Yayoi Kusama, I Spend Each Day Embracing Flowers (2023), via David Zwirner

On this month, I Spend Each Day Embracing Flowers,  brings together a body of new of works by Japanese artist Yayoi Kusama at David Zwirner featuring new paintings and sculptures elaborating on her signature motifs of pumpkins and flowers, and a new Infinity Mirror Room. Presented across the gallery’s 519, 525, and 533 West 19th Street locations in New York, this will mark ten years since Kusama’s first solo show with David Zwirner in 2013 and will be one of her largest gallery exhibitions to date. Read More »

Hernan Bas, Conceptual artist #23 (Popsicle stick sculptor; a purist, he consumes his materials in devotion to his craft, leading to his inevitable last work) (2023), via Lehmann Maupin

Lehmann Maupin presents the latest works by Hernan Bas this summer; The Conceptualists: Vol. II, an exhibition of new work that continues a project begun in 2021. Bas is best known for his narratively rich scenes that feature a wide-range of references spanning art and literature, popular culture, kitsch, the occult, religion, and mythology. Across his works, Bas seeks to defamiliarize everyday experience through humor, revealing the surreal and absurd lurking beneath the mundane. In the Conceptualists series, Bas marries his personal appreciation of conceptual artists with his ongoing exploration of eccentricity.  Read More »

Luc Tuymans, Smiley (2022), via David Zwirner

Open this month at David Zwirner Gallery’s  537 West 20th Street location in New York, Belgian artist Luc Tuymans presents a selection of new works that marks his seventeenth show with the gallery. Mining a hazy, liminal technique that results in works that defy easy categorization, Tuymans continues the exploration of the act of seeing, and reflecting that image in his work.  Read More »

Kehinde Wiley, Portrait of Daniel Paiol López (2023), via Sean Kelly

Sean Kelly in New York presents a body of new works by painter Kehinde Wiley this month, inviting the artist to showcase a series of paintings that continue his interpretation of the western canon and its politics of representation and perspective. Informed by Wiley’s focus on the evolution of Black culture globally, the show draws on the artist’s recent visits to Cuba, and explores the phenomenon of the carnivalesque in Western culture. Referencing a diverse range of artists, the circus, and the power of street performance and dance, the HAVANA paintings focus on the circus as a site of disruption for the rational mind and circus performers who embrace a dynamic and vibrant way of living and being in the world.

Kehinde Wiley, Misahel Hernández Study (2023), via Sean Kelly

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Emily Ludwig Shaffer, Mary (2023), via Galerie Pact

This month in Paris, artist Emily Ludwig Shaffer presents a body of new works at Galerie Pact that continue an expressive and iterative approach to the language and canon of art history, interpreting and recontextualizing classical signifiers as a colorful and densely layered series of canvases. Using the work as a space to reclaim the woman’s body from the male gaze, her pieces draw on human form and its relation to history to create new modes and representations.  Read More »

Austin Lee, Good Weather (2023), via Pace Prints

This month in New York, artist Austin Lee presents a selection of prints in collaboration with the Pace Prints studio. Titled “Good Impressions,” the show marks a continuation of Lee’s expressive and multi-faceted modes of image generation.  Read More »

Lena Henke, Memory of young sculpture VIII (2023), all images via The Ranch

This summer at The Ranch in Montauk, artist Lena Henke has installed a body of works that respond to the site’s equestrian and architectural histories. Titled Nature Wills It, the exhibition brings together a range of works that combine human and animal signifiers to create a range of formally and conceptually-challenging works in the gallery space. Rather than put forward a coherent and unified body, Henke’s work proposes alternate ways of figuring the horse. These sculptures evince an agonistic making: grappling for different means of picturing the animal’s visual features. Endeavoring toward the haptic and latent, the horse is segmented into components (head, body, hoof), each given its own handling and media. Read More »

Abraham Cruzvillegas, Little Song (Installation View), via Kurimanzutto

On view at Kurimanzutto’s New York exhibition space this month, artist Abraham Cruzvillegas brings forth his second solo project in the city with a new body of sculptural pieces created in his studio in Mexico City in the last year. The show, which takes over the gallery’s larger exhibition space in the city, integrations the artist’s signature approach and trademark color motifs, paying tribute to the work of Brazilian post-war art while engaging with the aritst’s own iterative exploration of historical and material interests. Read More »

Trevor Paglen, Because Physical Wounds Heal… (2022), via all images Pace

On view from May 12 to July 22 in New York, artist Trevor Paglen opens his first solo presentation with Pace in New York with a selection of new photography, sculpture, video, and other work, in a thematic presentation that examines the enduring effects of military and CIA influence operations on American culture. The show serves as the conceptual nucleus of a multifaceted project by the artist that also includes a Web3 project, set to be released by Art Blocks x Pace Verso on April 5, and related “speculative reality work” launching this spring. Read More »

Chris Burden, Cross Communication (Installation View), all images via Gagosian

Exploring artist Chris Burden’s early work as a pioneer of both multi-media engagements with technology, and their interlocking investigations of performance and the presence of the body within the media network, Gagosian is currently presenting Cross Communication, an exhibition of relics, films, and video works by the artist, plus other materials that document his early performances. Read More »