Global contemporary art events and news observed from New York City. Suggestion? Email us.

East Hampton — Taryn Simon: “The Innocents” at Guild Hall Through July 30th, 2017

Saturday, July 29th, 2017

Taryn Simon, Charles Irvin Fain, Innocents (2002), via Guild Hall
Taryn Simon, Charles Irvin Fain, Scene of the crime, the Snake River, Melba, Idaho, Served 18 years of a Death sentence for Murder, Rape and Kidnapping; The Innocents (2002), courtesy Taryn Simon Studio and Guild Hall

Since Taryn Simon first delivered her seminal The Innocents series in 2002, the New York-based artist’s work has continued to revisit and re-examine the concepts of power, identity and their interrelated social effects, examining how varied political conditions render real human effects on the body, and on space.  This summer, East Hampton’s historic art and culture center, The Guild Hall re-contextualizes Simon’s compelling photography series about misconceptions of guilt and impossibility of rewinding time on its 15th anniversary, serving as a backdrop for ongoing discussions around prejudice, injustice, and empathy. Organized by Guild Hall Chief Curator Christina Mossaides Strassfield, the exhibition reiterates a selection of photographs and video from the overall series that had its debut at MoMA PS1 in 2003. (more…)

New York – Taryn Simon: “An Occupation of Loss” at the Park Avenue Armory Through September 25th, 2016

Wednesday, September 14th, 2016

taryn-simon-an-occupation-of-loss-installation-view-courtesy-park-avenue-armory-image-naho-kubota
Taryn Simon, An Occupation of Loss (Installation View), courtesy Park Avenue Armory Image © Naho Kubota

In the midst of the Park Avenue Armory, a series of immense silos tower up from the floor, part of artist Taryn Simon’s landmark performance An Occupation of Loss, which brings a series of funeral mourners from around the globe to the Drill Hall for an overwhelmingly powerful performance meditating on loss, political agency, and common human experience. (more…)

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Taryn Simon, Bratislava Declaration, Bratislava, Slovakia, August 3, 1968, Paperwork and the Will of Capital (2015)
Taryn Simon, Bratislava Declaration, Bratislava, Slovakia, August 3, 1968, Paperwork and the Will of Capital (2015) © Taryn Simon. Courtesy Gagosian Gallery

Last year at the Venice Biennale, Taryn Simon unveiled a body of new work under the title Paperwork and the Will of Capital, a selection of new photographs and assemblages documenting and photographing a series of bouquets that sat as centerpieces during the signing of various accords, treaties, and decrees worldwide.  Taking a subdued path through corporate and pop gestures, the work’s simple presentation and concept carries a strong conceptual punch, deconstructing the political grandeur of often oppressive regime decisions.  These works are now on view in New York, presented at Gagosian’s 24th Street Chelsea location.

Simon 2016 24th Street Install 8
Taryn Simon, Paperwork and the Will of Capital (Installation View), © Taryn Simon. Courtesy Gagosian Gallery. Photography by Robert McKeever

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New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015

Mark Manders, Room with Reduced Chair and Camouflaged Factory (2003) , via Art Observed
Mark Manders, Room with Reduced Chair and Camouflaged Factory (2003) , via Art Observed

Compiled from over 100 works in the Guggenheim Museum’s personal collection, the current exhibition at the uptown institution, Storylines: Contemporary Art at the Guggenheim, feels like something of a victory lap for the museum, following up on its excellent On Kawara exhibition with an extended show of contemporary works that spans the last thirty years, and which uncovers a broad curatorial focus at the core of its collection.  Emphasizing a nuanced interest in the narrative as a core unifying element for disparately realized works, objects and assemblages, Storylines pulls from diverse practices to portray the often challenging representative missions that contemporary artists set for themselves. (more…)

Japanese Curator Launches Inaccessible Exhibition on Grounds of Fukushima Power Plant

Wednesday, July 22nd, 2015

In a commentary on the ongoing threat of nuclear radiation in Japan, Kenji Kubota, associate professor at the University of Tsukubacurat in Japan, has curated an exhibition inside the exclusionary zone at Fukushima Daiichi Power Plant, a space only accessible to visitors wearing hazmat suits.  The exhibition, featuring work by Ai Weiwei, Taryn Simon and others, will remain open until the public is able to see it. (more…)

Go See – London: Taryn Simon’s “A Living Man Declared Dead and Other Chapters” at Tate Modern until September 6th, 2011

Monday, July 4th, 2011


Taryn Simon, excerpt from A Living Man Declared Dead and Other Chapters (2011), via The Guardian.

Young photography star Taryn Simon opened her solo exhibition, “A Living Man Declared Dead and Other Chapters” at London’s Tate Modern on May 25th.  The exhibition is composed of portraits displayed in horizontal rows of family trees according to bloodlines, which Simon researched over a four-year period.  As the artists says, she’s “drawn to projects that end up being incredibly laborious” – though the photos themselves only took two months to complete.


Taryn Simon in front of an excerpt from A Living Man Declared Dead and Other Chapters (2011), photo by Antonio Zazueta Olmos, via The Guardian.

More text and images after the jump…

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Go See – New York: Taryn Simon “Contraband” at Lever House through December 31, 2010

Friday, November 5th, 2010


All images via Lever House Collection, © Taryn Simon.

Taryn Simon’s “Contraband,” curated by Richard D. Marshall, consists of 1,075 photographs taken at U.S. Customs and the U.S. Postal Service International Mail Facility at John F. Kennedy International Airport.  Simon personally remained on-site at JFK from November 16, 2009 through November 20, 2009, photographing all items detained from travelers entering the country and from packages entering the US from overseas.

More text and images after the jump…

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Don’t Miss the Opening: Taryn Simon’s ‘An American Index of the Hidden and Unfamiliar’ at Gagosian Gallery, Beverly Hills

Friday, September 12th, 2008


Contraband Room, United States Border and Customs Protection
via Wired

Opening September 13th, Taryn Simon unearths the unseen images behind America’s closed doors. Images of a cryopreservation unit in Clinton Township, Michigan; a nuclear waste encapsulation and storage facility in Southeastern Washington State; a mentally retarded white tiger in Eureka Springs, Arkansas; and a Braille copy of Playboy Magazine in New York City are just some of several vibrant recordings included in Simon’s calculated cross-country venture.  Referred to as “occult glamour” in her publication’s foreword, Simon’s photography is procured by a large format 4×5″ camera to take a single negative which mimics the formalized aesthetic of traditional portraiture.  At age 33, Simon has celebrated national and international success with previous exhibitions at The Whitney Museum of American Art, New York and Kunst-Werke Institute of Contemporary Art, Berlin among others.

Lens Crafters by Kathleen Kingsbury [TIME]
No More Secrets [The London Telegraph]
Access All Areas [Frieze]
Taryn Simon Official Website

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Newslinks: Saturday August 16th, 2008

Saturday, August 16th, 2008

Ryan McGinley shooting for Wrangler Jeans via Radar

Ryan McGinley is making ads for Wrangler jeans (running only in Europe) [Radar via Artfagcity]
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Sotheby’s consolidates Asian art auctions from New York to Hong Kong [Bloomberg]
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Taryn Simon commissioned by Nike to shoot the Men’s US Olympic Basketball team [SuperTouch]
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Stained-glass cathedral window by Marc Chagall is shattered by vandals in France [NYTimes]
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The global effects of four major types of art crimes: vandalism, theft, looting and forgery [Art Info]

Child-support rules get major changes: Will aid recipients be more willing to identify fathers?(Culture, Et Cetera)

The Washington Times (Washington, DC) August 23, 1996 | Wetzstein, Cheryl In 1994, nearly 400,000 children on welfare learned who their fathers are through a paternity establishment process. Another 2.3 million children on welfare are still waiting, according to the Office of Child Support Enforcement.

The new welfare bill’s child-support enforcement section says states can step up efforts to get “cooperation” about fathers from mothers seeking welfare – and reduce benefits to mothers deemed “noncooperative.” Marilyn Ray Smith, a child-support enforcement official in Massachusetts, believes the new time limits in welfare reform will lead to more paternity establishments.

“Child support is the true safety net when you have time-limited welfare benefits,” she said. “If you are only going to have welfare for two years at a time or five years over the course of your life, your incentives for making sure the father is held responsible for supporting the child are a lot greater.” But it’s impossible to know how single mothers, many of whom have been ambivalent about seeking formal child-support orders, will respond to the reforms.

In 1994, two researchers from the Nelson A. Rockefeller Institute of Government in Albany, N.Y., met with three groups of welfare mothers. Some mothers said:

* Although they told officials where the father was, no payments were collected. “I’m doing everything I can now to identify the father, but it doesn’t make a difference. They can’t pick him up,” said one mother.

* They feared losing custody to the father: “One mother got a father court-ordered to pay child support. . . . Then he got custody of [the daughter] just because he has a good job and she’s on welfare.” * The child-support system might interfere in the father-child relationship. “You don’t want to ruin that friendship. . . . You have to raise that child together,” said one mother.

* Child support was a hassle for everyone: “I have a girlfriend who has been working with the system for five years trying to get child support,” said one mother. But payments weren’t collected because the father would “get angry and quit his job and go somewhere else.” “The thing is,” said another mother, “I want him out of my life and if I have to spend every day of my life trying to make sure that somebody tracks him down – this tears me apart. I need to let go of this and get on with my life.” The new reform will also end a policy called the “$50 pass-through.” In welfare cases, states keep court-ordered child-support payments. Often it “passed through” $50 of the support it collected each month to the welfare mother. Now, states will have the option of giving the full amount to the family. childsupportmd.net child support md

In the past, the $50 pass-through appeared to discourage paternity establishment and encourage cheating. Typically, a mother would deliberately mislead officials about who her baby’s father was, get on welfare, and then take secret payments – often more than $50 – from him or his family to augment her welfare benefits. go to website child support md

Some child-support experts insist there’s no evidence that this cheating was common; Mrs. Smith said she thought the practice was “pretty widespread.” ****BOX A NEW RULES FOR CHILD- SUPPORT ENFORCEMENT Under the new child-support enforcement section of the just-signed welfare-reform bill, states can:

Cut welfare benefits by 25 percent for single women (with few exceptions) who do not establish paternity for their children and assign child-support collection rights to the state.

Use streamlined procedures to establish paternity, including genetic testing.

Seek child-support payments from grandparents whose minor children go on welfare.

Get federal funding to start up interstate computer systems to track court orders, payment history, addresses and employment of persons who owe child support.

Deduct overdue child-support payments from paychecks, including those of government workers and military personnel.

Force unemployed persons with child-support arrears to join a state work program.

Report child-support debts to credit bureaus.

Put liens on property owned by persons with child-support debts.

Check bank accounts for assets owned by persons with child-support debts.

Withhold, suspend or restrict driver’s, professional and recreational licenses of persons with child-support debts.

Deny, restrict or revoke passports of persons who owe more than $5,000 in child support.

Receive grants for programs to improve mediation, counseling and visitation enforcement.

Source: Personal Responsibility and Work Opportunity Reconciliation Act of 1996.

****BOX B CHILD-SUPPORT SNAPSHOT In 1994, according to the federal Office of Child Support Enforcement, state child-support agencies:

Worked on 18.6 million cases (including families on welfare or in the foster care system, non-welfare families and arrearage-only cases).

Made a collection in 3.4 million cases (18.3 percent).

Established 590,819 paternities (including 396,877 for children on welfare).

Located 4.1 million absent parents.

Collected nearly $9.9 billion ($7.3 billion from non-welfare cases).

Collected $7.6 billion (54 percent) of $14.1 billion due in current support.

Collected $2.1 billion (7 percent) of $30.8 billion in overdue support.

Collected 55 percent of payments through wage withholding.

Spent $2.6 billion on child-support operations (including federal spending).

Collected $3.86 for every $1 spent on child-support enforcement.

Source: “Child Support Enforcement Nineteenth Annual Report to Congress,” Office of Child Support Enforcement, Department of Health and Human Services Wetzstein, Cheryl