Miles Coolidge, Coal Seam, Bergwerk Prosper-Haniel #3 (2013), via Peter Blum
A pairing of large photo works of coal mine walls with smaller photochemical pieces, Peter Blum’s exhibition of works by Miles Coolidge reinvigorates a dialogue around 20th century inquiries into chemistry, art production, and process imagery, presenting shared sensations of something physically visceral, all realized via inkjet pigment or liquid chemicals, realized in a manner evoking the sublime. Read More »
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Jane Freilicher, Window (2011), via Art Observed
The city of New York has always served as a grand subject for artists, its towering skyline spreading its shadow over the Hudson and the minds of its resident artists. At Derek Eller Gallery this month, three of these artists are the subject of an exhibition examining this same impact on their respective practices, framed in particular by the meditative oil paintings of Jane Freilicher. The artist is joined by Daniel Heidkamp and Mira Dancy, both of whom offer their own interpretations of modern life, both in the city, and beyond. Read More »
| Comments Off on New York – Jane Freilicher, Mira Dancy, and Daniel Heidkamp at Derek Eller Gallery Through February 5th, 2017 | |
Hannah van Bart, Untitled (2016), via Art Observed
Hannah van Bart’s works serve as particularly intricate visual experiences, often twisting interior and exterior architectural forms around the human body (frequently female), presenting the human figure in a manner that subverts the canvas’s illusions of depth, and the human brain’s understanding of flat surfaces. Her paintings, presented at Marianne Boesky this month, present themselves as something of a variation on theme as a result, allowing the viewer to trace the artist’s varied explorations of her subjects, and their varied relationships to the world around them.
Hannah van Bart, Untitled (2016), via Art Observed
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Matt Johnson, Drywall #2 (Grape Hyacinth M560-3) (2016), via 303 Gallery
Spread out across the floor of 303‘s exhibition on West 21st Street, a wide, often enigmatic series of seemingly cast-off objects sit atop small plinths. Ranging from crumbled pizza and avocado boxes to stacked bags of concrete to immense towers of interlocking slabs, the sculptures are part of a new series by Los Angeles-based artist Matt Johnson, using the flexible and expressive capacities of wood to create works that vary in their notes of the hyperreal, pathetic and ephemeral in relation to the world around them. Taking this intersection of historical and cultural reference points as a rich space for operation, the artist’s work conjures a wide range of interpretations and readings through minimal effort.
Matt Johnson, Untitled (4 Stacked Tape Rolls) (2016), via 303 Gallery Read More »
| Comments Off on New York – Matt Johnson: “Wood Sculpture” at 303 Gallery Through February 25th, 2017 | |
Jean-Luc Moulène, Ce fut une belle journée (Installation View), all images via Chantal Crousel
New work by Jean-Luc Moulène is on view at Galerie Chantal Crousel this month, as the French artist explores a unique body of new works created between 2012 and 2016, the last time the artist exhibited his work publicly. His fifth exhibition with the gallery, Moulène’s work sees the artist continuing his studied approach to the sculptural form, and history of the field in conjunction with various objects and contexts.
| Comments Off on Paris – Jean-Luc Moulène: “Ce fut une belle journée” at Chantal Crousel Through February 11st, 2017 | |
Cory Arcangel and Olia Lialina, Asymmetrical Response (Installation View), via Art Observed
Since 2003, artists Cory Arcangel and Olia Lialina have held an ongoing dialogue on contemporary practice, politics and the web, exploring their shared experiences in the early years of broadly accessible internet culture, and the often obscured histories that the era’s technologies and sites (GeoCities, early Javascript, etc.) held. Working together for the first time, the artist’s have embarked on Asymmetrical Response, an exhibition at The Kitchen that feels like equally like historical research and contemporary study, engaging with a distinct era of internet culture while serving as an elaboration and examination on the conditions that have ultimately played out on the stage of American politics this year. Read More »
| Comments Off on New York – Cory Arcangel and Olia Lialina: “Asymmetrical Response” at The Kitchen Through February 18th, 2017 | |
Dan Walsh, Fin (2016), via Art Observed
Artist Dan Walsh’s work draws on process as a mode of transcendence, working through canvases through a series of evolving forms and rule-based approaches to the canvas space. The artist, currently presenting a body of new works at Paula Cooper’s upstairs exhibition space on 21st Street, draws on repetitive, undulating bars of color and expanding forms to create shifting perceptions of space within the closed bounds of the work, or applies similar rules to the deconstruction of the image into a series of lines and dots. Read More »
| Comments Off on New York – Dan Walsh at Paula Cooper Through February 4th, 2017 | |
Kaspar Müller, JMSERADZFGHDSJKFHBYCMXCFNBKLADSHJ (Installation View), all images via Société
Artist Kaspar Müller’s JMSERADZFGHDSJKFHBYCMXCFNBKLADSHJ is now on view at Société through January 31st, 2017, marking the artist’s third solo show at the gallery with a series of multimedia works exploring varied approaches to painting, printmaking and assemblage, all in an aim to represent a full year of the artist’s life. Gathering together the impressions and experiences of the turbulent months of 2016, the show emphasizes reflection on the incompleteness or incoherence that immediate historical reckonings and complex geo-political situations often imply, particularly when considered from the vantage point of a lone Swiss artists. Read More »
| Comments Off on Berlin – Kaspar Müller: “JMSERADZFGHDSJKFHBYCMXCFNBKLADSHJ” at Société through January 31st, 2017 | |
Mike Kelley, Kandors (Installation View), via Venus Over Manhattan
Venus Over Manhattan is currently presenting a curated review of Mike Kelley’s work in the Kandor series this month, exploring the artist’s work and research into the comic book mythology of Superman, the implications of his origin story, and the broader cultural and psychological frameworks that this story works within and through. Selecting four of the artist’s works in the series, the show takes a meditative, focused perspective on Kelley’s expansive body of work. Read More »
| Comments Off on New York – Mike Kelley: “Kandors” at Venus Over Manhattan Through January 28th, 2017 | |
Liz Glynn, Untitled (after Balzac, with Burgher) (2014), via Art Observed
Spread across two rooms at Paula Cooper’s 21st Street exhibition space, artist Liz Glynn has installed an enigmatic series of sculptures, ranging in form and scale while playing on distinct threads of classical art history, and on the mechanical processes underlying these works. Continuing a thread of the artist’s practice drawing on critical examinations of the art object, its historical contexts, and the aura conferred on it as a result, the exhibition is a striking, and occasionally comical, examination of function and form in both modern and historical practice. Read More »
| Comments Off on New York – Liz Glynn at Paula Cooper Through February 11th, 2017 | |