Andra Ursuta at ICA Miami (Installation View)

For those following the fractious events surrounding the schism between the Museum of Contemporary Art North Miami and the newly founded Institute of Contemporary Art this year, one had to wonder what the new space, located in Miami’s Design District, would bring forward for its first Miami Art Week. Without a permanent home, the ICA has taken up residence at the historic Moore Building, where it held its launch party Tuesday night. (more…)

The Guggenheim Museum has announced plans to open a new location in New York City, which will house the institution’s archives and library, with possible new space for public engagement.   (more…)

The Financial Times profiles the long-awaited opening of the Fondation Louis Vuitton in Paris’s Bois de Boulogne, the Frank Gehry-designed museum housing the renowned design house’s immense art collection.  The article includes a number of notes from LVMH head Bernard Arnault on the Fondation’s approach to collection.  “When we buy something it has to meet two conditions,” he says. “One is that I have to like it, the other is that Suzanne Page (the Fondation curator) should consider it something worth exhibiting in the Fondation Louis Vuitton.  The Fondation’s collection focuses on the link between contemporary artists and the second part of the last century. So you see the evolution.” (more…)

Gerhard Richter, Wald (Forest), (2005), all images courtesy Fondation Beyeler

On view at Fondation Beyeler is the largest exhibition ever devoted to German painter Gerhard Richter, with an express focus on the artist’s reoccurring interests in series, cycles, and interior spaces, while also offering some of his most singularly iconic works. (more…)

An article in the Washington Post this week highlights one favorable effect of the Corcoran Gallery of Art’s merger with the National Gallery: permanently free admission to the museum collection.  As of today, the merger is official, making the Corcoran collection part of the National Gallery, and open to all visitors. (more…)

The Massachusetts Museum of Contemporary Art is preparing to undergo a major expansion project, doubling its North Adams, MA exhibition space to 260,000 square feet. “The expansion is unquestionably good for the region and the community; the challenge is to pull it off,” said Stephen C. Sheppard, director of nearby Williams College’s Center for Creative Community Development. “They will need to connect with people who share their vision and who’ll support it.” (more…)

The New Museum has promoted curator Massimiliano Gioni to the position of Artistic Director, putting him at the forefront of the institution’s short-term and long-term planning. “Widely recognized as one of the most influential and admired curators working today, Massimiliano represents the New Museum around the world at major art events and through his lectures at many international venues,” says Director Lisa Phillips.

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A recent article by collector Ronald Lauder in the Wall Street Journal traces the number of claims over Nazi-looted art currently dogging museums in the U.S. and abroad, and advocates for a swift return of disputed works.  “Refusing to return stolen art because of the passage of time—not yet 70 years since Auschwitz was liberated—deprives museums of any claim to moral high ground,” Lauder writes. (more…)

Marina Abramović in the Promotional Video of the Performance

‘I can succeed or I can fail. Let’s see what happens’ says Marina Abramović in the promotional video for her five hundred and twelve hour long, grueling residency at the Serpentine Galleries in London. Starting from June 11th until August 25th, the grand dame of performance art will be present at the art institute, interacting with the public through the framework of “nothingness.” (more…)

A lawsuit seeking to block the takeover of the Corcoran Gallery of Art has been filed in D.C., brought forth by a group of museum donors, students, and faculty, saying the takeover would go against the institution’s 1869 deed.  The suit also complains that the institution suffered from “self-dealing, conflicts of interest, hiring unqualified management and profligate spending on consultants whose advice was ultimately ignored.” (more…)

Nicholas Penny has announced his retirement from directing London’s National Gallery, leaving a remarkably successful legacy behind him.  Penny, who brought attendance up to record highs during his tenure (including a 6 million visitor count last year) is planning to step down next year after a replacement has been found.  “Following my retirement I have many plans, but chiefly look forward to spending more time with my family, friends and books,” he said. (more…)

After a number of considerations have been addressed, the takeover of the Corcoran by the National Gallery of Art is set to get underway, with George Washington University also preparing to take over the institution’s art school.  “I think there’s a euphoria that we have a wonderful solution here,” says Corcoran interim director and president Peggy Loar. “The one thing we need to work at is to maintain that synergy between the collections and curators along with the faculty and the students.” (more…)

New York collector Christopher Tsai has announced his intent to found the first Ai Weiwei Museum in his home city, the Art Newspaper reports.  The collector has been inspired by the artist’s output, as well as the proliferation of museums dedicated to the work of a single artist. (more…)

The New York Times takes another look this week at new arrests in the Knoedler Gallery forgery case, and notes the number of participants, complicit or not, to perpetuate a major art fraud.  “If you asked me what the biggest factors were behind this thing succeeding so long,” says art historian Jack Flam, “first is that everybody was afraid to be sued. People give credibility to works unwittingly by keeping quiet.” (more…)

The Rauschenberg Foundation is profiled in ArtNews this week, following the institution’s ambitious Marfa Dialogues event last fall, and its ongoing commitment to ambitious commissions and artist projects.  ““We look at our grant making through the lens of the values that defined Bob,” says Executive Director  Christy MacLear.  “So you don’t only say, ‘What would Bob do?’ Instead, you set up a framework so that a hundred years from now you can ask: Is it collaborative? Is it boundary-breaking? Is it risk-taking?”  (more…)

The Guggenheim’s proposed outpost in the Finnish city of Helsinki seems to moving forward, with the museum posting an international call for architectural proposals following the city’s agreement to set aside a parcel of land on the city’s South Harbor waterfront.  The competition “will provide an opportunity to deepen public discussion surrounding the proposed museum,” the institution said in a statement. “We also believe it will bring Helsinki the heightened level of international attention the city deserves as a vibrant cultural center.’’ (more…)

The finalized plans for the expanded Museum of Modern Art campus have been announced, following a lengthy evaluation process, and the final decision by the organization has been unable to reconcile the preservation of the former American Folk Art Museum building with its new plans.  The new space, which will include a retractable glass wall, new gallery space and the opening of its entire first floor free to the public (including the sculpture garden), requires the destruction of the much-loved space, and goes against protests from a number of premier architects.  “It’s not for lack of trying that we find ourselves at the same pass,” said Elizabeth Diller, a principal at the firm Diller Scofidio & Renfro, which evaluated the new plans. “We can’t find a way to save the building.” (more…)

The New York State Supreme Court has ruled in favor of the The Metropolitan Museum of Art in the controversial case over the museum’s “Pay What You Want” pricing scheme, dismissing a substantial part of the case.  Judge Shirley Werner Kornreich ruled on the decision, stating that the museum’s income is used to help fund education programs and other efforts.  “For those without means, or those who do not wish to express their gratitude financially, a de minimis contribution of a penny is accepted,” the judge wrote. “Admission to the Met is de facto free for all.”  Even with that ruling, the court will review the portion of the case stating that the museum misrepresents itself, leading visitors to believe that they must pay the full $25 price on museum signage. (more…)

MOCA Director Jeffrey Deitch has officially announced his resignation, leaving the museum three years into his five year contract.  The museum has already formed a search party to locate his replacement, but Deitch will remain on board until a new director is found, helping to smoothen the transition, as well as to aid in the completion of MOCA’s ambitious $100 million endowment fundraising campaign, expected to conclude this fall.  “As colleagues, friends and great admirers of Jeffrey Deitch’s talent, we respect his decision and thank him for his tremendous dedication,” said MOCA Board co-chair David Johnson. “His efforts have helped to solidify MOCA’s financial stability while changing the way Angelenos, and those around the world, engage with contemporary art.” (more…)

With Dia’s announcement last month that it would deaccession some of its works in order to fund new acquisitions, a number of former leaders and collaborators have spoken against the move.  The sale of works, which will occur this fall, includes a number of works by Cy Twombly and Barnett Newman.  In a June 28th letter to the institution, former Menil Collection Director Paul Winkler writes: “The primary purpose of Dia has been to collect and present bodies of work by a select group of artists in permanent installations and to realize site-specific commissions, also in permanent situations. It is uninformed and disrespectful of your history to equate permanence with mausoleum.” (more…)

Starting its campaign to create a “neighborhood of art” around its Houston campus, the Menil Collection has hired landscape architect Michael Van Valkenburgh to redesign and expand the environment around its 6 buildings.    “It’s always a challenge to take a landscape that has evolved incrementally and a landscape that has a subtle and modest character and to somehow succeed in improving it,” Mr. Van Valkenburgh says. “It’s not something that needs to be reinvented.” (more…)

The Metropolitan Museum of Art will open its newly renovated European Galleries this Thursday, and the New Yorker’s Peter Schjeldahl has published a brief review of the new wing, praising its appointments and rehang.  “I had an eerie sense, while surveying the results the other day, that here was a brand new major institution which, somehow, had plundered the holdings of the Met.”  He writes. (more…)

Thomas Messer, the legendary former director of the Guggenheim Foundation, passed away on Wednesday at the age of 93.  Messer, who came to the gallery in 1961, just two years after it moved into its signature building on Fifth Avenue, was instrumental in shaping the Guggenheim into the global institution it is today, developing its collection and tirelessly working to expand its mission.  “Here we are, three decades later, with Guggenheims in Bilbao, Berlin, Venice, and soon to be Abu Dhabi. The foundation for all this was laid by Tom Messer. And I can tell you, he laid that foundation under budget.”  said former Guggenheim President Peter Lawson-Johnston. (more…)

In the wake of the Museum of Modern Art’s decision to demolish the former home of the American Museum of Folk Arts, The New York Times has published an exhaustive survey of MoMA’s expansion over its 100-plus year history.  As the article shows, the museum has a long reputation of demolishing surrounding buildings, including the destruction of a former Rockefeller home, and the George Blumenthal mansion, both of which would be considered landmarks by today’s standard. (more…)