The Getty Conservation Institute in Los Angeles is nearing completion on a yearlong restoration of Jackson Pollack’s Mural.  Using new technologies and approaches on the $140 million work, the work has been analyzed by a series of noninvasive x-rays and other approaches to determine not only the original composition of the work, but also other efforts in doctoring or restoring the work in the past.  “From the chemical composition and buildup of paints, we are unlocking evidence of Pollock’s creative process, his choice of materials, and any alterations through time,” says conservation analyst Alan Phenix. (more…)

In conjunction with the late Richard Artschwager’s ongoing retrospective at the Hammer Museum in Los Angeles, the museum has partnered with the Los Angeles Nomadic Division and the Cosmopolitan Hotel in Las Vegas to install a series of the artist’s blps pieces across the cities of LA and Las Vegas.  The museum is also hosting a contest around the blps installation, entering any viewer who posts an image of one on Twitter or Instagram for a drawing to win an Artschwager prize pack.    (more…)

James Turrell, Breathing Light, (2013) Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr.

Part of his three-museum, nationwide retrospective, James Turell lights up LACMA with a retrospective that exhibits works from the artist’s nearly fifty-year career.  Extending across an entire wing of the Resnick Pavilion, and an entire floor in the Broad building, the exhibition is easily the heaviest concentration of works by Turrell in one place that one could hope to see in a lifetime.  Loosely chronological, the show begins with a projection work from the first years of Turrell’s light experiments, and ends with an immersive environment created this year.  These works, Afrum (White) (1966) and Breathing Light (2013), provoke pure wonderment, emphasizing the device central to Turrell’s artistic investigations: that the work itself doesn’t necessarily exist in the space, but within the viewer’s experience, moving through the work.

James Turrell, Afrum (White), (1966), Courtesy Los Angeles County Museum of Art, Copyright James Turrell. Photo copyright Florian Holzherr. (more…)

Los Angeles’s Museum of Contemporary Art, the first planned location for a traveling retrospective of the work of Jeff Koons, has announced that it will no longer be hosting the show.  The news comes in the wake of Director Jeffrey Deitch’s resignation from his position.  The exhibition will now open in New York at The Whitney Museum in June of next year. “It was decided by MOCA and the Whitney that it would be better for an exhibition as complex and ambitious at this one to be developed over a longer period of time,” said Whitney spokesman Stephen Soba. “And that the show should open in June in New York.”  (more…)

Artist Chris Burden, whose upcoming retrospective at the New Museum this fall will fill all five floors of the institution, will also bring a series of works to the space’s exterior.  Burden will install a pair of 36-foot skyscraper structures (Two Skyscrapers) on the roof of the museum, as well as Ghost Ship, an automated, double bowed boat that will circle the building’s facade.  The exhibition will be the first major retrospective for Burden in New York, and opens on October 2nd. (more…)

Maurice and Paul Marciano, known as the co-founders of Guess Jeans, have purchased the Scottish Rite Masonic Temple on Wilshire Boulevard in Los Angeles, with the intent of turning the space into a museum for their contemporary art collection.  The property was purchased by the Maurice and Paul Marciano Art Foundation, for the price of $8 million. “We have been looking for a home for the collection,” said William F. Payne, a spokesman for the foundation. “It’s a legacy project for the family.” (more…)

A light installation by James Turrell has been uncovered in a Malibu Beach House, the Wall Street Journal reports.  The work had sat dormant in the guest house of late art collector Sydney Goldfarb’s Malibu home, and was uncovered when resident Tobey Cotsen visited Turrell’s current show at LACMA, where she realized that she had a Turrell of her own.  The work has since been confirmed by the artist’s studio.  “Where have I seen that before?” She said to herself during the exhibition. “I’ve seen it in my house.” (more…)

MOCA Director Jeffrey Deitch has officially announced his resignation, leaving the museum three years into his five year contract.  The museum has already formed a search party to locate his replacement, but Deitch will remain on board until a new director is found, helping to smoothen the transition, as well as to aid in the completion of MOCA’s ambitious $100 million endowment fundraising campaign, expected to conclude this fall.  “As colleagues, friends and great admirers of Jeffrey Deitch’s talent, we respect his decision and thank him for his tremendous dedication,” said MOCA Board co-chair David Johnson. “His efforts have helped to solidify MOCA’s financial stability while changing the way Angelenos, and those around the world, engage with contemporary art.” (more…)

Painter Eric Fischl sat down with the LA Times this past weekend to discuss his career, the communication of art, his recent memoir, Bad Boy, and his self-described “search for normal.”  “I think the process of aging and using art as a life process for learning, understanding, evolving, etc. … it seemed like I had reached a point where I could take a lot of what I accomplished and I could let go of a lot of things, so maybe it would be recent.”  He says. (more…)

Jeffrey Deitch, via LA Weekly

MOCA Director Jeffrey Deitch may step down from his position at the Los Angeles institution, the LA Weekly reports.  Sources close to the museum have released information that Deitch will announce his departure on Wednesday, and that he is currently shopping for apartments in New York City. (more…)

A number of U.S. Museums are exploring new approaches to exhibiting works while in storage, the LA Times reports.  Museums like LACMA and the Broad Museum have attempted to place larger portions of their collections in “visible storage,” where interested visitors can view them.  “There is this public assumption that museums are hoarding objects in dark rooms, and by the way that isn’t totally wrong,” says LACMA Director Michael Govan. “What we’re saying is that those objects are worthy for viewing and studying if not always for exhibitions. So you’re not contemplating a masterpiece, but maybe you’ll find value in comparing and contrasting different examples of vases.”

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Urs Fischer (Installation View), photo by Stefan Altenburger, © Urs Fischer, Courtesy of the artist and The Museum of Contemporary Art, Los Angeles

Occupying both the Grand Avenue and the Geffen Contemporary spaces at MOCA, Swiss-born, New York based artist Urs Fischer presents his first U.S. retrospective, culling from his diverse and unique body of work to fill both spaces with an overwhelming display of sculptural pieces and grandiose immersive environments.

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Robert Irwin, Black Rectangle – Scrim Veil – Natural Light (1977), via The Whitney

The immediate effect upon entering Robert Irwin’s full-room installation at The Whitney Museum is one of disorientation.  A single black runs along the outskirts of the room, interrupted by the enormous window at one end of the space.  Through the middle of the room runs an even larger black line, seemingly suspended in mid-air.  The eye swims around this phenomenon, unsure of the depth of the room, or the origin of the line until one notices the large veil bisecting the room, leaving about 6 feet of clearance for viewers to walk under.

Robert Irwin sets up his installation at the Whitney in 1977, via New York Times (more…)

With the opening of Richard Artschwager! (previously at the Whitney Museum) at the Hammer Museum this month, the institution welcomed Richard Artschwager’s contemporaries, John Baldessari and Ed Ruscha to sit down and discuss his influential practice, output, and creative legacy. “Whether he’s well known or not is not important because he’s seen widely, and if you’re interested in art you’re going to be familiar with his work.” Ruscha said. (more…)

Andy Ralph, Manifold Destiny (2013), via L&M Arts

L&M Arts’ current exhibition, Neo Povera, presents a group of works in the spirit of the 1960’s Arte Povera movement, meant to exist purely in and of their own material while pushing the boundaries of acceptable art.  The Arte Povera movement attempted to strip symbolic implications from an object, leaving only the true material, thus making art that is unassuming, present, undivided from reality, minimal in material cost, and devoid of signifiers.  At its conception, the group of Italian artists brought together by Germano Celant intended to dissolve the boundary between elite art and a common experience.

Neo-Povera (Installation View), via L&M Arts (more…)

Scott Campbell, Things Get Better, (Installation View), courtesy OHWOW Los Angeles

A solo exhibition of work by artist Scott Campbell is currently on view  at OHWOW Los Angeles, featuring a series of large-scale ink wash paintings on paper, depicting invented objects, particularly makeshift tools, textual subversions, and intriguing figurations found in the world of underground and prison tattoo culture.

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Art F City’s weekly STUFF column took an interesting twist this week, as artist John Baldessari was invited to contribute a list of his ten most prized possessions.  Rather following his cue, the artist submitted a list of 10 incredibly wealthy individuals, including photographs of each billionaire’s personal yacht.  True to form, Baldessari’s witty subversion offers a pointed commentary on the fetishization of material objects. (more…)

The New York Times has published an extensive profile on artist James Turrell in advance of his three museum retrospective opening this summer at the Guggenheim Museum, LACMA, and the Museum of Fine Arts, Houston, occupying 92,000 square feet in total, with some of Turrell’s most striking visual illusions and light works.  Profiling the artist’s career and body of work, the article covers the full range of Turrell’s discipline, including his massive project at Roden Crater.  “It has become, even unfinished, as important as any artwork ever made,” LACMA director Michael Govan said. “I know I’m going out on a limb here a little bit, but I think it’s one of the most ambitious artworks ever attempted by a single human being.” (more…)

Alex Israel, Self-Portrait (2013), via Peres Projects

Los Angeles-based Alex Israel makes work that seems constantly engaged with his home city, the Californian metropolis that plays home to so many of image-driven outlets of the culture industry.  Borrowing from the high-gloss, high production-value world of the Hollywood studio systems and culture corporations, Israel’s works explore the trappings and conventions of celebrity, perception and fame in the context of a city so actively engaged in the manipulation of each.

Alex Israel, Self-Portraits (Installation View), via Peres Projects (more…)

West Coast art dealer Blum and Poe has begun its search for a gallery space in New York City, which is intended to “focus on our artists who currently do not have representation in New York, in addition to very specific projects, both historical and otherwise,” says co-owner Tim Blum.  The gallery is currently based in Los Angeles, and will look to open by August. (more…)

Richard Serra, Double Rift #9 (2013), ©Richard Serra Courtesy of the artist and Gagosian Gallery

On view at Gagosian Beverly Hills through June 1 is Richard Serra’s Double Rifts series. Known for his immense sculptures, Double Rifts showcases a selection of recent drawings that are clearly related to, yet remarkably independent from Serra’s sculptural practice, welcoming new insights into the artist’s creative worldview.

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Former MOCA chief curator Paul Schimmel has joined gallery Hauser and Wirth to help develop a space in Los Angeles.  Schimmel, who has never worked at a commercial gallery, will bring his experience to what is initially described as a museum-like exhibition strategy.  “I think it’s going to be quite different in the respect that it will be done on a larger scale, have fewer exhibitions and a combination of selling and non-selling exhibitions,” he said. (more…)

MOCA has announced that will begin airing a video series, titled “The Art of Punk,” looking at the roots of some of punk rock’s most iconic logos and artwork.  Created by Bryan Ray Turcote and Bo Bushnell, the series features interviews with a number of musicians and artists, including Jello Biafra, Henry Rollins, Raymond Pettibone, and Winston Smith.  The series will debut on June 11th, with an episode on Black Flag. (more…)

Donald Judd at LACMA (Installation View), courtesy of LACMA

On view alongside LACMA’s permanent modern and contemporary collection is a peripheral gallery highlighting a selection of works by artist Donald Judd. Focusing on several of various mediums, the brief show revisits Judd’s focus on simplified geometric forms and the space created around his simple objects.

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