Global contemporary art events and news observed from New York City. Suggestion? Email us.

Los Angeles – Mira Dancy: “Madonna Undone” at Night Gallery Through November 5th, 2022

November 1st, 2022

Mira Dancy, Between Worlds (2022), via Night Gallery
Mira Dancy, Between Worlds (2022), via Night Gallery

On view this month in Los Angeles, artist Mira Dancy presents Madonna Undone, an exhibition of new work at Night Gallery that marks her fourth exhibition with the gallery. Continuing the artist’s studied and lyrical approach to the canvas space, Madonna Undone sees Dancy executing her signature take on chromatic figuration into expanded compositional fields, her subjects exuding strength within vivid naturalistic scenes. Dancy moved from New York City to Los Angeles in 2020, and evidence of this shift in environment is alluded to throughout the exhibition: wide skies, the craggy forms of mountains, and the more impressionistic features of the landscape, such as the sun’s intensity and the heat of the air.

Mira Dancy, Madonna Undone (Installation View), via Night Gallery
Mira Dancy, Madonna Undone (Installation View), via Night Gallery

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New York – Anicka Yi: “ÄLñ§ñ” at Gladstone Gallery Through November 12th, 2022

October 31st, 2022

Anicka Yi, ̧W†RRñ†0 (2022), via Gladstone
Anicka Yi, ̧W†RRñ†0 (2022), via Gladstone

Few artists in the past decade have outlined a more exploratory and incisive practice than Anicka Yi. Focusing on foreign agencies and complicit interactions with non-human actors, the artist’s interest in biology and ecology has seen her utilize bacteria, scent, and animal performers in her works, ultimately arriving at a practice that defies easy material or media classification. Yet here, in Yi’s first solo exhibition with Gladstone Gallery, the artist has turned to painting as a central tentpost of her practice, and presents a body of works that seem to function as a complement and study of the materials so often present in her other works.  Read More »

New York – John Baldessari: “The Story Underneath” at Sprüth Magers Through October 29th, 2022

October 28th, 2022

John Baldessari, Hope (Blue Supported by a Bed of ORanges (Life) Amid a Context of Allusions (Maquette) (1991), via Sprüth Magers
John Baldessari, Hope (Blue Supported by a Bed of Oranges (Life): Amid a Context of Allusions (Maquette) (1991), via Sprüth Magers

In an impressively deep and influential oeuvre spanning almost six decades, John Baldessari consistently exposed the complex and ambiguous narrative potential of images. Drawing from a carefully collected pool of visual signs, he explored how meaning is not necessarily an inherent quality of an image, but is created, deconstructed or obscured when taken out of context, altered or combined with other images or words. This expansive practice is the subject of a show at Sprüth Magers‘ New York exhibition space, showcasing a series of maquettes by the artist that outline his practice and modes of work.

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New York – Beatriz Milhazes: “Mistura Sagrada” at Pace Gallery Through October 29th, 2022

October 28th, 2022

Beatriz Milhazes, Roda Piao (2021), via Pace
Beatriz Milhazes, Roda Piao (2021), via Pace

This month at Pace’s New York flagship, artist Beatriz Milhazes has installed ten vibrant, large-scale paintings created between 2021 and 2022, as well as a large scale mobile sculpture that underscores and exemplifies Milhazes’s uncanny ability to forge dynamic, unified choreographies with seemingly disparate elements, patterns, and hues. Drawing inspiration from European Modernism, Baroque decorative arts, the Brazilian Antropofagia movement, and other art historical sources, Milhazes continues her enervating plays of color and form in her paintings, collages, prints, and installations. Read More »

New York – Jessi Reaves: “At the Well” at Bridget Donahue Through November 19th, 2022

October 27th, 2022

Jessi Reaves, Bad Apartment SHelf (2022), via Bridget Donahue
Jessi Reaves, Bad Apartment Shelf (2022), via Bridget Donahue

On view currently at New York space Bridget Donahue, artist Jessi Reaves has returned to the gallery with a new body of works that continue and expand her uniquely inventive turn on sculpture, drawing on shared languages of design, interior space, domestic languages and the possibilities of these elements to work in tandem, here taking shape in a series of floor sculptures and hanging works, investigating and reposing questions of varied histories of making, and how they ultimately converge, twist, and reform. Read More »

London – Andra UrsuÅ£a: “Joy Revision” at David Zwirner Through October 29th, 2022

October 26th, 2022

Andra Ursuţa, Erotic Cobwebs,(2021-2022), via David Zwirner
Andra Ursuţa, Erotic Cobwebs (2021-2022), via David Zwirner

This month in London, David Zwirner plays home to Joy Revision, an exhibition of work by artist Andra UrsuÅ£a, marking the Romanian-born, New York–based artist’s second solo presentation with the gallery. The exhibition will debut new photograms and lead-crystal sculptures that stem from a premodern conception of art as an essential tool to deal with mortality, loss, and grief. Read More »

RIP – Canadian Photographer and Painter Rodney Graham Has Passed Away, Aged 73

October 25th, 2022

Rodney Graham, Untitled (2022), via 303 Gallery
Rodney Graham, Untitled (2022), via 303 Gallery

Rodney Graham, the Canadian artist whose restless and relentless body of work moved across photography, video, painting, and even music, has passed away at the age of 73 after a battle with cancer.  Read More »

London – Helen Marten: “Third Moment Profile | The Almost Horse” at Sadie Coles HQ Through October 29th, 2022

October 24th, 2022

Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ
Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ

On view during the run of exhibitions and shows surrounding the bustle of Frieze London, Sadie Coles HQ’s fall exhibition welcomes the work of artist Helen Marten this month, playing on notions of monumentality, scale and production through a range of motifs and concepts. Centered on a single conceit: the attempt the depict a horse, the show unfolds through a range of materials and modes that underscore the artist’s conceptually rigorous, yet playful approach to art-marking. In each instance, a sense of the inaccessible stands in the way of success, failing to materialize a horse through language or image.

Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ
Helen Marten, Third Moment Profile | The Almost Horse (Installation View), via Sadie Coles HQ

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New York – Christina Forrer at Luhring Augustine Through October 29th, 2022

October 21st, 2022

Christina Forrer, Sepulcher (2021), via Luhring Augustine
Christina Forrer, Sepulcher (2021), via Luhring Augustine

On view this month in New York, artist Christina Forrer marks her second exhibition at Luhring Augustine, on view at the gallery’s Tribeca location, with a series of new weavings and drawings, continuing her expressive and enigmatic approach to the medium with a range of works that mix together powerful symbolisms with an animated and vibrant sense of energy.  Read More »

Erika Verzutti: “Churros and Rain” at Andrew Kreps Through October 29th, 2022

October 20th, 2022

Erika Verzutti, Churros and Rain (Installation View), via Andrew Kreps
Erika Verzutti, Churros and Rain (Installation View), via Andrew Kreps

Tactile in its approach, Erika Verzutti’s practice rests between sculpture and painting, drawing on a wide range of references from nature to popular culture. Shapes derived from fruits or vegetables recur alongside familiar objects, self-referential gestures, and images culled from social media to form a new vernacular. Firmly rooted in studio practice, Verzutti’s work revels in its process and explores how disparate ideas and perceptions take on a physical form. For her most recent exhibition at Andrew Kreps in New York, the artist continues that mode over a range of materials and approaches.  Read More »