The finalized plans for the expanded Museum of Modern Art campus have been announced, following a lengthy evaluation process, and the final decision by the organization has been unable to reconcile the preservation of the former American Folk Art Museum building with its new plans.  The new space, which will include a retractable glass wall, new gallery space and the opening of its entire first floor free to the public (including the sculpture garden), requires the destruction of the much-loved space, and goes against protests from a number of premier architects.  “It’s not for lack of trying that we find ourselves at the same pass,” said Elizabeth Diller, a principal at the firm Diller Scofidio & Renfro, which evaluated the new plans. “We can’t find a way to save the building.” (more…)

Alexander Calder, Rouge Triomphant (Triumphant Red), (1959–63) © 2013 Calder Foundation, New York/Artists Rights Society (ARS), New York. Jean Prouvé, Chaise Métropole n°305 (1953), courtesy Galerie Patrick Seguin.  Courtesy Gagosian Gallery and Galerie Patrick Seguin.

Currently on view at Larry Gagosian’s Paris location is an exhibition focusing on the communications, collaborations, and creative dialogues shared by two of the pioneering minds of art and design: Alexander Calder and Jean Prouvé.  Exploring the pair’s elegant distillation of sculptural and architectural forms, the show catalogues a moment of shared concerns that helped to define the path of mid-20th century modernism.

Installation view, Calder | Prouvé, Gagosian Gallery, Le Bourget, Paris. Artwork by Alexander Calder © 2013 Calder Foundation, New York/Artists Rights Society (ARS), New York. Artwork by Jean Prouvé, courtesy Galerie Patrick Seguin. Photo by Thomas Lannes, courtesy Gagosian Gallery and Galerie Patrick Seguin. (more…)

The Financial Times reports on the growing trend for artists seeking large live-work spaces in New York.  Profiling the live-in studios of Vik Muniz, Cai Guo-Qiang and Lawrence Weiner, the article traces the appeal of working from home, especially as Muniz notes: “no matter how you succeed in your career, you will always be nostalgic for the time when your working table and your bed were next to each other.” (more…)

The Serpentine Sackler, via The Guardian

The newly completed redesign of the Serpentine Sackler Gallery is set to open this Sunday in London’s Kensington Gardens neighborhood, featuring a sloping new design extension by architect Zaha Hadid, which complements a freshly renovated gunpowder store initially constructed in 1805.

The Serpentine Sackler, via The Guardian (more…)

An enormous inflatable concert hall, designed in a collaboration between Anish Kapoor and architect Arata Isozaki, is set to open this week in the coastal Japanese town of Matsushima.  The project is intended to provide a temporary place for events in a region badly damaged by the 2011 Tsunami, and was initiated by Michael Haefliger of the musical event Lucerne Festival.  “I felt a strong desire to make a contribution to overcoming the consequences of the catastrophe, within the scope of what we have to offer.” He said. (more…)

Part of the 2013 London Design Festival, Alex de Rijke of dRMM Architects and Dean of Architecture at the Royal College of Art has created a complex, interlocking staircase installation on the grounds in front of the Tate Modern.  Endless Stair will open on Friday, and is open to the public during the day.  It closes on October 10th. (more…)

Carol Bove, Monel (2013), via Daniel Creahan for Art Observed

There’s a certain intangible spiritualism to the work of Carol Bove, located somewhere between the phenomenological minimalism of Donald Judd, and a more abstract, natural focus on the intersections of urban and rural ecologies.  Divine symbolism intersects with locational meditations, found objects with architectural forms, and rigid industrial materials with looping, whimsical forms.  Fitting then, that the artist would present a pair of shows, both including seven new works, one at the Museum of Modern Art, and one at The Highline Railyards, where construction is currently underway to convert the last untrammeled part of the elevated railway into park space.  Both created specially for their respective spaces of exhibition, the pair of exhibitions currently on view feel like two parts of a potent whole.

Carol Bove, Equinox (Installation View), via Museum of Modern Art (more…)

Serpentine Gallery Pavilion 2013, Designed by Sou Fujimoto, © Sou Fujimoto Architects, Image © 2013 Iwan Baan

Each year, the Serpentine Gallery commissions an outstanding architect who has yet to build on British soil to design a Pavilion in the yards of the gallery in Hyde Park. This year’s pavilion, an impressive cloud of white steel built upon a three-dimensional grid, was conceived by Japanese architect Sou Fujimoto. (more…)

Barry Bergdoll, MoMA’s Architectural Curator for the past six years, has announced that he will be leaving the position to return to Columbia University as chair of the Art History Department.  “The university has now requested that I return to teach full time,” Mr. Bergdoll said in a letter to journalists. “It is for me a great honor that I feel also recognizes the scholarly work that I have continued to pursue most recently in exhibitions and publications here at MoMA.” (more…)

CODA, Party Wall (Installation View), via MoMA PS1

The Young Architects Program, presented jointly by MoMA and MoMA PS1, challenges young professionals and recent graduates alike in its annual competition to design an installation for MoMA PS1’s courtyard. Each year, the winning design is fabricated and opened to the public during the summer months. The jury takes environmental sustainability heavily into account when choosing the design, which is an especially relevant criterion considering that EXPO 1, the ecology and politics-focused three-venue event, is currently on view at PS1. This year’s winning entry, Party Wall by the Ithaca-based firm CODA, features a semi-permeable skin made from skateboard manufacturing by-products mounted upon a frame of steel beams.

CODA, Party Wall Rendering, via MoMA PS1 (more…)

Renzo Piano, Model for New Whitney Museum (Installation View), via Alex Cosio for Art Observed

The Gagosian Gallery in Chelsea, in collaboration with Fondazione Renzo Piano, is currently exhibiting a retrospective of work produced by the Renzo Piano Building Workshop, the architecture firm conceived and headed by Pritzker Prize laureate Renzo Piano. Piano, who was born into a family of contractors in Genoa, has emphasized the importance of hands-on experimentation as well as technological innovation throughout his career.  Particularly of note are Piano’s models and sketches regarding the design and construction of the Whitney Museum’s future home, tucked between the High Line and Hudson River in the Meatpacking District. (more…)

Antony Gormley, Meter (Installation View), via Thaddeus Ropac

Antony Gormley’s sculptures continually revisit the human form, using a variety of principles in measurement, position, space and density to chart the human body through sharp angles and jutting lines. Taking this jutting, architectural approach to figuration, the artist’s work poses intriguing questions of how humanity recreates its own inherent forms, and the dissonances that occasionally enter the dialogue between subject and object. (more…)

The winning design has been announced for the M+ Museum in Hong Kong, an inverted “T” by Pritzker Prize winners Jacques Herzog and Pierre de Meuron.  Featuring 183,000 square feet of exhibition space, the design will be more than twice the size of the Tate Modern, and will stand as the centerpiece of the expanding cultural district in the West Kowloon area of the city.

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Starting its campaign to create a “neighborhood of art” around its Houston campus, the Menil Collection has hired landscape architect Michael Van Valkenburgh to redesign and expand the environment around its 6 buildings.    “It’s always a challenge to take a landscape that has evolved incrementally and a landscape that has a subtle and modest character and to somehow succeed in improving it,” Mr. Van Valkenburgh says. “It’s not something that needs to be reinvented.” (more…)

Henri Labrouste, Bibliothèque Sainte‐Geneviève, Paris, (1838‐1850) View of the reading room, Photograph Michel Nguyen © Bibliothèque Sainte‐Geneviève Michel Nguyen, courtesy of MoMA

Moving beyond mere architectural details, The Museum of Modern Art’s current exhibition, Henri Labrouste: Structure Brought to Light,is not simply a survey of the French architect’s (1801-1875) work and influence, but also something of a meditation and retrospective on the library’s role in society.  As information continues its march from papers to servers, and books are routinely traded in digital form, Labrouste’s vision of the library as a central mechanism for the dissemination of knowledge offers an intriguing meditation on the significance, symbolism and vitality of the library today.  The show is also apropos here in New York as the city’s Central Public Library, in response to these changes, prepares for a potentially devastating renovation.

Henri Labrouste, Bibliothèque Sainte-Geneviève, Paris, (1838-1850) Southwest corner elevation and section (Late 1850), Bibliothèque Sainte-Geneviève, Paris

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Sou Fujimoto’s Serpentine Pavilion, via The Serpentine

The Serpentine Gallery’s annual summer pavilion opened late last week in London’s Hyde Park, with a presentation by designer Sou Fujimoto and Serpentine Directors Julia Peyton-Jones and Hans Ulrich Obrist.

Fujimoto, Peyton-Jones, and Obrist, via Bloomberg (more…)

The Hirshhorn Museum’s proposed “Seasonal Inflatable Sculpture Project,” informally referred to as “the Bubble,” has been officially decided against, after years of debate and wrangling over its installation on the museum’s property on the National Mall.  The news comes shortly after Hirshhorn director Richard Koshalek announced his decision to resign after a split vote on the Bubble several weeks ago.  “If the board were more together and if we were seeing more results of that, then we might have made a different decision,” Smithsonian Undersecretary Richard Kurin said. “Because it’s divided, it makes it hard to move forward.” (more…)

Plans have been set in place to move Oslo’s Edvard Munch museum to the city’s waterfront, which had previously been delayed for several years to due location and funding considerations.  The new, glass-lined building, titled Lambda, is projected to open in 2018, designed by Spanish firm Herreros Arquitectos.  The decision  “shows that even the starkest political opponents can put aside their differences for the common good”, said city commissioner for culture and industry Hallstein Bjercke. (more…)

101 Spring Street, the New York Residence of artist Donald Judd, opened its schedule today for small public tours, offering visitors a firsthand look at the artist’s distinct views on design, lifestyle, and creativity, through his meticulous and elegantly simple renovation of the former industrial space.  “I’ve never built anything on new land,” Judd once wrote. (more…)

The Museum of Modern Art has announced that it will partner with architectural firm Diller Scofidio + Renfro to reevaluate the expansion plan that threatens to destroy the former home of the American Folk Art Museum.  In a statement, released yesterday, MoMA said: “The principals of Diller Scofidio + Renfro have asked that they be given the time and latitude to carefully consider the entirety of the site, including the former American Folk Art Museum building, in devising an architectural solution to the inherent challenges of the project. We readily agreed to consider a range of options, and look forward to seeing their results.” (more…)

Following the departure of Frank Gehry, and an installation project currently running behind schedule, MOCA Guest Curator Christopher Mount has speculated that the museum may have to cancel its planned exhibition for the Getty Museum’s Pacific Standard Time show on Modern Architecture.  Titled A New Sculpturalism, the exhibition ran into delays when architects (including Gehry) began expressing concern over how Mount was choosing to display and explain their work.  “I didn’t feel comfortable in it,” Gehry said. “It didn’t seem to be a scholarly, well-organized show.” (more…)

James Turrell, Roden Crater (Sunset) (2009), via PACE Gallery

In anticipation of his major, three-museum retrospective beginning next month in New York, Los Angeles and Houston, artist James Turrell is exhibiting a selection of mocels, photographs and designs from his ongoing Roden Crater Project at PACE Gallery’s 57th Street location.  Offering a complex portrait of the artist’s ambitious creative site, the show presents a look at Roden Crater as Turrell moves into the next stage of its construction.

James Turrell, Roden Crater and Autonomous Structures (Installation View), via PACE Gallery

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Annabelle Selldorf, the architect behind David Zwirner Gallery’s newest space on 20th Street in Manhattan, was recently interviewed in Architectural Digest about the unique, cast-in-place concrete façade of the building, the challenges created by such a demanding design, and her experience working with Zwirner to conceptualize the design of the building.  “Truthfully, it was David who wanted the building to be cast-in-place concrete.”  She says. “But like any layperson, he didn’t necessarily know what that entailed. He just knew that he wanted a certain look and feel. And I, knowing more about what it takes to actually do a concrete structure, realized this posed a formidable challenge.” (more…)

Candida Höfer, Teatro Scientifico Bibiena Mantova I (2010), Courtesy Ben Brown Fine Arts

Ben Brown Fine Arts in London presents work by German photographer Candida Höfer, showcasing the artists masterful control, precision, and detail in capturing the grandiosity of Italian Renaissance architecture.  The exhibition, which features images of brightly lit, cavernous interiors of several ornate Italian buildings, depict these majestic spaces as part of the everyday, highlighting the grandeur of the Italian architectural tradition.

Candida Höfer, A Return to Italy (Installation View), via Ben Brown Fine Arts

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