Robb Pruitt, Avery (2022), via 303 Gallery
On view this month at 303 Gallery, a body of new work by Rob Pruitt marks a continuation of the artist’s mining of the tension between comic renditions, heightened emotional states, and deep, rich engagements with the history of pop art, all centered around his latest series of Face paintings. Read More »
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Sarah Ortmeyer, DAVID (2022), via Galerie Eva Presenhuber
Combining together a series of works and a range of different approaches and series from her practice, artist Sarah Ortmeyer presents a selection of pieces at Galerie Eva Presenhuber this month, united under the title SPORTS CLUB NEW YORK.Â
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Oli Epp, Surrogate (2022), via Perrotin
On view this month at Galerie Perrotin, artist Oli Epp collects a range of works that mine a strange and otherworldly relationship with the language of painterly figuration and abstraction. Presenting a series of tightly constructed images that twist and warp bodies into playful new iterations, his works on view moving from human figures to animals to objects, always returning to the same deconstructive approach.
Oli Epp, Dead Center (2022), via Perrotin
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B. Wurtz, Untitled (2017), via Garth Greenan
On this month at Garth Greenan Gallery in New York, artist B. Wurtz presents Monuments, featuring a number of the artist’s playful sculptures and mixed media works deconstructing elements of scale and monumentality and marking the artist’s first show at the gallery. Known for his repurposing of everyday flotsam into joyous, humorous, and beautiful sculptural objects. The works in the presentation, spanning the past four decades of Wurtz’s career, take the language of the everyday, and transpose it, creating strange tensions and relationships between materials. Read More »
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Claes Oldenburg
Artist Claes Oldenburg, a foundational voice in the development of American contemporary and pop art, has passed away at the age of 93. Known for his monumental constructions that turned every day objects into large-scale sculptures and installations, the artist’s work re-created a range of iconic American images. “My intention is to make an everyday object that eludes definition,†he said. “I’ve expressed myself consistently in objects with reference to human beings rather than through human beings.â€Â Read More »
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Jeppe Hein, Changing Spaces (Installation View), via Art Observed
This summer, artist Jeppe Hein has installed Changing Spaces, an interactive public art installation on Rockefeller Center’s Center Plaza, a swirling torrent of “liquid architecture” that continues the artist’s use of space and phenomenon to encourage visitors and passerby to stop and interact with the work. Read More »
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Nicola L., We Don’t Want War (1974-75), via Alison Jacques
Marking the first large-scale exhibition of artist Nicola L. in the UK, Alison Jacques brings together an expansive selection of works by the artist. The show, presented in partnership with the Nicola L. Collection and Archive, Los Angeles, anticipates a forthcoming monograph, published by Apartamento in Autumn 2022, and a major survey at Camden Art Centre in 2024. Read More »
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Michelangelo Pistoletto, Uomo che guarda attraverso la gabbia (2018), via Simon Lee
Marking a newe perspective on the storied output of artist Michelangelo Pistoletto, Simon Lee Gallery has opened a show of recent works by the Italian artist. For his fifth exhibition at the gallery, the artist presents a series of mirror paintings that reflect on themes of captivity, isolation and restriction at a fractured moment in contemporary history. Read More »
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Michael Williams, Frogs 9 (2022), via Eva Presenhuber
Over the course of his work, painter Michael Williams has developed a suite of interconnected paintings out of a drawing, not uncommonly focused on a human figure or surrogate. In the case of Frogs 1 – 9, the source is Untitled (Frog) (2019–2020): a small sheet given over to a greying man-cum-jester, hollowed nostrils shaped like an electrical outlet and mouth agape, forming an unlikely heart as he pinches a small frog. Here, at Eva Presenhuber’s Vienna exhibition space, this image becomes the ground for a series of interventions and reinventions of the image, spanning both drawing and painting.
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Ajay Kurian, Tiresias (2022), via 47 Canal
On view this month at 47 Canal, Brooklyn-based artist Ajay Kurian has produced a body of work that delves into the constructions of personality and place that underscore conceptions and understandings of home. Installing a body of works that concentrate on concepts of denial and assimilation, generational trauma and dislocation, the work on view this month takes a long route through the symbolisms and abstractions that underscore a conception of the body and self.
Ajay Kurian, Missing Home (Installation View), via 47 Canal Read More »
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