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Los Angeles – “Histories of a Vanishing Present: A Prologue” at The Mistake Room, Through February 20th, 2016

Saturday, February 20th, 2016

Los Angeles – Korakrit Arunanondchai (feat. boychild) “Letters to Chantri” at The Mistake Room Through September 13th, 2014

Tuesday, August 19th, 2014

Los Angeles – Oscar Murillo: “Distribution Center” At The Mistake Room Through April 12th, 2014

Thursday, April 10th, 2014

Korakrit Arunanondchai Unveils New Trailer for LA Exhibition

Wednesday, July 16th, 2014

Los Angeles – Harmony Korine: “Raiders” at Gagosian Beverly Hills Through February 14th, 2015

Saturday, February 14th, 2015

New York – “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937″ at the Neue Galerie Through September 1st, 2014

Saturday, August 9th, 2014

New York – “LIFE: Curated by The Journal Gallery” at Venus Over Manhattan Through July 25th, 2014

Wednesday, July 16th, 2014

New York – Margaret Lee: Closer to right than wrong/ Closer to wrong than right at Jack Hanley Gallery Through March 9th, 2014

Saturday, March 8th, 2014

London – Sarah Lucas: “Situation Classic Pervery” ongoing rotational exhibition at Sadie Coles

Thursday, February 21st, 2013

Art Observed Exclusive: New York – Interview with Student Occupiers of Cooper Union and in Depth Contextual Review

Thursday, December 6th, 2012

New York – “Wayne Thiebaud: Retrospective” At Acquavella Galleries, Through November 30th, 2012

Sunday, November 25th, 2012

Martin Boyce announced as Winner of Turner Prize 2011 at the Baltic Arts Center in Gateshead

Tuesday, December 6th, 2011

Saturday, October 15th, 2011

AO On Site with photoset – New York: Opening of Matthew Barney ‘DJED’ at Gladstone Gallery through October 22, 2011

Thursday, October 6th, 2011

AO On Site – New York: Zhang Enli at Hauser and Wirth through October 29, 2011

Thursday, September 29th, 2011

AO News Summary – Art dealer Guy Wildenstein charged with possession of stolen goods

Monday, July 11th, 2011

AO On Site (with Photoset) – Paris: Erwin Wurm and Tom Sachs Opening Reception at Thaddaeus Ropac Gallery, Tuesday, January 11th, 2011; show runs through through February 12, 2011

Tuesday, January 18th, 2011

Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010

Go See-New York: Diane Arbus ‘In the Absence of Others’ and William Eggleston ’21st Century’ at Cheim & Read Gallery through February 13th 2010

Saturday, January 23rd, 2010

Go See – New York: Alighiero e Boetti ‘Mappa’ at Gladstone Gallery through January 23, 2010

Sunday, December 13th, 2009

AO Onsite: FIAC Has Begun in Paris and will run through October 25th

Thursday, October 22nd, 2009

Autumn in the art world, take in the foliage

Friday, September 7th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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