Jack Greer with One of His Works, all photos via Art Observed

Artist Jack Greer takes to Howard St Gallery this summer to present his solo exhibition, Landmark, continuing his affiliation with The Still House Group at the collective’s downtown space. Producing individual work amongst an ensemble of young artists–who chiefly provide for one another what is essentially a creative support group– has undoubtedly influenced Greer’s work; Landmark explores the relationship of the individual vis-à-vis the conglomerate, exposing the inherent desire of humans for enduring fellowship.  Read More »

Will Boone, RID (2015), via Art Observed

David Kordansky Gallery is currently presenting Flat World a group show organized by Karma New York, an exhibition of familiar objects rendered in conceptually minimal fashions, cohesively utilizing form as content while transforming formal aesthetic style into subject and material.  Flat World includes works by Richard Artschwager, Tauba Auerbach, Will Boone, Jeff Elrod, Robert Grosvenor, Peter Halley, Lee Lozano, John Mason, and Charlotte Posenensko. Combining the work of artists both young and old, the exhibition spans the years of the 1960’s  through the 1980’s and on to the early 2010’s.  Read More »

Carsten Höller, Isometric Slides (2015), all images via Hayward Gallery

Outside London’s Hayward Gallery at the Southbank Centre, a massive pair of slides have sprouted out from the building’s walls, spiraling away and towards each other in a mirrored, descent towards the ground.  The playful, immense structure marks the presence of Carsten Höller, the Belgian artist who is currently presenting a career retrospective within the gallery walls. Read More »

Korakrit Arunanondchai, Painting with history in a room filled with people with funny names 3 (2015), all photos by D. Mookherjee for Art Observed

Painting with History in a room filled with people with Funny Names 3 is a monographic exhibition displayed at the Palais de Tokyo, in Paris, presented by Thai artist Korakrit Arunanondchai, and concluding a series of works started in 2011. The exhibition gathers performances, installations and videos that question the apprenticeship of a painter through the prism of an exchange between the artist and his alter ego Chantri, and his incarnation as a recurring fictional character, the Thai Denim Painter.  This exhibition finalizes the artwork initiated with the two previous pieces by dealing with Arunanondchai’s core theme; his identity, a structured representation of his artistic life, the social realities of Thailand and the phenomena of globalization, all mingled together here to form what he refers to as a “Memory palace.” Read More »

De Wain Valentine, Curved Wall Clear (1969), via Art Observed

Set inside David Zwirner’s West 19th Street locations, a series of works from De Wain Valentine’s late 1960’s and 1970’s output is currently on view, culling a number of works by the Light and Space artist that illustrate his technical, material and spatial innovations during the early years of his career.

De Wain Valentine, Works from the 1960s and 1970s (Installation View), via Art Observed

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Duane Hanson, Queenie II (1988), All images by Luke Hayes for Serpentine Gallery.

Currently on view at London’s Serpentine Gallery is a retrospective of Duane Hanson, the late American sculpture whose hyperrealistic sculptures of individuals pulled from daily life still manage to create a potent sense of awe are on view.  The show, his first survey in the British capital since 1997, strikes a chord against the backdrop of today’s high-tech art production methods and complex conceptual depictions.  Read More »

Hanna Liden with Everthing (2015), via Art Observed

At both Ruth Wittenberg Plaza and Hudson River Park, clusters of massive bagels have touched down, part of artist Hanna Liden’s new commission for the Art Production Fund.  Amplifying her previous interests in the possibilities for discarded material and consumer objects as raw sculptural material, Liden turns the ringed breakfast staple into a sudden intrusion on the New York landscape. Read More »

David Opdyke Exhibit A (2012), all photos via Josie Berman for Art Observed

This summer, Marianne Boesky Gallery’s uptown location has put forth a new group exhibition, organized by Aniko Berman, entitled Weird Science, a playful show that dwells on common threads that explore art as a discipline that attempts to logically reveal the possibility of unperceived worlds outside or within our own metaphysical landscape. Through process or content, the artists chosen attempt to expose the fantastic lurking behind everyday occurrences. Read More »

Anicka Yi, 7,070,430K of Digital Spit (Installation View), via Kunsthalle Basel

Following up on her widely praised commission at The Kitchen earlier this year, Anicka Yi is presenting a new body of work on view at the Kunsthalle Basel, under the title 7,070,430K of Digital Spit.  Continuing the artist’s interest in time-sensitive and formally unstable media, the exhibition includes a number of works in various states of destruction and decay, applied here to explore notions of forgetting and memory loss. Read More »