by Schneider, Sischy and Siegel Jeff Koons: The Painter and the Sculptor Jeff Koons by Jeff Koons
Click Here For Jeff Koons Books


Popeye
, part of the new Jeff Koons exhibition at the Serpentine by the same name.

Jeff Koons’s first major exhibition in a public gallery in England opens tomorrow.  The show at the Serpentine features works drawn from public and private holdings, and some new works on display for the first time.  The “Popeye Series” “creates a world beyond taste,” appropriation art at its finest.  The extraordinary and the mundane are put side by side: Popeye and and Olive Oyl are embedded in multi-layered paint.  Garbage cans and chairs, chains and even the occasional inflatable, are put to use in the sculptures of the “Popeye Series.”

Related links:
Jeff Koons: Serpentine Gallery
Jeff Koons Presents Works from his Popeye Series at the Serpentine Gallery in London [Artdaily]
‘Popeye’ exhibition by Jeff Koons comes to Serpentine Gallery [Times Online]
Koons, with eye for pop, brings Popeye show to UK [Reuters]
Jeff Koons Popeye Series At The Serpentine Gallery from July 2nd
[FAD]
Jeff Koons is not just the king of kitsch [interview with the Guardian UK]

–>–>–>–>–>–>–>–>–>–>–>–>
The Telegraph comments on the exuberance and humor in the Koons exhibition.

(more…)

Go See: A Certain State of The World? Highlights from the François Pinault Foundation Collection, at The Garage Center for Contemporary Culture, Moscow, through June 14, 2009

Sunday, April 5th, 2009

Maurizio Cattelan, Ostrich, 1997, Via the Garage Center for Contemporary Culture

On March 19, The Garage Center for Contemporary Culture (GCCC) in Moscow celebrated the opening of A Certain State of the World? Highlights from the François Pinault Foundation Collection, an exhibition of international contemporary art from the collection of François Pinault curated by Caroline Bourgeois.  The show includes works -curated along themes of war, the society of spectacle and the globalized world- by thirty three top-ranking artists from North-America, Europe, Africa, the Middle-East and Asia, working with a variety of media.  Amid many noteworthy pieces, visitors can admire Jeff Koons’ famed Hanging Heart (1994-2006). Hanging Heart sold for $23.6 million on auction at Sotheby’s in November 2007 and was first publicly displayed at the inaugural exhibition of François Pinault’s Collection at the Palazzo Grassi in Venice.  Other artists included in the exhibition are: Chen Zen, Bill Viola, Francesco Vezzoli, Joana Vasconcelos, Tim Noble & Sue Webster, Pascale Marthine Tayou, Marion Tampon Lajarriette, Cindy Sherman, Paul Pfeiffer, Philipe Parreno, Takashi Murakami, Paul McCarthy, Mike Kelley, Kimsooja, Y.Z. Kami, Pierre Huyghe, Subodh Gupta, Johan Grimonprez, Loris Gréaud, Dan Flavin, Peter Fischli & David Weiss, Liu Dahong, Maurizio Cattelan, Cao Fei, Carlos Amorales, Francis Alÿs, Jennifer Allora and Guillermo Calzadilla and Adel Abdessemed.

The Garage Center for Contemporary Culture
A Certain State of the World?
Highlights from the François Pinault Foundation Collection

Obraztsova street 19 A, Moscow
March 20 – June 14, 2009

RELATED LINKS

Gallery Website (in Russian) [The Garage Center for Contemporary Culture]
Interview with Daria Zhukova on the Eve of the Opening Night [Financial Times]
A Review of the Opening Night [Saatchi Gallery]
A Review by The Guardian [The Guardian]
Article on Russian Art World and the GCCC [The Economist]
Article on Daria Zhukova and the Exhibition [The First Post]
Article on Daria Zhukova and the Exhibition [The Times UK]
Exhibition Review [The Moscow Times]

(more…)

Go See: ‘Indian Highway’ at the Serpentine Gallery, London Through February 22, 2009

Friday, December 19th, 2008

Subodh Gupta, Untitled (detail), 2007-2008 via Serpentine Gallery

The new survey exhibition “Indian Highway” at London’s Serpentine Gallery reveals an inspiring and passionate array of Indian contemporary artists. The show highlights work done by fifteen artists from all over the country working in a variety of media from painting and photography to installation and performance.  Such a rich range of artwork captures the theme of the exhibition reflecting on India’s rapid economic development and the challenges of balancing the traditional, rural, and the religious with a new industrial society.

Indian Highway
Serpentine Gallery, London
Through February 22, 2009
Exhibition Page: Indian Highway

Press: An Eye-popping passage to India [The Guardian]
Serpentine Gallery Presents Major Exhibition: Indian Highway
[Artdaily]

(more…)

Go See: Gerhard Richter Retrospective at the National Gallery of Scotland, through January 4, 2009

Thursday, December 4th, 2008


Familie am Meer, or Family at Sea in English, a 1964 painting by Gerhard Richter via the Guardian.

The National Gallery of Scotland is hosting a major retrospective of German artist Gerhard Richter. Over 60 works are included in the exhibition all on loan from private collections and includes early work that has rarely been seen. The retrospective touches on all of the varied periods of the artist who is known for his mastery of both abstract and figurative painting. The retrospective follows his exhibition 4900 Colours: Version II at the Serpentine Gallery, London, covered by Art Observed here.  Following his retrospective the National Portrait Gallery, London will host Gerhard Richter Portraits February 2009.  The current exhibition is part of the Bank of Scotland totalART series. Over £400,000 has been invested in the series making it the largest sponsorship of modern art in Scotland.

This is high on the Richter scale [Guardian UK]
Exhibition preview: Gerhard Richter, Edinburgh
[Guadrian UK]
Gerhard Richter at the National Gallery Complex, Edinburgh [Telegraph]
Richter: Paintings from Private Collections at National Gallery of Scotland
[Artdaily]

(more…)

Go See: Gerhard Richter at Serpentine Gallery, London, opening today, September 23 through November 16

Tuesday, September 23rd, 2008


Gerhard Richter’s 4900 Colours: Version II via Serpentine Gallery

London’s Serpentine Gallery is set to display celebrated German artist Gerhard Richter’s 4900 Colours: Version II today, September 23. The piece is comprised of 4900 brightly colored squares arranged randomly by a concept Richter has coined “controlled chance.” The squares have been painted on 100 aluminum panels. The panels can be viewed altogether as a single work of art that measures 69 square meters or the work can be displayed as 49 separate pieces. Serpentine will display the 4900 Colours: Version II as separate original works. The new piece strongly resembles both the artist’s previous color abstractions dating back to the 70’s as well as a recent stained glass piece the artist created for the Cologne Cathedral in Germany.

Richter Says Nouveau Riche Have Sent Art Market `to the Dogs’ [Bloomberg]
Gerhard Richter Brings 4900 Colors to Serpentine [Digital Art]
Richter’s all square at the Serpentine [Guardian UK]
Gerhard Richter: 4900 Colours: Version II [Serpentine Gallery]
(more…)

Newslinks for Monday August 18th, 2008

Monday, August 18th, 2008

Dasha Zhukova, via Daylife

Daria “Dasha” Zhukova, daughter of an oligarch, girlfriend of Roman Abramovich, and a symbol of the recent Russian push into contemporary art [NYTimes]
Yeah Yeah Yeahs guitarist Nick Zinner’s photography show at Fuse Gallery in the East Village [Supertouchart]
Both Qatar and Abu Dhabi want Philippe de Montebello, who is leaving the Met, for a directorship [NYsun]
More on the Frank Gehry-designed summer pavillion at Serpentine Gallery in London [NYTimes Tmagazine]
Amidst art-world controversy, Sir Nicholas Serota, Tate’s director of 20 years made “permanent employee” [Independent]

Newslinks: Thursday, July 10, 2008

Thursday, July 10th, 2008

Sculpture from “Art for the Masses”, Yue Minjun via Supertouchart

KAWS does a Yue Minjun figurine [Supertouchart]
–>
Are commodity-rich buyers propping up the market for trophy art? [CNN]
–>
Damien Hirst’s rumored collaboration with ultra-pricey cell phone brand Vertu
[FashionWeekDaily]
–>
Applications for an MA degree in art business see a strong increase [Financial Times]
–>
Damien Hirst, other bold-faced names keep it swanky at Annabel’s in London for Richard Prince at Serpentine Gallery [The Independent]

Amtrak warned of Acela ‘defect’; Train spokesman denies lawsuit.(PAGE ONE)

The Washington Times (Washington, DC) October 22, 2002 Byline: Tom Ramstack, THE WASHINGTON TIMES Amtrak was warned by the manufacturer of its troubled high-speed Acela Express trains about potential “defects” in the undercarriages but forced early delivery.

Court documents in a lawsuit by Bombardier Corp. against Amtrak say trains were delivered before the design was certified as safe.

Bombardier, based in Montreal, said it gave its warning of a “trainset truck defect” in a letter dated Aug. 29, 2000. A trainset refers to locomotives and the rail cars they pull. Trucks are the wheel assemblies on the undersides of rail cars and locomotives.

Amtrak yesterday denied Bombardier’s accusations.

“At no time did Bombardier ever raise issues relating to the safe operation of the trainsets,” said Amtrak spokesman Bill Schulz. “If it had, neither Amtrak nor [the Federal Railroad Administration] would have permitted the trainsets to be operated.

“Amtrak was not aware of the specific defect,” he said, referring to cracks in the suspension systems.

Two months ago, an Amtrak mechanic discovered cracks in the undercarriage suspension system of an Acela Express locomotive when a bracket dislodged during routine maintenance in Boston. Additional inspections turned up cracks in other Acela Express trains, which travel at speeds up to 150 mph along the Northeast Corridor. Amtrak was forced to interrupt the popular service and lost millions of dollars in ticket revenue.

Amtrak found that the suspension assembly brackets appeared to be too weak to withstand the side-to-side movement of the locomotives. web site amtrak promotion code

Bombardier delivered the first Acela Express trainset on Oct. 18, 2000. Regular service along the Northeast Corridor started in December 2000.

Amtrak owns 18 Acela Express trainsets, 15 of which normally operate 50 daily departures. Three are kept in reserve. Because of the suspension problems, the operation is down to 12 trains making 40 daily departures.

Bombardier in November filed a lawsuit in U.S. District Court for the District of Columbia seeking compensation from Amtrak for cost overruns resulting from repeated design changes and tests ordered by the national passenger railroad.

On Aug. 18, 2000, Amtrak submitted a “claim,” or demand, that the trains in the $800 million contract be delivered. They already were more than a year late.

Bombardier responded by saying it was reluctant to deliver the trains before all of Amtrak’s requested design changes were complete.

“What Amtrak proposes is nothing short of a unilateral rewriting of the contract that would permit Amtrak to force the delivery of equipment which Amtrak itself asserts is defective in major respects,” wrote Germain Lafontaine, director of program management for the Bombardier Transportation-Alstom consortium that built the trains.

Richard Sarles, Amtrak’s vice president for high-speed rail, knew disagreements involving design of the undercarriage were unresolved but submitted the claim anyway, Mr. Lafontaine said in his letter. Mr. Sarles also knew that the unresolved design issues “could require operation of the trainsets at reduced speeds.” In addition, “these defects would allegedly increase the trainset’s trip time and require post-delivery repairs by the contractor or other commercial resolution.” Bombardier spokeswoman Carol Sharpe repeated the company’s position that any problems resulted from Amtrak’s design changes.

“What we said was that there were certain technical issues with which we disagreed,” she said. “They were imposing certain designs on us and we would disagree. We can’t discuss the specifics.” After Bombardier filed suit, Amtrak issued a statement blaming the manufacturer for delays and cost overruns.

“After five years of delays, performance failures and self-inflicted financial losses, it is no shock that Bombardier is now attempting to shift the blame for the consortium’s mismanagement of the high-speed trainset contract to Amtrak,” said an Amtrak statement dated Nov. 8, 2001.

Among Amtrak’s complaints against Bombardier were “speed restrictions, because the trainsets do not meet contract specifications when operated on track that complies fully with all FRA requirements.” Amtrak appeared to be aware of the undercarriage problems before delivery of the trainsets when it told Bombardier in an Aug. 14, 2000, letter that it was suspending payment for failure to meet design specifications. site amtrak promotion code

Payments in the contract were due as the Bombardier-Alstom consortium progressed in intervals toward completing the contract, referred to in letters as “milestones.” “Milestone payment amounts associated with trainset truck performance and the related qualification tests are not yet due because these milestones have never been achieved,” John Bell, Amtrak’s program director for high-speed trainsets, said in the letter.

Amtrak withheld $51 million in payments because of the equipment problems. Bombardier is seeking $200 million in its lawsuit as compensation for the cost overruns incurred from Amtrak’s design changes.

Meanwhile, Bombardier says it has engineered a permanent repair for the suspension systems, a sturdier bracket that reduces side-to-side motion.

The cracked support brackets were rewelded as a temporary fix in August to get the trains back into service.

Amtrak said Bombardier’s new bracket is undergoing field testing and must be approved by the FRA before it can be certified as a permanent repair.

Acela Express, one of Amtrak’s most popular and profitable business ventures, was a linchpin in the railroad’s failed efforts to free itself from federal subsidies. Congress is considering restructuring Amtrak because of its persistent inability to operate profitably.

CAPTION(S):

Amtrak says Bombardier Corp.’s suspension assembly brackets are too weak to withstand the side-to-side movements of Acela Express trains, which travel up to 150 mph. [Photo by AP]

Go See: Richard Prince ‘Continuation’ at Serpentine Gallery, London, June 26th – September 7th

Friday, June 13th, 2008

Untitled (cowboy) 1998-99 via Serpentine Gallery

American artist Richard Prince follows his recent Guggenheim retrospective with Richard Prince: Continuation at Serpentine Gallery in London. This show will include recent work as well as Prince’s more established pieces from the past 30 years, such as his cowboy series, where the artist rephotographed and enlarged images of American masculinity from Marlboro cigarette advertisements.

Richard Prince [official website]
Richard Prince: Continuation [Serpentine Gallery]
Richard Prince at the Serpentine [red carnation]
Richard Prince and Marc Jacobs Create Expensive Purses [Elle UK]

(more…)