A recent study of laboratory mice at Keio University in Japan has sought to uncover whether the small animal could distinguish between various works of art by Kandinksy, Renoir, Picasso and Mondrian.  Using various rewards for the animal, the researchers discovered that mice were able to distinguish works as unique, and were also, in some cases, able to identify an artist’s work by their style of painting.   (more…)

Takashi Murakami (Installation View), via Galerie Perrotin Hong Kong

After 20 years of collaboration, Galerie Perrotin Hong Kong and Takashi Murakami present what will be the artist’s 9th solo show at the gallery, featuring new paintings he created under his alter-ego Mr. Dob, as well as self-portraits of Murakami surrounded by his own characters.

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Yoshitomo Nara, Missed Autumn Rendez-Vous (2013), via PACE Gallery

The images of Japanese kawaii have become, at this stage of the contemporary arts dialogue, something of a trope, an analytical signifier earmarking a work for commentary on Japan’s encounters with global pop culture.  Creeping into press releases, catalogues and countless reviews as a convenient sounding point for Japan’s obsession with the bizarre and the cartoonish, the use of the word often leaves something to be desired, doing little to quantify the aspects or implications it actually carries.

Yoshitomo Nara, (Installation View), via PACE Gallery (more…)

Takashi Murakami is featured this week in a video interview with Nowness Magazine, discussing his recently opened shows in Los Angeles and Hong Kong, his film Jellyfish Eyes, and his attempts to make work in the aftermath of the earthquake and fallout from the Fukushima power plant disaster. “Those natural disasters birthed in me a desire to understand spirituality,” he says. “When I consider what art means to humanity, capitalism and the money game can longer be the main themes of my work.  As an artist, I can heal people.  Now, I feel art is just about healing.” (more…)

“Francis Bacon in Raincoat,” 1967, photo by John Deakin, (c) The Estate of Francis Bacon, all images courtesy the National Museum of Art Tokyo and The Estate of Francis Bacon

Recently concluded at the National Museum of Modern Art, Tokyo is a solo exhibition of works by Francis Bacon. Marking the first viewing of Bacon’s work in Japan in 30 years the exhibit is a retrospective focusing on the theme of the body, as well as the first exhibition of the artist’s work since his death in 1983.

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Takashi Murakami, Fate (2013), via Blum and Poe

In conjunction with the world premiere of his first full-length film, Jellyfish Eyes, on April 8th in Los Angeles, Japanese artist Takashi Murakami is presenting a selection of new paintings and sculpture at Blum and Poe Gallery.  Showcasing new techniques and styles that the artist has developed since his major exhibition of new work, Ego, which was on view in Doha, Qatar.

Takashi Murakami, Arhat (Installation View), 2013 Blum & Poe, Los Angeles ©2013 Takashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Image courtesy of the artist and Blum & Poe, Los Angeles (more…)

Gutai: Splendid Playground (Installation View), Courtesy Solomon R. Guggenheim Museum

The main hall of the Guggenheim Museum’s signature, spiraling exhibition space is currently dominated by an enormous hanging sculpture.  Long plastic envelopes swim over the atrium, filled with brightly-dyed water that casts faint, glimmering shadows on the floor below.  This is Work (Water), by Motonaga Sadamasa, a foundational member of the Gutai art collective. Hailing from the Japanese town of Osaka, the Gutai helped to define the vibrant Japanese contemporary and conceptual art scene of post-war Japan.  Blending an open exploration of the raw materials of creation with a playfully subversive worldview, the Gutai made enormous contributions to the contemporary art practice worldwide.

Shiraga Kazuo, Work II (1958),  Oil on paper, mounted on canvas  183 x 243 cm  Hyōgo Prefectural Museum of Art, Kobe

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Recognized contemporary artists Ryan Gander and Cory Arcangel have both announced the launch of their own lines of clothing.  Gander’s line is a collaboration with Japanese clothing line A.Four Labs, while Arcangel’s, titled “Arcangel Surfwear” is “all designed for comfortably surfing…. the web of course,” says a project manager. (more…)

Artist Takashi Murakami’s first feature-length film, Jellyfish Eyes, is set for its International premiere America this coming Monday at the Los Angeles County Museum of Art.  Taking place in a small Japanese town, the film follows a young boy who befriends a series of bizarre monsters after moving to a new town.  The screening of the film will also include a a Q-and-A with the director. (more…)

James Lee Byars, Early Works and The Angel (Installation view) via Michael Werner Gallery, London

Early Works and “The Angel,” currently on view at Michael Werner Gallery in London, exhibits major works from the late sculptor and performance artist James Lee Byars.  Combining a selection of the artist’s early sculptural works, painted scrolls, and performative objects with the impressive glass sculpture “The Angel,” the show provides an interesting look into the artist’s formative influences and practices.  The gallery is an apt location for this collection, as Michael Werner, the German art dealer and gallery’s namesake, historically had close ties with Byars, as well as his contemporary, Joseph Beuys.

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Aki Sasamoto, Talking in Circles Talking (Installation View), via Soloway Gallery

“My grandfather died when I was fourteen and became an abacus. In the way ice turns into water, he became this object he left behind.”  So begins the performance of Japanese artist Aki Sasamoto’s Talking in Circles Talking, an immersive performance and installation at Soloway Gallery in South Williamsburg.  Exploring the notions of value and vibrancy at play in the space between human relationships and physical objects, Sasamoto effectively fuses personal discourses with her surrounding environment.

Aki Sasamoto, Talking in Circles Talking (Installation View), via Soloway Gallery (more…)

Yayoi Kusama announced this week that she is ending her partnership with the Gagosian Gallery, and joining David Zwirner Gallery’s already formidable roster of artists.  The news comes after several months of speculation and rumors that Kusama would be breaking her ties with Gagosian. (more…)

Mr. – Give Me Your Wings – Think Different (2012), Courtesy Lehmann Maupin

Japanese artist Mr. has a remarkable ability for blurring the lines of contemporary culture.  Using the forms and imagery of the potent manga, otaku and kawaii subcultures of his homeland, the artist turns the lens towards the Japanese identity, highlighting what these icons say about the national culture.  On now, Lehmann Maupin gallery in New York City is presenting a large-scale installation by the artist that incorporates these works into a broad statement on the the emotionally frustrated climate of Japan after a year of economic stagnation and natural disaster. (more…)

Installation view, Yoshitomo Nara, 2010. All images via Tomio Koyama Gallery.

Yoshitomo Nara has unveiled his first series of ceramic sculptures at Tomio Koyama Gallery, Tokyo.  Nara has been studying sculpture for the past year at Shigaraki Ceramic Cultural Park, where he created almost 20 pieces.  Nara’s new work maintains his characteristic stylization of children, a trademark painter A.R. Penk has described as “angelic.” Like Nara’s drawings, his sculptures seem both innocent and disconcerting: lines are thick and simple, colors are bold and basic, eyes are either closed or blank.  Nara’s subjects, however, often cry, bleed, possess fangs, and brandish knives.  Of this conflation of puerility and severity, Nara explains, “I kind of see the children among other, bigger, bad people all around them, who are holding bigger knives…”

Installation view, Yoshitomo Nara, 2010

More text and images after the jump…

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