Wolfgang Tillmans, paper drop (star) (2006) via Sophie Kitching for Art Observed

For the past several years, Wolfgang Tillmans has worked at the forefront of contemporary artistic practice, moving relentlessly through a series of photography projects, videos, performances and other modes of operation that have established his work as a fitting reflection of modernity, exploring both cultural and natural phenomena as inextricably linked.  For his new exhibition at the Tate Modern, Tillmans continues his movement forward, using his work over the past decade as context to explore the world around us today.

Wolfgang Tillmans, (title?) FRAGILE 1983-1989, Arena Homme+, n°44 (2015) via Sophie Kitching for Art Observed

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Wolfgang Tillmans, The State We’re In, A (2015), via Art Observed

Few artists have served as such fervent and enigmatic documentarians of the modern landscape as Wolfgang Tillmans, the German-born, London-based photographer who mixes astute and often empathetic images of nightlife and youth culture alongside his more exploratory projects, mixing natural photos, landscapes, and even surreal images of technological innovations, massive building projects, or the iconography of international commerce.  For his current exhibition at Maureen Paley in London, Tillmans has allowed each of these elements to take their moment in the spotlight, creating an expansive catalog of works that feels remarkably perceptive in the context of current events.

Wolfgang Tillmans, I refuse to be your enemy, 2 (2016), via Maureen Paley

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Wolfgang Tillmans is interviewed in the Financial Times this week, as he continues his campaign against the pending Brexit vote.  “I see myself as a product of the European postwar history of reconciliation, peace and exchange,” he writes. (more…)

The Guardian speaks with Wolfgang Tillmans this week, as the artist continues his advocacy for the UK to stay in the European Union.  “It feels like maybe we are sleepwalking into a big, wrong decision. I don’t want to wake up on 24 June and feel I have not done enough to prevent that happening. It’s so important. I want to put all my energy behind it.” (more…)

Wolfgang Tillmans has spoken out ardently against the pending vote over the UK’s departure from the European Union, and has made a number of posters available on his site advocating against the “Brexit.” “I feel that we have reached a critical moment that could prove to be a turning point for Europe as we know and enjoy it – one that might result in a cascade of problematic consequences and political fall-out,” he writes. “Brexit could effectively spell the end of the EU. It’s a flawed and problematic institution, but on the whole it stands for a democratic worldview, human rights and favors cooperation over confrontation.” (more…)

Wolfgang Tillmans, Iquitos Dos (2013), All images are by Osman Can Yerebakan for Art Observed.

David Zwirner is currently presenting artist Wolfgang Tillmans’ PCR, his first exhibition with the gallery following his departure from longtime representatives Andrea Rosen Gallery. Doing the justice to the exhibition’s inaugural nature, the gallery has reserved its two locations on 19th street for the massive show of photographs, sculpture and video, which takes its name from an abbreviation of the scientific term “polymerase chain reaction.”  A technique applied in molecular biology to reach a deeper and more particular genetic identity for a person’s DNA, PCR serves as a metaphor for the works on view, which near a hundred in total.  Each piece here underscores the breadth and depth of the artist’s expansive oeuvre, and every piece, similar to a molecule, contributes to build a larger pattern, holding traces of the German-born artist’s decades long career. (more…)

Wolfgang Tillmans, young man, Jeddah, b, (2012), via Andrea Rosen

Continuing their ongoing relationship, Andrea Rosen Gallery is currently exhibiting its 11th solo exhibition of work by German photographer Wolfgang Tillmans, on view through June 22nd.  From Neue Welt is the result of a four-year project that Tillmans began in 2008, and completed in 2012, a vigorous photographic cataloguing of the dawn of the 21st century. 25 works have been selected from the hundreds of photographs that were a part of the original work, which culminated at the Kunsthalle Zurich in the fall of 2012.

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Wolfgang Tillmans, Exhibition View, via Moderna Museet Stockholm

20 years of photographic works by Wolfgang Tillmans, the first photographer ever to win the Turner Prize, are currently on view at Moderna Museet, comprising his first major show in Sweden.

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Image: Sean Daly, Shaun Regen, Kathryn Bigelow, and John Loga via Vogue

Shaun Caley Regen opened her new location in Los Angeles last night at 6750 Santa Monica Boulevard, in a newly developing section of Hollywood, just east of Highland Avenue. The new space was designed by architect Michael Maltzan, creating a museum-like exhibition venue.

Image: Regen Projects’ inaugural exhibition via Regen Projects

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Wolfgang Tillmans – Neue Welt, (2012) (Installation View) Kunsthalle Zurich

Wolfgang Tillmans has a long history with Kunsthalle Zurich.  It was at the venue that he had his first institutional exhibition of work in 1995, and to which he now returns with his new series Neue Welt (New World) to christen the gallery’s new premises at the Löwenbräukunst.

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Wolfgang Tillmans, TGV, inkjet print on paper (2010). All images courtesy Gallery Chantal Crousel.

Wolfgang Tillmans returns for his second solo show at Gallery Chantal Crousel, presenting new works from the past few years. Images of both public and private nature are displayed in typical Tillmans style; unframed works hanging either directly on the wall or by the use of his infamous binder clips.

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Musicians play in front of a work by Alex Katz at Galerie Thaddaeus Ropac, Paris, where the painter’s show Face The Music runs through November 19th, 2011. All Photos by Caroline Claisse for Art Observed

Thursday evening, October 20th, Parisian galleries across the city participated in what is called Nocturne des Galeries (Galleries Night Out). Hosted by FIAC, the event is an opportunity to survey the French art scene, as well as to “step up the commitment and increase the visibility of galleries focused on 20th century furniture conceived by architects and and contemporary design work.” The galleries are divided into five different sections: Louvre/Saint Germain, Champ Élysées, Eastern Paris, Louise Weiss, and Marias, which boasts the largest number of galleries. Art Observed was on site for openings at Galerie Thaddaeus Ropac, Galerie Chantal Crousel and Emmanuel Perrotin.

Xavier Veilhan, opening of Orchestra at Galerie Emmanuel Perrotin through November 12.

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Wolfgang Tillmans, Installation view at Regen Projects II (2011). Via Regen Projects.

German artist Wolfgang Tillmans continues his practice of large-scale photography at his sixth solo exhibition at Regen Projects.  These new works are large-scale, compelling photographs of places in cities intimate to the artist.  Cities like New York, Berlin and and London, as well as other less familiar locations, make lively subjects for an artist known for his discerning photographic eye.  The photographs are large inkjet prints hung without frames, allowing for a minimal exhibition style that showcases both the work and the medium.

Wolfgang Tillmans, Eierstapel (2009). Via Regen Projects.

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“Eierstapel” (2009), part of the new Wolfgang Tillmans show at Andrea Rosen. ©Wolfgang Tillmans

Through March 13, Andrea Rosen is hosting 85 new works by the photographer Wolfgang Tillmans, in an exhibition that diverges from much of his typical series. A picture of a baby opens the show, which includes pictures of the Gaza security fence, a triathlon, egg cartons, cities, nature… “Previous shows,” Tillmans tells Dominic Eichler, “…often included absurd moments and odd subject matter that had nothing to do with the core narrative of the ‘real’ utopias portrayed in my pictures. But this show reverses the balance – a few pictures from ‘my world’ are met with a majority of ‘outside’ world.”

Installation view of the Wolfgang Tillmans exhibition at Andrea Rosen. ©Wolfgang Tillmans. Photo by Jeremy Lawson

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The First Annual Art Awards via Guggenheim.org

Last night, October 29, marked the inauguration of a new annual art event: Rob Pruitt presented The First Annual Art Awards at the Solomon R. Guggenheim Museum, New Yorkin association with the city’s oldest alternative art space, White Columns.

The awards were conceived by artist, Rob Pruitt, as a performance-based artwork; for the occasion he recruited the characters of Index Magazine’s wry satirical web series, Delusional Downtown Divas. The New York Times have reported that “…the Divas schemed to infiltrate the art establishment by any means possible. In one segment they pitched a tent in the Guggenheim, doing their laundry in the lobby fountain.”

Jeffrey Deitch and Kembra Pfahler at The First Annual Art Awards at the Solomon R. Guggenheim Museum via style.com

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van Gogh’s “Ernte in der Provence” (1888), at Kunstmuseum Basel.

The Kunstmuseum Basel is currently showing works by the master painter Vincent van Gogh.  Seventy paintings, both better- and lesser-known, are featured in this first large-scale showing of exclusively landscape works by the artist.  The van Gogh paintings will be accompanied by a biographical video on the artist as well as forty landscape pieces by his contemporaries.  The intended result gives patrons a look at van Gogh’s contribution to the evolution of technique and concept in landscape work. The show closes on September 27.

Related links:
Kunstmuseum Basel
Switzerland’s art blockbuster of the year: Van Gogh landscapes [GenevaLunch]

Vernissage has video of the exhibition.

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Wolfgang Tillmans, ‘Anders Pulling Splinter from his Foot.’ 2004. Via Design Boom.

Currently on exhibit at Schaulager in Basel are approximately 200 paintings and sculptures dating from the 15oo’s to the present, taken from the collection of the Kunstmuseum Basel.   Alongside the works are thirty pieces from the Emanuel Hoffmann Foundation and several works from private collections. Schaulager is meant to function as a kind of new form of art institution, “one that is neither museum nor traditional repository,”  but a “viewing warehouse,” with optimal climatic conditions where art can be simultaneously stored, preserved and viewed all at once.  Curated by Theodora Vischer, the current exhibit juxtaposes old and new artworks and was carefully selected and arranged.  The installation was “not produced based on the model of a classical museum hanging.  Rather, the result was a different, new narrative, or better: an essay of pictures.  It evolved, image by image, by means of diverse and unexpected relationships and numerous dialogues that ensued between the works, until finally the essay ‘Holbein to Tillmans’ took shape.”

Rodney Graham’s, ‘Allegory of Folly: Study for an Equestrian Monument in the Form of a Wind Vane,’ from 2005 alludes to an earlier work; ‘Praise of Folly,’ by Erasmus of Rotterdam, which was illustrated by Hans Holbein the Younger, a German artist from the 16th Century. Via DesignBoom.

Related Links:
Holbien to Tillmans [Schaulager]
Video of Holbein to Tillmans Exhibition. [Schaulager]
Holbein to Tillmans at Schaulager, Basel [Vernissage TV]
Holbein to Tillmans Exhibition at Schaulager [Design Boom]
Holbein to Tillmans- Prominentt Guests from the Kunstmuseum Basel [The ArtNetwork]

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Dash Snow and his daughter Secret via TinyVices

Following Dash Snow’s untimely death early last Tuesday morning, articles such as this one from The Guardian labeled Snow as an “art icon.”   The Independent cited the artist as “a mythical hero of an artistic underworld.”   There was a cynical editorial on Dash Snow from Canada [Toronto Star via Art Market Monitor]   And within 48 hours of Dash Snow’s death, New York Magazine speculated on the market for his work, and later that that his work might be pulled from an charity auction in Watermill next weekend. Terence Koh dedicated a performance in the UK [The Moment] and Brazilian street art duo OS Gemeos dedicated their Houston and Bowery mural to the artist [NYMag] There was an extensive image collection of the artist and his work from Tiny Vices. and finally a eulogy from the artist’s friend Glenn O’Brien [Purple-Diary]

A work by John Baldessari via the Tate

The Tate Modern will launch a major John Baldessari retrospective, his first in the UK, on October 13th [Tate]
Bob and Roberta Smith and Wolfgang Tillmans will be Tate trustees [FAD]

Zevs bombing the Armani store with his dripping Chanel Trademark via SlamXHype

Graffitti artist Zevs arrested in Hong Kong before a major gallery show [SlamXHype]
In related, 3 are arrested for conducting a counterfeit Banksy printing operation [The Art Collectors]

A mockup of London’s Playing the Building installation via David Byrne.com

David Byrne reprises his downtown New York Playing The Building sound in architecture installation at London’s Roundhouse August 8th through the 31st [Roundhouse.org]

The video for Madonna’s ‘Candyshop,’ featuring video by Marilyn Minter via YouTube

Marilyn Minter’s Green Pink Caviar is used as a video backdrop for Madonna’s song “Candyshop” [Artnet]

A rendering of Herzog de Meuron’s expansion to the Tate Modern via World Architecture News

Much publicized plans to expand the British Museum and the Tate could be tabled as funds come into question [TimesUK]
A look at some of the recent graduates and potential YBA’s at Goldmith’s degree show in London [GuardianUK]

Olafur Eliasson speaks about using space and light via Ted

An engaging video of Olafur Eliason speaking about perception [Ted]
The Wall Street Journal has an excerpt from the book Provenance, which documents one of the greatest cons in the history of art forgery [Wall Street Journal]

Lawrence Salander via Bloomberg

Lawrence B. Salander was arrested for the 2nd time for what the Manhattan District Attorney called the biggest art fraud in New York history [Bloomberg]
A video interview with American painter Ellsworth Kelly [The Art Newspaper]

Roman Abramovich and Dasha Zhukova via Fashion Week Daily

According to rumors, Moscow curator Dasha Zhukova and 2008 mega-collector Roman Abramovich have split [Fashion Week Daily]
Christie’s has an iPhone app, offering access to its calendar and catalogs, and soon a live-bidding component [Guardian]

Simon de Pury via Harpers Bazaar

Simon de Pury, chairman of the auction house Phillips de Pury revealed as Judge on the upcoming Bravo/Sara Jessica Parker art-world reality show [NY Times] and video of the around-the-block line in New York to apply to be on the show recently [NYArtBeat]

Tomas Sarceno’s ‘Galaxies’ in ‘Making Worlds’ at the Venice Biennale, photo by ArtObserved

Under the title of ‘The Collectors’, the artist duo Elmgreen&Dragset curated and staged the first joint venture between two Pavilions at the Venice Biennial.  As the title suggests, the show explores collecting as a practice combining privacy, public visibility, obsession and self-expression.

On the opening day, the line in front of the Danish Pavilion that served as the entrance to both Pavilions was as long as the rooster of represented artists was impressive: Terence Koh, Hernan Bas, Wolfgang Tillmans, Jonathan Monk to name only some of the 24 international artists and designers participating.  The public was guided on a tour by a real estate agent through a “For Sale” Danish Pavilion and into the neighboring Nordic Pavilion counting the story of a kinky bachelor named Mr. B. and his collection of contemporary art and his ex-lovers’ swim wear. The naked young man lasciviously posing in an Arne Jacobsen arm chair was the definitely the favorite photo occasion of the day.

The Collectors
La Biennale
Venice Biennale Shows Men Embracing, Bruce Nauman’s Rituals [Bloomberg]
Rising to Biennale’s Curatorial Challenge [WSJ]
Politics dominates Venice Biennale [Globe and Mail]
It’s Reigning Men [Artforum]

Installation view of ‘The Collectors’ by Elmgreen&Dragset at the Danish and Nordic Pavilions, photo by ArtObserved

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Installation view of Rothko’s ‘Seagram Murals’ via MSNBC

Tate Liverpool exhibits Rothko’s Seagram Murals after a 20-year absence [Artdaily]
Rochelle Steiner, under whose tenure Olafur Eliasson’s “New York City Waterfalls” was sponsored, leaves the Public Art Fund [NY Times] and in related, Sotheby’s CEO takes big paycuts in the wake of the market downturn [Bloomberg]

Alex James, bassist of Blur via The Mirror

Blur’s Alex James to judge Charles Saatchi’s art-star reality TV show [The Mirror]
Jonathan Jones on how consumerism spawned Warhol and Pop art and thus the shallowness of contemporary art [Guardian]
Vanity Fair’s imagined conversations overheard at a MoMA party [VanityFair]
A new show at Paris’s Musee d’Art Moderne acknowledges how Italian Surrealist Giorgio de Chirico sold backdated copies of his own work [Bloomberg]

Patti Smith via The Art Newspaper

Patti Smith, whose Polaroids are showing at Robert Miller gallery, on her early career as an artist and why she feels Jeff Koons’s work is “just litter upon the earth” [The Art Newspaper]

Andy Warhol’s BMW Art Car via W Magazine

The BMW Art Car series by artists such as Frank Stella, Andy Warhol, Roy Lichtenstein and Robert Rauschenberg to appear at New York’s Grand Central Terminal starting March 24 [W Magazine]
Chinese art dealer who sabotaged Christie’s sale of bronzes during the Yves Saint Laurent sale weeps at his shattered credibility [Bloomberg]

Steve McQueen modeling for T Magazine

A brief profile of Turner prize winning film artist Steve McQueen’s fashion aesthetic [The Moment]
The Las Vegas Sun does a post-mortem on the Las Vegas Art Museum, which closed last month [Las Vegas sun via ArtsJournal]

Trailer for ‘Guest of Cindy Sherman’ via Entertainment Weekly

Soon to open in New York, an art world outsider chronicles his relationship with an art world insider in the film ‘Guest of Cindy Sherman’ [Entertainment Weekly]
Susan Moore looks at the recent emergence of a homegrown art scene in the United Arab Emirates [Financial Times]

Collectors Stephanie Seymour and Peter Brant.  Image courtesy Mary Barone via Artnet

Art in America and Interview Magazine owner Peter Brant opens his private collection to the public, by appointment only, at the Brant Foundation Art Study Center [NY Times]
How the former CEO of the Royal Bank of Scotland was unable to secure an immense 16,000 piece art collection obtained during a takeover of ABN Amro as that bank’s CEO deftly transferred ownership to a foundation before the merger [TimesUK]
Turner Prize winning sculptor Antony Gormley announces first public art installation for Scotland [TheScotsman]

Laura Hoptman, Massimiliano Gioni and Lauren Cornell, curators at the New Museum of Contemporary Art via NY Times

A preview of the New Museum’s inaugural triennial, “The Generational: Younger Than Jesus” [NY Times]
Hans Ulrich Obrist’s book “The Conversation Series” includes interviews with artist such as Wolfgang Tillmans and Gilbert and George [ArtInfo]

A peek at Pierogi Gallery’s new annex, the Boiler via NY Times

Williamsburg’s Pierogi Gallery opens new annex, The Boiler [NY Times]
Chelsea galleries, including Andrea Rosen, Barbara Gladstone, Mary Boone and Matthew Marks, to show work at the Museo Nacional de Bellas Artes in Havana, Cuba [The Art Newspaper]

Anish Kapoor’s ‘Temenos’ via AnishKapoor

Construction begins on first of five of Anish Kapoor outdoor sculptures in the UK: the ‘world’s biggest art project’ [DesignWeek]

Portrait of Pope Benedict XIV by Pierre Subleyras via NY Mag

Old masters prove to be a bellwether in the market downturn [Financial Times] as such, The Metropolitan Museum acquires a Renaissance portrait of Pope Benedict XIV for nearly $1 million amidst financial woes [NY Mag] and this painting also is featured here in a separate video discussion on the resilience of old master paintings [Sotheby’s]

‘I give you all my money 2008’ by Cathy Wilkes, a finalist at 2008’s Turner Prize, via Guardian

The Turner Prize is exhibiting this year’s finalists starting September 30th at the Tate Britain, in London. Founded in London in 1984 to support the development of contemporary artists under 50 years of age, the prize is widely considered one of the art world’s highest honors. This year’s finalists are Runa Islam, Goshka Macuga, Mark Leckey and Cathy Wilkes–the first time in the prize’s history that three of its four nominees are women. The works shown run the gamut from installation art to film.  Past award recipients have included Wolfgang Tillmans, Tracey Emin, Damien Hirst, Anish Kapoor and Steve McQueen.

Turner Prize page at the Tate Britain
A mannequin on a toilet and dry porridge – it’s the Turner Prize [Independent]
The Turner Prize 2008: who cares who wins? [Telegraph]
Turner Prize Nominees Offer Supermarket Checkouts, Broken China [Bloomberg]
Video: Take a tour of the Turner prize 2008 [Guardian]
Turner Prize 2008: Who’s Who [Guardian]
Dummies and china compete for Turner [Financial Times]
Turner fight begins again [Financial Times]
Nurses and Curses: Adrian Searle on this year’s Turner Prize finalists [Guardian]

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Strings, ‘An der Isar (2006) by Wolfgang Tillmans via Chantal Crousel

In his first solo exhibition in Paris since 2002’s Vue d’en Haut, with Strings German artist Wolfgang Tillmans continues his intricately planned configurations of photographs capturing seemingly unrelated people, landscapes and objects juxtaposed with found media, news clippings, photocopied documents and various other objects. The photographs, together with the other elements of each arrangement, take on an almost sculptural quality once taken in as a whole, with each piece contributing to a dialogue embodied in the assembled work. Tillmans’ pieces will be on exhibition at Paris’ Chantal Crousel Gallery from September 13th through October 25th.

STRINGS
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September 13 – October 25, 2008
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For more information, visit www.crousel.com

Wolfgang Tillmans, Strings [Crousel]
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Wolfgang Tillmans – Artist Bio [ArtInfo]

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Your Dogs, 2008 via Maureen Paley

German photographer Wolfgang Tillmans has an exhibition at Maureen Paley gallery in London’s East End. His first solo exhibition in the UK since 2005, it offers new work as well as older, rarely viewed video. This exhibit is a combination of traditional photographs, photographic sculptures, photocopies and video. Two themes recurring throughout both floors of Tillmans’ work are the photograph as an object and the interaction of nature and man-made objects.

Wolfgang Tillmans, Maureen Paley Gallery [Maureen Paley]
Wolfgang Tillmans [ArtNews]
Wolfgang Tillmans at Maureen Paley [SHOWstudio]
Wolfgang Tillmans at Maureen Paley [Dazed Digital]
Wolfgang Tillmans – Maureen Paley Gallery [Photoicon]
Discover ‘Lighter’, the new solo exhibition from Wolfgang Tillmans [London is Free]

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