Printed Matter at LA Art Book Fair, via Art Observed

Last weekend, capitalizing on the high-profile proceedings of the Art Los Angeles Contemporary Fair across town, Printed Matter presented the third edition of its quickly growing LA Art Book Fair.  Held near MOCA’s Geffen Contemporary space in Downtown Los Angeles, the event gathered an impressive crowd to its over 40,000 square feet of exhibition space to browse homemade zines, printed editions and other limited works from a wide range of artists, writers and creators, including over 100 booths from California-based publishers and artists. (more…)

Sturtevant, Duchamp Relâche (1967)

The Museum of Modern Art is hosting the first US exhibition focusing on the work of the late Sturtevant, one of the foremost artists to initiate conversations on commodification and appropriation of artworks, after the late artist was the subject of various solo shows in Europe. Born Elaine Horan in Ohio, Sturtevant always chose to remain discrete about her biography, so much that her year of birth is still a matter of discussion. (more…)

Berlinde de Bruyckere, 028 (2007), all images courtesy S.M.A.K and © Mirjam Devriendt

Currently on view at S.M.A.K. in Ghent, Belgium is the first mid-career presentation of the ouevre of Berlinde De Bruyckere (1964, Ghent) and the first solo exhibition of her work in Belgium since 2002. Entitled Sculptures & Drawings. 2000-2014, the exhibition is an interwoven series of associations of form and content, presented through the mediums of painting, drawing, and installation art.

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Claude Monet, Le Grand Canal (1908), via Sotheby’s

The Impressionist and Modern Auction week has begun in London, as Sotheby’s closes its doors on a strong set of evening sales.  It was the first sale since the auction house announced its increase in rates for 2015, but buyers seemed undeterred by the price increases, bring the final sales tally for the 54 lot sale to an impressive £170,274,000. (more…)

Rineke Dijkstra, Selected Works (Installation View), all images courtesy Marian Goodman Gallery Paris

On view at Marian Goodman’s Paris exhibition space is the third exhibition from Dutch photographer and filmmaker Rineke Dijkstra, composed of of two new videos filmed in Russia.  Dijkstra became internationally known for her beach portraits of teenagers on the beaches of South Carolina, Poland, and Ukraine during the 1990’s, but she has also been producing lesser-known video portraits since 1996. The videos on display here, focusing on young ballerinas, were commissioned by Manifesta (European Biennial of Contemporary Art) for its most recent edition in 2014.

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Paramount Ranch 2, via Art Observed

Tucked away in the mountain ranges outside of Santa Monica, the Paramount Ranch is a relic of the Golden Age of the Hollywood studio system, a massive film set and town used to shoot Westerns.  It’s just this history that makes the landscape a fittingly Californian location to stage an art fair.  Now in its sophomore year, Paramount Ranch offers a unique take on the fair experience: galleries and artists are invited to participate, steering away from any formal application process, and the selection of works often leans towards the more imaginative and immediate.

Haciencda at Paramount Ranch 2, via Art Observed (more…)

Claude Monet, Le Grand Canal (1908), via Sotheby’s

Picking up where last week’s Old Masters auctions in New York City left off, the art market’s attention turns to London this week, as Christie’s and Sotheby’s prepare a set of Impressionist and Modern auctions.   (more…)

John Waters, Beverly Hills John (2012)

Marianne Boesky Gallery is hosting its third collaboration with John Waters, a pioneer of American camp and “trash culture” since the 1970’s, particularly through his feature breakthrough Pink Flamingos in 1972.  Throughout his career, Waters has constantly redefined the elements that constitute American culture, at a time when the nation was premature to notions such as homosexuality or kitsch, and used these often marginalized cultures within a studied cinematic and artistic framework.

John Waters, Still from Kiddie Flamingos (2014) (more…)

Agnolo Bronzino, Portrait Of A Young Man With A Book, Via Christie’s

Old Masters Week has concluded in New York, following a set of auctions over the past few days that saw mixed results at both Sotheby’s and Christie’s. (more…)

Polly Apfelbaum, HWP 10-20 (2014), via Art Observed

The White Columns Annual offers a particularly resonant opening note for New York’s art world each year.  Refusing an overly objective approach to the curation of a “year in review” style group show, the event encourages, and even emphasizes subjectivity, turning the keys over to one group or person each year.  This year, the all-female art collective Cleopatra’s has been handed the reigns for the Annual’s 9th Edition, with the end result being a colorful, expansive show that is at turns somber, wry and compelling. (more…)

Agnolo Bronzino, Portrait Of A Young Man With A Book, via Christie’s

The auction calendar kicks off with its first major sales of 2015 this week, as collectors of Renaissance and Classic works flock to New York City for Sotheby’s and Christie’s Old Masters week sales. With a group of sales lined up for each auction house in the coming days, and a number of impressive works available, the auctions should mark a strong start to the auction season. (more…)

Danh Vo, Your mother sucks cocks in Hell (2015), all images courtesy the artist and Marian Goodman Gallery

Vietnamese-born Danish artist Danh Vo and his family fled Vietnam in a homemade wooden boat a few years after the Communists’ victory, when Vo was just four. In his current exhibition, “Homosapiens,” at Marian Goodman London, as in much of his body of work, the intersection of the historical and the personal is explored through artifacts, documents, and photographs—fragments, begging for the viewer to find their context, that bring into question the nature of identity and belonging. (more…)

Gillian Wearing, Me As an Artist in 1984 (2014), all Photos Courtesy of Regen Projects Los Angeles.

One of the most prominent members of the Young British Artists, Gillian Wearing, who in the past few decades has established a unique and enduring voice in the contemporary discourse, is presenting her new body of work at Los Angeles’ Regen Projects. The artist’s fourth collaboration with the gallery, everyone, features two new video pieces as well as various multimedia works that juxtapose Wearing’s investigations on personal memory, confrontation with past and unfolding of angst as a direct result. (more…)

Diana Thater, Science, Fiction (2014), via Art Observed

Diana Thater’s new exhibition on view at David Zwirner’s 19th Street Exhibition is an exercise in restraint.  Consisting of a pair of video compositions and a monumental structure in a light-saturated installation piece, the artist moves towards an experience of space, both in an immediate and more figurative sense, that engages the magnitude of human experience on both macro and micro scales. (more…)

Egon Schiele, Death and Maiden (1915), via Kunsthaus Zurich

The Kunsthaus Zürich is currently presenting a historical study in portraiture and figuration over the course of a century, comparing the output of Austrian painter Egon Schiele with YBA-affiliated painter Jenny Saville, and tying together the pair’s varying approaches to powerful and, at times, visceral depictions of the human body.  Culling works from across the expanse of both artist’s careers, the exhibition seems to function both as a pair of parallel historical studies in each artist’s inspirations and development, while allowing a certain degree of overlap and cross-referencing into the various techniques each artist employed. (more…)

Mary Weatherford, La Noche (2014), via Art Observed

The Museum of Modern Art’s highly anticipated exhibition of contemporary painting, curated by Laura Hoptman, presents a cursory survey of current trends in this ever-evolving medium. Taking the concept of nonlinear time as its conceptual crux, The Forever Now: Contemporary Painting in an Atemporal World attempts to parse the impact that the daily experience of digital media has had on painting specifically, and on visual culture more broadly.  (more…)

Henri Matisse, The Snail (1953), via Art Observed

There’s a moment at the end of Henri Matisse’s landmark exhibition of his late “cut-out” works, currently on view at MoMA in New York, when the viewer emerges into the last room to view Matisse’s final canvases, immense explosions of color and form that immediately arrest the viewer with their dynamic, minimal surfaces. (more…)

Peter Doig, 100 Years Ago (Carrera) (2005-2007), courtesy of Centre Pompidou, Musée national d’art moderne and Centre de création industrielle, Paris

Currently on view at Fondation Beyeler in Basel is a survey of important oil paintings by Peter Doig (1959), as well as a number of seminal works on paper and a monumental mural.

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David Altmejd, Flux (Installation View), via Art Observed

Canadian-born, New York-based artist David Altmejd brings his uniquely executed sculptures and installations to the Musée D’Art Moderne in Paris this winter, the artist’s first career retrospective in France, and one which sees him realizing one of his most ambitious new sculptures to date, alongside a selection of his work from the past twenty years. (more…)

Richard Tuttle, I Don’t Know, or The Weave of Textile Language, (Installation View), all images courtesy Tate Modern

The largest work ever created by American sculptor Richard Tuttle (1941) is currently on view at Tate Modern’s Turbine Hall, which has been the host to some of the world’s most striking works of monumental contemporary art.  I Don’t Know, or The Weave of Textile Language was a commissioned work, composed of vast cuts of fabrics designed by Tuttle himself from both manmade and natural fibers. Three vibrant colors are hung in a bold, majestic display, making use of its coiling form to generate a sense of movement within the massive hall.

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Al Taylor, Full Gospel Neckless (Middelfart) (1997), via Art Observed

Al Taylor’s work sits at a unique intersection of material fascination and object politics.  Combining the familiar materials of modern construction and design, Taylor’s work often investigated the pairings and interrelations of objects formed not only by the human’s aesthetic agenda, but equally by the complementary formal designs of the materials themselves.  These intersections can be seen in quite stark execution currently at David Zwirner, where the gallery’s 20th Street location is currently presenting a body of work created 1989 and 1997. (more…)

Joseph Mallord William Turner, Ancient Rome; Agrippina Landing with the Ashes of Germanicus (1839), all images courtesy Tate Britain

On view at the Tate Britain is the first exhibition devoted entirely to the work of Joseph Mallord Wiliam Turner, created between the years of 1835 and his death in 1851. The show brings together major series of works including a group of square pictures highlighting Turner’s tendency towards innovation, even at the end of his life.

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Louise Lawler, Dots and Slices (Traced) (2006/2013), via Sprüth Magers

In 2013, Louise Lawler performed a series of “tracings” at the Museum Ludwig in Cologne, taking previously executed photographs from Lawler’s broad body of work, and converting the image down to a simple vector graphic in partnership with artist and children’s book illustrator Jon Buller.  These tracings are currently the subject of the artist’s most recent solo exhibition at Sprüth Magers Berlin, as Levine returns to her particularly subtle brand of institutional critique. (more…)

Andy Warhol, Shadows (Installation View), Photo by Brian Forrest. © 2014 The Andy Warhol Foundation for the Visual Arts, Inc./Artists Rights Society (ARS), NewYork.

In the late 1970’s, Andy Warhol embarked on a new printing project, replicating a single photographic image of the artist’s studio bathed in shadow, a single “cap” of light hovering just to the left of center.  Reproducing the image over one hundred times in a series of color pairings, shades and contrasts, the work created a haunting, surreal environment, currently on view at MOCA in LA for a landmark exhibition of the piece on the West Coast. (more…)