Wolfgang Tillmans, Installation view at Regen Projects II (2011). Via Regen Projects.

German artist Wolfgang Tillmans continues his practice of large-scale photography at his sixth solo exhibition at Regen Projects.  These new works are large-scale, compelling photographs of places in cities intimate to the artist.  Cities like New York, Berlin and and London, as well as other less familiar locations, make lively subjects for an artist known for his discerning photographic eye.  The photographs are large inkjet prints hung without frames, allowing for a minimal exhibition style that showcases both the work and the medium.

Wolfgang Tillmans, Eierstapel (2009). Via Regen Projects.

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The artist, Richard Prince. All pictures by Caroline Claisse for Art Observed.

Art Observed was on site for the opening “American Prayer” featuring works by American artist Richard Prince at the Bibliothèque Nationale de France in Paris. A book enthusiast and collector of American pop culture and counter culture ephemera, on view are works by the artist relating to American literature books, a consistent source of inspiration and a material he often incorporates into his oeuvre. The exhibit includes two examples of his famous “Nurse” paintings from his personal collection presented to the public for the first time.

Vitrine 16: Sex & Drug & Rock & Roll. Untitled (Jimi Hendrix), 1992-93 by Richard Prince, T-shirt and oil on canvas © Richard Prince, Courtesy Gagosian Gallery

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Art Paris (2011). All pictures by Caroline Claisse for Art Observed.

Art Paris is currently taking place at the Grand Palais in Paris, and will be open until April 3rd. The fair was inaugurated in 1998, moved to the Nave in the Grand Palais in 2006, and continues to grow each year, with over 40,000 people expected to attend. This year, Art Paris is partnered with special “crossover exchanges” at many Paris venues including La Maison Rouge, Palais de Tokyo, L’Espace Culturel Louis Vuitton and the Villa L, which will be showing works by Jeong-Hwa Choi, Dias & Riedweg, Mounir Fatmi, Daniel Firman, Kolkoz, and Aaron Young.

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Galerie Laurent Strouk with Phillipe Pasqua solo show

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A portrait of Ai Weiwei via Shanghaiist.com

Artist and activist Ai Weiwei recently announced plans to move operations to a new European location – Germany’s capitol and global art destination Berlin.  Increasingly tense conditions in China and the recent destruction of his Shanghai studio by the communist government have more or less forced Mr. Ai to seek greener pastures.   According the to Associated Free Press Ai Weiwei has chosen Berlin as his European base for it’s “good atmosphere” and relatively lost cost of living .

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Mona Hatoum, Suspended (2011). All images via White Cube.

Installed on three floors of White Cube Mason’s Yard in London is an exhibition showcasing new work by Mona Hatoum titled Bunker, now on view through April 2nd. Hatoum recently made headlines by joining a group of artists in threatening to boycott the Guggenheim due to allegations that the museum is mistreating laborers constructing the Abu Dhabi branch. While Bunker does not specifically address the boycott, the themes of displacement and violence permeate this latest body of work.

Mona Hatoum, Bunker (2011)

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Artist Rob Pruitt admires his latest work, The Andy Monument (2011). All images Nicolas Linnert for Art Observed.

Today at the northwest corner of Union Square, Rob Pruitt unveiled his latest work, The Andy Monument, in partnership with New York’s Public Art Fund. The nearly 10-foot tall sculpture is a chrome tribute to the seminal figure of Pop Art and major cultural influence in 20^th century New York City history. Situated at the pedestrian intersection at 17^th Street and Broadway, it is just steps from the site of Warhol’s former studio space, the “Factory.”

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Video of Rob Pruitt unveiling The Andy Monument

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Brendan Fowler with Joel Mesler and Carol Cohen (Spring 2011), via Untitled

Currently on view until April 3rd is Brendan Fowler’s show Brendan Fowler with Joel Mesler and Carol Cohen (Spring 2011), at Untitled,  located at 30 Orchard Street. As its title indicates, the show consists of work  that plays with art exhibition techniques. Fowler’s show is only the fourth since the gallery’s opening in September, where his work was included in the inaugural exhibition. Untitled is the reincarnation of RENTAL Gallery,  whose owners, Joel Mesler and Carol Cohen, wanted to open a new space with a different set of goals. As Cohen told Art Observed at Untitled’s opening, the gallery’s goal is to “give more stability to the Lower East Side…not necessarily an art gallery district, but a way of seeing galleries. A place that can be professional without being in Chelsea. We want to give everyone more access to the gallery world.”

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An outside view of the Basilica Hudson via Basilica Hudson Website

The New Art Dealers Association, or “NADA” for short, will be organizing a new version of it’s Miami Basel art fair this summer in Hudson, New York. Gearing up to launch the fair on July 30-31, the collective is currently still seeking exhibitors to fill the massive 8,000 square foot space in Hudson just two hours outside of New York City.  Lindsay Pollock posted details of the project on her website “Art Market Views” just today, describing the city as being “stocked with antiques stores and cheap, charming real estate”.

via Basilica Hudson Website

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Rachel Whiteread, Daylight, 2010. Via Luhring Augustine

Rachel Whiteread’s latest exhibition opened on March 25th at Luhring Augustine, displaying works that the British artist made between 2007 and 2011. In this show, the artist presents a new series of sculptures and work on paper. The sculptures have been made with resin, a medium that Whiteread has been using along with plaster, for the casting of objects or architectural structures, and sometimes, a subsequent recasting of the obtained mold. With this technique, Whiteread creates a material reproduction of the space that was contained by, or that surrounded the cast object. This resulting sculptural object then embodies an ascetic elegy for the relationships that existed between the object and the space, or the object and the users.

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Subodh Gupta, Et tu, Duchamp? (2009/10). All images via Hauser & Wirth

Taking root this spring in Piccadilly’s Southwood Gardens is Subodh Gupta’s tributary appropriation Et tu, Duchamp?, a larger than life black-bronze sculpture of the artist’s reinterpretation of the Mona Lisa. Gupta is well known for reworking common aesthetic tropes, in the past having made sculptures of steel utensils and visually referenced the stars of the Western contemporary art market (particularly Damien Hirst). In this instance, Gupta plays with early Modernist art history by injecting Marcel Duchamp’s L.H.O.O.Q. with a monumental three-dimensionality.

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Grayson Perry, via Esquire

British artist Grayson Perry has been named a Royal Academician for Printmaking at London’s Royal Academy of Arts, joining artists such as Tracy Emin and David Hockney as recipient of the prestigious title. Perry identifies as a transvestite and is known primarily for his ceramic work.

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Death and Maiden (Man and Girl) (1915) by Egon Schiele, via The Belvedere

Currently on view at The Belvedere in Vienna is an exhibition dedicated entirely to the portraits and self-portraits of Egon Schiele (1890- 1918), one of Austria’s most important twentieth-century artists. Schiele’s work departs from traditional portraiture in order to render his subjects’ mental and emotional states with exaggerated expression. Elongated and skeletal limbs are accentuated through the use of somber colors, and often his models seem to be at the height of anguish. Such dark and exaggerated portrayals echo the stylistic tendencies of early Austrian Expressionism as well as the tension present pre-wartime Austria.

Der Verleger Eduard Kosmack (1910) by Egon Schiele, via The Belvedere

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Jeff Koons Must Die!!! The Video Game by Hunter Jonakin

“What if you were locked in an art museum overnight, with a rocket launcher, during a Jeff Koons retrospective.”  So begins the video preview for the videogame Jeff Koons Must Die!!!  MFA candidate Hunter Jonakin‘s 2011 sculpture, is a stand-up arcade cabinet where the viewer can play a video game in which the protagonist walk around an art museum during a Jeff Koons retrospective and is given the choice to destroy the work with a rocket launcher.  In choosing the virtuous path by not doing so, they merely wander the museum, see the work, and then the game ends. However, if they do destroy more than one work (and there’s the choice of puppies, basketballs, La Cicciolina paintings, etc.), Koons will appear and the game takes on the more familiar violent nature of popular first-person shooters, with enemy combatants being replaced with museum guards, curators, lawyers and studio assistants. The important action of the game is not the destruction itself, but which decision the player makes regarding whether to destroy Koons’ work. “Jeff Koons Must Die” clearly pays homage to one of the art world’s entrenched stars while also allowing its player to enact a virtual catharsis if they so choose.

Hunter Jonakin, Jeff Koons Must Die (2011), via Hunter Jonakin.com

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Robert Longo, Untitled (Mecca) (2011)

Art Observed was on-site for the opening of a solo-show by American Robert Longo entitled “God Machines.” A long-time collaborator of the gallery, this is Longo’s first major exhibition at the gallery in many years. The exhibit features three monumental works in the form of large-scale charcoal drawings which almost completely cover the walls of the main gallery space. The works are dedicated to three monotheistic religions and depict major places of religious worship. The event also celebrates the twentieth year anniversary of Galerie Thaddeus Ropac in Paris.

Gallerist Thaddaeus Ropac, Robert Longo and his wife at Galerie Thaddaeus Ropac.
All pictures by Caroline Claisse for Art Observed.

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Laurie Simmons, Day 8 (Lying on Bed), (2010). via Salon 94

New York-based photographer Laurie Simmon’s show opened on February 15th and will continue through Saturday, March 26th. Simmons, who began photographing doll houses in 1976, has since mainly worked with puppets, ventriloquist’s dummies and various other sorts of dolls. Laurie Simmons  starred in the indie film “Tiny Furniture” directed by her daughter Lena Dunham, which was recently chosen as winner for best feature film at the South by Southwest Media and Music Conference. For her latest exhibition at Salon 94, entitled “The Love Doll: Days 1 – 30” her subject of choice is none other than one “Love Doll”, a surrogate sex partner created out of silicon and other “life-like” materials.

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Photo by Art Observed.

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Gus Van Sant, Untitled (2010) ©Gus Van Sant. Courtesy Gagosian Gallery

Crossreferencing film and painting,  Gus Van Sant has never shied from an interdisciplinary approach to artmaking.  The show “Unfinished” is no exception.  Though the show bills both Van Sant and James Franco as the artists in charge,  it is heavy with Van Sant’s signature, especially in terms of the bold two dimensional art.  Van Sant uses watercolor and graphite to create striking images of the characters within his film, My Own Private Idaho.  These paintings are intimate while at the same time graphic and mindful of the medium.  Seven large-scale paintings adorn the front of the gallery, while a curious installation behind a curtain serves as its stablemate.

© Photo Billy Farrell/BFAnyc.com.

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Mark Flood, MURK FLUID installation view, (2011). All images Nicolas Linnert for Art Observed

Currently on view at Zach Feuer Gallery, MURK FLUID is artist Mark Flood’s latest showing of work that deals with various items, including notions of corporate structure, celebrity obsession, and human commodification. Born in Houston, Texas, the artist is known widely for his acrylic and spray-paint poster boards that are influenced by the 1980’s punk movement.

Mark Flood, MAINTAIN (2011)

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Anthony McCall, Vertical Works (2004-2010). All images via Sprüeth Magers.

Now on view at Ambika P3 in London is an exhibition of four light projections by Anthony McCall, titled Vertical Works. The installation is presented by Sprüeth Magers, which is displaying a concurrent exhibition of related drawings at their London location. Though the four light works, created between 2004 and 2010, are abstract projections of lines and curves, their titles are purely figurative. Exhibited in London for the first time, Breath, Breath III, Meeting You Halfway, and You can be seen through March 26th at Ambika P3. The works on paper exhibition at Sprüeth Magers is up until March 27th.

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Evan Penny, Michael, Variation #3 (2010), via Sperone Westwater

Walk one block north from the New Museum and you will find Evan Penny’s exhibition at Sperone Westwater, open until March 26th and presenting a collection of five oversized, hyperrealistic sculptures of human figures that bridge the gap between art and spectacle.  The gallery is also currently showing  work by Emil Lukas.

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A laser cut Powell Peralta (skateboard company) reference – All photos by Ava Rollins of Art Observed

New York based artist Scott Campbell made his West Coast debut last night at Los Angeles’ OHWOW Gallery. The show’s title, Noblesse Oblige, implies that whoever claims to be noble must conduct their life accordingly. Campbell harnessed thousands of bills of cut currency to transform tattoo subculture iconography into delicate and tempered work. In exhibiting a chronicle of imagery, Campbell suggests a fine art context for the genre.

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Berlinde De Bruyckere, Into One-Another I To P.P.P. (2010). All images via Hauser & Wirth

Berlinde De Bruyckere does not hold back when it comes to her art. The human form in her exhibition “Into One-Another To P.P.P.” at Hauser & Wirth is exposed in a series of sculptures expertly rendered in wax. Through experimentation with individuality and mortality, De Bruyckere draws the viewer into her sculptures’ struggle. Also on display are a number of recent works on paper done in watercolor and ink. The exhibition is dedicated to Pier Paolo Pasolini, Italian filmmaker, painter, and poet.

Berlinde De Bruyckere, Into One-Another I To P.P.P. (2010)

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Alexander Calder, Blue and Yellow Sickles (1960). All images courtesy of Gagosian Gallery

Larry Gagosian brings yet another big-ticket artist to his London location with a survey of Alexander Calder’s sculptures made between 1939 and 1960.  The exhibition occupies one long gallery and consists of three of Calder’s iconic mobiles: Triangles, Blue and Yellow Sickles, and an untitled composition.  Each work reflects the artist’s facility with wire and metal used to create tenuous “drawings” which float in mid-air.

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