Artist Giuseppe Penone will bring a trio of monumental bronze tree sculptures to Madison Square Park this fall and winter, exploring the relationships between humanity and nature through art.  Meticulous reproductions of 40 foot high trees, Ideas of Stone marks Madison Square Park’s 26th exhibition of outdoor sculpture.  “A tree summarizes in an exemplary way the contrast between two forces: the force of gravity and the weight of life we are part of. The need and the search for balance, which exists in every living being to counteract the force of gravity, is evident in every step and in every small action of our lives.” Penone said in a statement. (more…)

Empire State (Installation View), via Palazzo Delle Esposizioni

“Empire State,” a classic nickname denoting New York’s central position in the art world, takes a new spin in Rome this summer, thanks to the curatorial talents of Alex Gartenfeld and Norman Rosenthal. (more…)

This fall, The Tate Britain will present an exhibition exploring iconoclasm in British art.  Art under Attack: Histories of British Iconoclasm opens this October, and will include a number of works that have been damaged, defaced or otherwise physically attacked as part of an ideological agenda, including the Statue of the Dead Christ, a 16th Century statue that survived the purgations of religious reformers.  “We wanted to look at things that had gathered significance over time and not something that happened to be topical.” Penelope Curtis, director of Tate Britain, said.  (more…)

Artist Miranda July has launched her email project We Think Alone, a curated series of quotidian emails from celebrities, artists, and other public figures on a variety of themes.  Including emails from Kareem Abdul-Jabbar, Lena Dunham, Kristen Dunst, Etgar Keret and more, the piece welcomes an intimate peek into the sender’s day to day life.  “Privacy, the art of it, is evolving. Radical self-exposure and classically manicured discretion can both be powerful, both be elegant. And email itself is changing, none of us use it exactly the same way we did ten years ago; in another ten years we might not use it at all.”  Says July. (more…)

The controversial installation of a neon Playboy logo and cement sculpture by curator Neville Wakefield and Richard Phillips in Marfa, TX has been ordered to be removed.  After complaints from a local resident, the Texas Department of Transportation found that the installation was in fact corporate advertising, which requires a permit for installation. The Texas Department of Transportation has ordered the property owner to remove this sign because the owner does not have a Texas License for Outdoor Advertising and a specific permit application for the sign was not submitted,” explained Veronica Beyer, the director of media relations for the Texas DOT, in a statement. (more…)

Gerald Lee Jones, a former supervisor in the Metropolitan Museum of Art’s admissions department, has filed an affidavit detailing the museum’s policy towards rewarding higher cashier receipts.  In his statement, Jones claims that museum employees who brought in lower admissions receipts, regardless of the museum’s “suggested” admission price, were rebuked for their performance, while cashiers who aggressively pushed for higher admission prices were rewarded.  “Cashiers are not only trained to avoid disclosing the truth about the museum’s admission prices; their compensation and their continued employment may largely depend on them not revealing it,” He says in court papers. (more…)

Artist Dustin Yellin is profiled in The New York Times, detailing the artist’s continued practice, his recently reopened Pioneer Works space in Red Hook, and his ongoing fascination with collecting and antiques.  “My father had the bug,” said Mr. Yellin, who grew up in Aspen, Colo. “Ever since I can remember walking, he was waking me up at 5 in the morning to go to flea markets. As a kid, I couldn’t really stand it, but as I grew up, I became that guy, and when I have kids, I am going to be doing the same thing.” (more…)

Paul McCarthy’s WS has become the Park Avenue Armory’s second most well-attended show at the venue’s history, having already drawn 11,000 visitors since its opening last month.  The work, already gaining major press for its challenging subject matter, runs until August 4th.  “There’s a much narrower potential audience for this than for most things we’ve done before,” says Armory President Rebecca Robertson, “so I think the attendance we’re seeing is very strong.” (more…)

Xavier Veilhan, Mobiles (Installation View), via Galerie Perrotin

Galerie Perrotin in Hong Kong is currently presenting a solo exhibition by French sculptor, photographer and painter Xavier Veilhan, the first exhibition by the artist to focus exclusively on his mobiles.  Combining a selection of past work with a series of new installations created specifically for the exhibition, Veilhan explores the mobile as a fluid continuation of his work on the intersections of geometric form and three dimensional space. (more…)

Artist Jan Mostaert’s painting Discovery of America, depicting a group of Spanish soldiers aiming cannons at an indigenous group of people, has been purchased by the Rijksmuseum.  Previously owned by Marei von Saher, the work had been taken from her father in law, dealer Jacques Goudstikker, by the Nazis during World War II, and was returned to von Saher in 2006.  “It’s a picture that a lot of people were interested in both in North and South America because of it being such an important historical picture,” said dealer Hugo Nathan, “but Mostaert is arguably the most important early Dutch painter, as opposed to being a Flemish master, and the Rijksmuseum was always hoping to secure it for the Dutch nation.” (more…)

The winning design has been announced for the M+ Museum in Hong Kong, an inverted “T” by Pritzker Prize winners Jacques Herzog and Pierre de Meuron.  Featuring 183,000 square feet of exhibition space, the design will be more than twice the size of the Tate Modern, and will stand as the centerpiece of the expanding cultural district in the West Kowloon area of the city.

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Filmmaker Jem Cohen’s recently opened Museum Hours has garnished considerable attention, setting a story of friendship and art within Vienna’s Kunsthistoriches Museum.  “The use of the Kunsthistorisches is heartfelt and also very funny,” Says film critic Christoph Huber, “a slice of everyday life that I hardly see covered in my national cinema.” (more…)

A recent study of laboratory mice at Keio University in Japan has sought to uncover whether the small animal could distinguish between various works of art by Kandinksy, Renoir, Picasso and Mondrian.  Using various rewards for the animal, the researchers discovered that mice were able to distinguish works as unique, and were also, in some cases, able to identify an artist’s work by their style of painting.   (more…)

Andy Ralph, Manifold Destiny (2013), via L&M Arts

L&M Arts’ current exhibition, Neo Povera, presents a group of works in the spirit of the 1960’s Arte Povera movement, meant to exist purely in and of their own material while pushing the boundaries of acceptable art.  The Arte Povera movement attempted to strip symbolic implications from an object, leaving only the true material, thus making art that is unassuming, present, undivided from reality, minimal in material cost, and devoid of signifiers.  At its conception, the group of Italian artists brought together by Germano Celant intended to dissolve the boundary between elite art and a common experience.

Neo-Povera (Installation View), via L&M Arts (more…)

Artist Imran Quereshi recently sat down with Bloomberg to discuss his current installation on the rooftop of the Metropolitan Museum of Art, his inspiration for the work, and his attempts at bringing a certain understanding of violence to his audience.  “We’ve had so many bomb blasts and people suffering in Pakistan, and when these things happen, people are asked to stay away and officials investigate. And nobody really knows what the reason behind the violence was. I made this work interactive so that people could investigate it themselves and get multiple meanings out of it.”  He says. (more…)

The  New York Times writes on the ongoing contention between the nation of Turkey and the J. Paul Getty Museum over a number of potentially looted items currently held in the American museum’s collection, highlighting the difficult issues at play in repatriation claims.  While many museums are speeding up their processing of these claims, many factors must be taken into account before handing over past property.  “Museums must untangle a lot of knots before making such an irrevocable decision,” said Stephen K. Urice, an expert on cultural heritage law at the University of Miami School of Law in Florida. (more…)

Israeli Shipping mogul Eyal Ofer has made a £10 million donation to the Tate Modern, bringing the museum within reach of its £215 million fundraising drive to fund a major expansion program. “I am delighted that the Eyal Ofer Family Foundation has chosen to make such a major contribution towards Tate Modern’s future.” Says Sir Nicholas Serota, the Tate’s current director. “It is exciting to see such outstanding philanthropy continuing from one generation to the next. The generosity of Eyal Ofer and his family will help to make Tate Modern a truly 21st-century museum.”  (more…)

The Tate Modern has announced a selection of new exhibitions focusing on artists from the African continent.  Featuring retrospectives of work by Sudan’s Ibrahim El-Salahi, 82, and the Lebanese artist Saloua Raouda Choucair, as well as a large-scale installation by Meschac Gaba (where the artist created his own, fictional museum), the move underlines the museum’s more global view towards the contemporary landscape.  “These are all exhibitions that 20 or 30 years ago were quite impossible,” says Tate Modern director, Chris Dercon. “At some point it will be absolutely normal and absolutely necessary to have all these kinds of work, all these artists, together in one museum.” (more…)

Mark di Suvero, Little Dancer (Installation View), via Paula Cooper Gallery

Mark di Suvero is an American abstract expressionist sculptor that often works in kinetics, incorporating dynamic movements to add an element of illusive grace to his monumental sculptures. Continuing his exhibition partnership with Paula Cooper Gallery in New York, the artist is currently exhibiting a new sculpture, Little Dancer, as well as a number of other works in both sculpture and canvas.

Mark di Suvero, Little Dancer (Installation View), via Paula Cooper Gallery (more…)

The inaugural Nouvelles Vagues exhibition in Paris this month will showcase the innovative and increasingly spectacular work of 53 international, freelance curators selected from a pool of 1,600. The state-funded Palais de Tokyo and 31 independent Parisian galleries are holding the event through to September 9th. Among the highly anticipated pavilions are Catalan artist Marti Anson’s house built in the Palais de Tokyo, curated by France’s Marie Griffay, and the exhibitions at Galerie 1900-2000 on the Left Bank, curated by French artist Laurent Grasso.

Read more at The Wall Street Journal

Takashi Murakami (Installation View), via Galerie Perrotin Hong Kong

After 20 years of collaboration, Galerie Perrotin Hong Kong and Takashi Murakami present what will be the artist’s 9th solo show at the gallery, featuring new paintings he created under his alter-ego Mr. Dob, as well as self-portraits of Murakami surrounded by his own characters.

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Jeff Koons has partnered with Champagne makers Dom Pérignon to release an extremely limited edition packaging design or the company’s 2003 Rosé.  Made in stainless steel, the design is a miniature of Koons’ Balloon Venus, and is available for the price of $20,000 a bottle.  “I’m very proud of the ‘Balloon Venus,’” says Koons. “It’s a work that I enjoy and I think really represents my oeuvre of work. ‘Balloon Venus’ represents the continuation of life’s energy. A great vintage also represents the vintages that will come, and so it’s about the continuation of something. It’s a continued creative process.” (more…)

Artist Maurizio Cattelan’s Toiletpaper magazine, done in collaboration with photographer Pierpaolo Ferrari, has just announced a special edition of collaboratively designed sweatshirts with Italian fashion house MSGM.  Incorporating a number of images from the magazine, the sweatshirts work between a nostalgia for past italian fashions and an irreverent take on the sweatshirt itself.  “I don’t like nostalgia,” says designer Massimo Giorgetti. “I prefer irony.” (more…)

Controversially held for centuries outside of China, two bronze zodiac statues looted from Beijing’s summer palace were returned by François-Henri Pinault on Friday.  The Christie’s owner first promised to return the heads in April, during a visit to the country by president Hollande and a number of ranking French businessmen.  “This donation is a token of our family’s appreciation for China as well as our passion for the preservation of art and cultural heritage,” Mr. Pinault said in a statement. (more…)