Global contemporary art events and news observed from New York City. Suggestion? Email us.

Go See – New York: Brion Gysin “Dream Machine” at the New Museum through October 3rd, 2010

Wednesday, September 1st, 2010


Brion Gysin and Ian Sommerville, Dreammachine, 1962. Installation View, The New Museum. All images via Artnet

Currently on view at the New Museum is “Brion Gysin: Dream Machine,” the first comprehensive American exhibition to feature the interdisciplinary British artist, writer, and collaborator. Often overlooked, both popularly and commercially, Gysin (1916-1986) has frequently been characterized as a foil of failure within the historical narrative of Beat-Era success stories. He is generally credited as the inventor of the “cut-up” method, a medium which culminated in his co-authorship of the experimental collage-manifesto The Third Mind with William S. Burroughs.


Brion Gysin and William S. Burroghs, The Third Mind, 1965.

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AO On Site – New York: Rivane Neuenschwander ‘A DAY LIKE ANY OTHER’ at the New Museum through September 19, 2010

Thursday, June 24th, 2010


Rivane Neuenschwander, I Wish Your Wish, 2003, installation view (detail) © New Museum, all installation photos by Jordana Swan

Earlier this week at the New Museum, Rivane Neuenschwander’s first American museum retrospective, “A Day Like Any Other”, opened, finally giving the States the opportunity to view the internationally acclaimed work of this Brazilian-born artist.  Art Observed was on site for the three-floor opening, which spans a decade of Neuenschwander’s refined and poetic presentations on how she understands the world.


Rivane Neuenschwander, Rain Rains, 2002, installation view

More text, images, and related links after the jump…
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AO Onsite – New York: Project on Creativity with Chuck Close at the New Museum, Wednesday, May 26th, 2010

Monday, May 31st, 2010


–>
All images courtesy of Patrick McMullan

On Wednesday night, AOL inc. kicked-off their 25th Anniversary celebrations in New York with an intimate ceremony at the New Museum to launch Project on Creativity – a new initiative spearheaded by a series of portraits of the innovators and creatives photographed by American artist Chuck Close – a select few, including images Dalai Lama, segway inventor Dean Kamen, artist Kara Walker, director Gus Van Sant and the actress Claire Danes, were displayed in the Seventh-Floor Sky Room at the Museum which was packed with the members of the New York society world including Andy and Kate Spade, Lisa Anastos, Genevieve Jones, Jennifer Missoni, Will Cotton, Waris Ahlualia, Glenn O’Brien, Bill Powers and AOL CEO Tim Armstrong. The ground floor of the museum was dedicated to a high-tech display of original artwork by four artists from around the world who are part of a larger group of 41 young artists who are to be featured on AOL’s homepage as well as AOLArtists.com – a new destination where users can learn more about how AOL is using creative expression across their sites and the artists who created involved. In addition to these initiatives, AOL representatives used the evening as an opportunity to announce plans for 25 for 25 – a scholarship program, which will grant 25 $25,000 scholarships to tomorrow’s journalists, artists, illustrators, chefs, producers, videographers, and editors. The evening continued for guests who headed a few blocks north to the Bowery hotel for the official after party which was headlined by an intimate performance John Legend.

More images and related links after the jump….

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AO Onsite – New York: Rhizome’s ‘Seven on Seven’ at the New Museum Saturday, April 17th, 2010

Thursday, April 22nd, 2010


All images and text by Eric Forman for ArtObserved

Last Saturday at the New Museum, new media arts organization Rhizome presented Seven on Seven, a day-long conference showcasing seven collaborations between one artist and one “technologist.”  Each pair had only 24 hours to conceive an idea and whip up a prototype.  The event referenced “9 Evenings,” a famous 1966 collaboration between artists and engineers organized by Robert Rauschenberg and Billy Klüver.  That group had 10 months and came up with many influential technological “firsts.” Seven on Seven had more modest aims, and the results, though uneven, were varied and entertaining, most straddling the line between functional social experiment and pop-up work of art. Rhizome executive director Lauren Cornell curated the pairings and many of the participators gushed about the fun they had brainstorming together.  The audience, a packed house of well-heeled digerati who paid what some said were “exclusionary” amounts for tickets, seemed to enjoy the proceedings, not least the cocktail reception in the New Museum’s sleek Sky Room. Some grumblers asserted that networking was the true raison d’eÌ‚tre of the event, although there was widespread admiration for what the participators pulled off in such a short time.

More images, related links and a full report of the proceedings after the jump….
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Architectural Partners in Japan Become the 2010 Pritzker Architecture Prize Laureates

Monday, March 29th, 2010


Ryue Nishizawa and Kazuyo Sejima, 2010 recipients of the Pritzker Prize

Just announced, this year not one but two architects have been awarded the prestigious Pritzker Prize for architecture. Kazuyo Sejima and Ryue Nishizama, the lead architects of the Japanese firm SANAA, were praised by the jury thus, “For architecture that is simultaneously delicate and powerful, precise and fluid, ingenious but not overly or overtly clever; for the creation of buildings that successfully interact with their contexts and the activities they contain, creating a sense of fullness and experiential richness; for a singular architectural language that springs from a collaborative process that is both unique and inspirational; for their notable completed buildings and the promise of new projects together.”


New Museum of Contemporary Art, New York, 2007

More text and images after the jump…
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Go See – New York: Urs Fischer at the New Museum, through February 13, 2010

Tuesday, November 24th, 2009

Shovel in a Hole Beds and Problem Paintings Skinny Sunrise
Click Here For Urs Fischer Books<


Urs Fischer’s ‘Noisette’ via New Museum

Swiss artist Urs Fischer is the first artist to take over all three galleries of the New Museum, with an exhibition entitled “Urs Fischer: Marguerite de Ponty,” Fischer’s first major American museum show. The announcement of Fischer’s show caused a good deal of excitement and speculation. Fischer, who famously dug out the floor of Gavin Brown‘s gallery in 2007, is well known for spectacular punk gestures, and observers were curious to see what he would do. Curator Massimiliano Gioni calls the exhibition not a retrospective or a survey, but an “introspective,” an in-depth look at Fischer’s practice combining previous works with new works and site-specific installations. In the post-boom era where museums are abandoning blockbuster shows and retreating to their collections, the New Museum gave Fischer a considerable amount of freedom, allowing him to significantly alter one of the galleries structurally, and flying last minute a gigantic sculpture from China.


Installation view of Urs Fischer’s ‘Marguerite de Ponty’ via New Museum

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News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009


The New Museum

In September, the New Museum announced a series of exhibition entitled “The Imaginary Museum,” the first of which will be curated by Jeff Koons from the collection of Dakis Joannou, who in addition to heavy collecting the work of Koons, is a trustee of the museum. The museum’s decision to show works from the collection of one of its trustees raised some ethical red flags by several bloggers, and last week gained momentum with a front page article on the NY Times followed by considerable coverage elsewhere, including an editorial in The Art Newspaper by Modern Art Notes’ Tyler Green, who had previously blogged about the situation, and responses by Jerry Saltz in New York Magazine. The cover of the November issue of the Brooklyn Rail featured a satirical cartoon by artist William Powhida with the title, “How the New Museum Committed Suicide with Banality,” taken by a post by James Wagner, skewering the incestuousness and insiderness of the New Museum, and Artinfo called the controversy the “New Museum scandal.”  The New Museum responded in defense, and a number of other museum directors also defended the museum’s decision.


Dakis Joannou and Jeff Koons at the New Museum’s 30th Anniversary Gala in 2007 via The Art Newspaper (more…)

AO News: Winners of ‘Rob Pruitt Presents: The First Annual Art Awards’ Announced at Ceremony at the Guggenheim Museum

Friday, October 30th, 2009


The First Annual Art Awards via Guggenheim.org

Last night, October 29, marked the inauguration of a new annual art event: Rob Pruitt presented The First Annual Art Awards at the Solomon R. Guggenheim Museum, New Yorkin association with the city’s oldest alternative art space, White Columns.

The awards were conceived by artist, Rob Pruitt, as a performance-based artwork; for the occasion he recruited the characters of Index Magazine’s wry satirical web series, Delusional Downtown Divas. The New York Times have reported that “…the Divas schemed to infiltrate the art establishment by any means possible. In one segment they pitched a tent in the Guggenheim, doing their laundry in the lobby fountain.”


Jeffrey Deitch and Kembra Pfahler at The First Annual Art Awards at the Solomon R. Guggenheim Museum via style.com

More images, text and related links after the jump….

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Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009

AIDS-3D, OMG Obelisk, 2007 - Photo via Art Observed

The New Museum presents The Generational: Younger Than Jesus, an exhibition representing fifty international artists who were all born around 1980. Underpinning the exhibition theme is the idea that artist make firm gestures in the early stages of their artistic development. The exhibition gives insight into how this generation of artists experienced and reinterpreted, through their art work, personal and world events that occured during their lifetime so far. Within that reinterpretation, issues of memory , and cross-cultural and cross-generational communication arise. Addressing these issues through questions of technology, identity, collaboration and family uncovers an intimacy in the work that is not obvious at first. Taking up a large part of the museum (the lobby, second floor, third floor, fourth floor and fifth floor), the exhibition will run through 5 July 2009.

The Generational: Younger than Jesus
The New Museum
235 Bowery, New York
8 April 2009 – 5 July 2009

RELATED LINKS
Exhibition Page and Media
[The New Museum]
Exhibtion Blog [The New Museum]
Announcement of the Opening [Art Newspaper]
Questioning the Durablity of Young Artists [Two Coats of Paint]
A “Wunderkind” Review [C-Monster]
BLT Gallery “Wiser than God” responds [Two Coats of Paint]
Video Review of the Exhibition [The World’s Best Ever]
Jerry Saltz reviews the Exhibition [New York Magazine]
A “Refreshing” Show [NY Art Beat]
New Art is Complete Anarchy [New Yorker]
A “Vibrant” and “Energetic” Show [NY Art Beat]
“Useless Information” [ArtNet]
The Strengths and the Weaknesses [ArtNet]
An Impression of the Opening Night [New York Times]
Review of the Opening Night [Art Forum]

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Newslinks for Monday, April 13, 2009

Monday, April 13th, 2009

Kate Moss by Damien Hirst on the cover of Tar Art Magazine, Via New York Times

Kate Moss by Damien Hirst is the new cover of Tar Magazine (anagram for “art”) [NY Times]
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Art funds launched in 2008, such as the London-based Art Trading Fund, are shelved due to failure to raise required funds
[ArtNewspaper]
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Art:21, Art in Twenty-First Century is now available for free on Hulu [Hulu]

"G8" by Andrei Molodkin via Financial Times

Russian Artist Andrea Molodkin, previously cited by AO here, prepares for Venice Biennale [Financial Times]
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Jeff Koons is speaking at Strand Books tonight at 7:00-8:30 in New York
[Via FAD]
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New York Old Masters dealer Lawrence Salander is indicted and pleads guilty in $88 million charge [Bloomberg]

A look inside Rome’s MAXXI designed by Zaha Hadid via c-monster

A preview of the MAXXI in Rome, $108 million art museum designed by Zaha Hadid [c-monster]
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Adam Lindemann, financier, collector and author of Collecting Contemporary launches a new book from Taschen: Collecting Design [ArtInfo]


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Flash Art’s current cover featuring a portrait of Barack Obama by Marlene Dumas via Art Fag City

Marlene Dumas’s portrait of Barack Obama is the cover of Flash Art [Art Fag City]
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Madonna’s art collection is estimated at £80 million pounds
[TimesUK]

A selection from the site via The World’s Best Ever

A timeline of modern & contemporary art artists by movement, school, style, period, theme & art prize [The-artists.org via The World’s Best Ever]
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Richard Serra to receive honorary degree from Pratt Institute at its 120th Commencement on May 18th
[MediaBistro]

Interview with photographer Nan Goldin on why she is auctioning some of the curiosities she has collected [TelegraphUK]
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SFMOMA announces plans for a future expansion, doubling gallery space
[SF Chronicle]


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A preview of SANAA’s design for the 2009 Serpentine Pavillion via Architect’s Journal

SANAA, the Japanese architectual duo behind the New Museum, release first glimpse of design for the 2009 Serpentine Pavilion [Architect’s Journal]
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Jim Dine donates 40 drawings influenced by Greek and Roman sculpture to the Morgan Library
[Artinfo]

Julian Schnabel’s Picasso Femme au Chapeau will soon be sold by Christie’s [New York Times]
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The Mugrabis, a hi
gh impact, market-making collector family, may be addicted to the game of art [The Observer]

ASSEMBLYMAN LENTOL WARNS HIS COMMUNITY ABOUT ASIAN LONGHORNED BEETLE

US Fed News Service, Including US State News November 8, 2006 Assemblyman Joseph R. Lentol, D-Brooklyn (50th District), issued the following press release:

Assemblyman Joseph R. Lentol (D-North Brooklyn) alerted his community that the Asian Longhorned Beetle, a non-indigenous insect that preys on healthy trees, has returned to Brooklyn. Once a tree is infested it must be removed and destroyed to prevent the beetle from spreading to other trees.

“The Asian Longhorned Beetle is a threat to our community,” said Lentol. “We thought we eradicated it from the district seven years ago. Now we have evidence that it has returned.” A massive infestation in Greenpoint was literally rooted out in 1999 when over 1,000 trees had to be destroyed because of the Asian Longhorned Beetle. Last spring, the New York State Asian Longhorned Beetle Cooperative Eradication Program found 18 trees in Williamsburg infested with the bug. The majority were on Lynch St. Thirteen of the 18 trees were on Lynch St, the rest on nearby Lee Avenue and Heyward St. website asian longhorned beetle

“Just because we’re talking about a little bug doesn’t mean this isn’t a big concern for our district,” warned Lentol. “We’re lucky that this appears to be a small infestation, but the key to keeping the Asian Longhorned Beetle from destroying our trees is through awareness.” The Asian Longhorned Beetle is known to nest in all varieties of maple, as well as birch, horse chestnut, elm, willow, poplar, ash, hackberry, sycamore, London Plane and mimosa. Lentol encourages homeowners to look for exit holes on their trees, they will be about the size of a dime, and to grant environmental inspectors access to their property for the purpose of finding infested trees. go to website asian longhorned beetle

Lentol also encourages residents who spot the beetle to call 311 and ask for the Asian Longhorned Beetle Hotline. The United States Forest Service offers replanting of new trees to those who lose trees to the beetle. The insecticide imidacloprid is the only effective preventative measure against the beetle, though experts warn that it cannot help a tree once it is infested. ALB Eradication Program contractors use it during the spring to treat at-risk trees. Residents will be notified by the ALB Eradication Program when tree treatments take place in this area, and Assemblyman Lentol urges residents to work with program officials and provide them access to yard trees for these critical applications and for survey.

Newslinks for Thursday, March 12, 2009

Thursday, March 12th, 2009


Installation view of Rothko’s ‘Seagram Murals’ via MSNBC

Tate Liverpool exhibits Rothko’s Seagram Murals after a 20-year absence [Artdaily]
Rochelle Steiner, under whose tenure Olafur Eliasson’s “New York City Waterfalls” was sponsored, leaves the Public Art Fund [NY Times] and in related, Sotheby’s CEO takes big paycuts in the wake of the market downturn [Bloomberg]


Alex James, bassist of Blur via The Mirror

Blur’s Alex James to judge Charles Saatchi’s art-star reality TV show [The Mirror]
Jonathan Jones on how consumerism spawned Warhol and Pop art and thus the shallowness of contemporary art [Guardian]
Vanity Fair’s imagined conversations overheard at a MoMA party [VanityFair]
A new show at Paris’s Musee d’Art Moderne acknowledges how Italian Surrealist Giorgio de Chirico sold backdated copies of his own work [Bloomberg]


Patti Smith via The Art Newspaper

Patti Smith, whose Polaroids are showing at Robert Miller gallery, on her early career as an artist and why she feels Jeff Koons’s work is “just litter upon the earth” [The Art Newspaper]


Andy Warhol’s BMW Art Car via W Magazine

The BMW Art Car series by artists such as Frank Stella, Andy Warhol, Roy Lichtenstein and Robert Rauschenberg to appear at New York’s Grand Central Terminal starting March 24 [W Magazine]
Chinese art dealer who sabotaged Christie’s sale of bronzes during the Yves Saint Laurent sale weeps at his shattered credibility [Bloomberg]


Steve McQueen modeling for T Magazine

A brief profile of Turner prize winning film artist Steve McQueen’s fashion aesthetic [The Moment]
The Las Vegas Sun does a post-mortem on the Las Vegas Art Museum, which closed last month
[Las Vegas sun via ArtsJournal]

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Trailer for ‘Guest of Cindy Sherman’ via Entertainment Weekly

Soon to open in New York, an art world outsider chronicles his relationship with an art world insider in the film ‘Guest of Cindy Sherman’ [Entertainment Weekly]
Susan Moore looks at the recent emergence of a homegrown art scene in the United Arab Emirates [Financial Times]


Collectors Stephanie Seymour and Peter Brant.  Image courtesy Mary Barone via Artnet

Art in America and Interview Magazine owner Peter Brant opens his private collection to the public, by appointment only, at the Brant Foundation Art Study Center [NY Times]
How the former CEO of the Royal Bank of Scotland was unable to secure an immense 16,000 piece art collection obtained during a takeover of ABN Amro as that bank’s CEO deftly transferred ownership to a foundation before the merger
[TimesUK]
Turner Prize winning sculptor Antony Gormley announces first public art installation for Scotland
[TheScotsman]


Laura Hoptman, Massimiliano Gioni and Lauren Cornell, curators at the New Museum of Contemporary Art via NY Times

A preview of the New Museum’s inaugural triennial, “The Generational: Younger Than Jesus” [NY Times]
Hans Ulrich Obrist’s book “The Conversation Series” includes interviews with artist such as Wolfgang Tillmans and Gilbert and George [ArtInfo]


A peek at Pierogi Gallery’s new annex, the Boiler via NY Times

Williamsburg’s Pierogi Gallery opens new annex, The Boiler [NY Times]
Chelsea galleries, including Andrea Rosen, Barbara Gladstone, Mary Boone and Matthew Marks, to show work at the Museo Nacional de Bellas Artes in Havana, Cuba [The Art Newspaper]


Anish Kapoor’s ‘Temenos’ via AnishKapoor

Construction begins on first of five of Anish Kapoor outdoor sculptures in the UK: the ‘world’s biggest art project’ [DesignWeek]


Portrait of Pope Benedict XIV by Pierre Subleyras via NY Mag

Old masters prove to be a bellwether in the market downturn [Financial Times] as such, The Metropolitan Museum acquires a Renaissance portrait of Pope Benedict XIV for nearly $1 million amidst financial woes [NY Mag] and this painting also is featured here in a separate video discussion on the resilience of old master paintings [Sotheby’s]

Newslinks for Wednesday, March 4, 2009

Wednesday, March 4th, 2009


Damien Hirst’s skateboard decks for Supreme, via The Hundreds

Damien Hirst launches a new line of skate decks for Supreme [Hypebeast] plus a Glenn Brown interview with Supreme [Interview]
Turner prize winning British artist Steve McQueen debuts Hunger.
[W Magazine via C-Monster]


John Baldessari at Mies van der Rohe’s Haus Lange of 1928, in Krefeld, Germany, via Edward Lifson

John Baldessari transforms a Mies van der Rohe house [Edward Lifson]
Metropolitan Opera puts up two Chagalls as collateral for loan in the face of a shrunken endowment
[Crain’s]
Art In America launches its new website
[Art Fag City]


A model of Jeff Koons’s ‘Train’ to be built at Los Angeles County Museum of Art, via LACMA

LACMA moves forward with record $25 million sculpture by Jeff Koons [The Art Newspaper]
Gold Bars for a Chris Burden show at Gagosian held up in Stanford fraud case [Culture Monster]
A negative forecast for the recession’s impact on art [NewYorkMagazine]


Banksy in London, via Wooster Collective

New Banksy works appear in London [Wooster Collective]
A profile of the Guggenheim’s Richard Armstrong, a modest museum head compared to his controversial predecessor
[Wall Street Journal]


KAWS’s cover for the current issue of New York, via SuperTouch

KAWS designs New York Magazine’s cover for their ‘Best of New York 2009’ issue [SuperTouch]
Jackie Wullschlager looks at the exhibitions that have come about after Anthony d’Offay’s gift of his collection to Britain
[Financial Times]


Gang Gang Dance, via The Social Registry

Armory Show preview and party at MoMA featuring a performance by Gang Gang Dance [MoMA]
A profile of art collecting Mugrabi family [NY Times]
Second ever newspaper interview of Charles Saatchi
[London Times]


Jake and Dinos Chapman’s remade ‘Hell’ via The Guardian

Jonathan Jones on why the Chapman Brothers’ Hell deserves to be shown at the National Gallery [Guardian]
Munich gallery Andreas Grimm shutters NY location [Hintmag]
SANAA, architects of the New Museum, to design Serpentine Pavilion [Icon]


A rug made by Francis Bacon, via London Times

Rediscovered Francis Bacon rugs are up for auction at a relative pittance versus his canvases [London Times]
Alex Katz models for J. Crew [MediaBistro]
A trend of wealthy collectors building museums to open their collections to the public [Fortune]

Newslinks for Sunday, February 8th, 2009

Sunday, February 8th, 2009


The New Museum – which is to soon launch its new Triennial via WorldArchitectureNews

The New Museum announces its list of  fifty artists for “The Generational” aka “Younger than Jesus” [ArtDaily]
Sam Taylor-Wood on herself, rats, and her newest work
[GuardianUK]
After this week’s auctions, the FT declares the art auction market still has a pulse
[Financial Times]
A thoughtful look into Elizabeth Peyton’s enigmatic portraits [Wall Street Journal]


Shepard Fairey via LATaco

Shepard Fairey encounters copyright issues concerning his iconic campaign imagery [BBC] and, separately, is arrested in Boston for outstanding tagging violations while en route to DJ the opening party for his exhibit [Boston Globe]
Though Gladstone Gallery’s pension was on the list of Madoff clients, funds were pulled before major losses were sustained [Bloomberg]
A few of the lady’s at Christie’s stay optimistic amidst the new austerity
[NYTimes]

Go See: Elizabeth Peyton ‘Live Forever’ at the New Museum in NYC through January 11, 2008

Friday, October 17th, 2008


Portrait of Poitr Uklanski (1996), Elizabeth Peyton via NYTimes

Elizabeth Peyton’s midcareer survey presents over 100 works in “Live Forever: Elizabeth Peyton” currently at the New Museum.  Peyton emerged in the early 1990s along with painters such as John Currin and Lisa Yuskavage and at that time helped define their collective painterly, outsiderish, illustrational, art-smart figurative styles.  Her portraits generally portray two types of subjects: one being the people she has personal rapport with and the other being those in her imagination.  Portraits of Kurt Cobain, Liam Gallagher from the band Oasis, and Matthew Barney are included, manifested in a suitably thin and somewhat androgynous lens. The survey encapsulates fifteen years of Peyton’s career while the catalogue includes essays from curator Laura Hoptman, Iwona Blazwick, and poet and Warhol icon John Giorno.

The Personal and the Painterly [NYTimes]
Live Forever: Elizabeth Peyton [New Museum]
Roberta Smith on Elizabeth Peyton’s Show at The New Museum [Badatsports]
New Museum Organizes First Elizabeth Peyton Survey and International Tour of Over 100 Works
[ArtDaily]
Elizabeth Peyton’s Opening [WWD Lifestyle]
Live Forever: Elizabeth Peyton at the New Museum, NY [Art2bank]

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Newslinks for Friday, September 26, 2008

Friday, September 26th, 2008


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Catherine Opie via NYTimes

On Catherine Opie, whose exhibition opens at the Guggenheim today [NY Times]
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Sotheby’s: Cat painting by 17-year old Damien Hirst is worthless [Guardian]
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Auction of purported artist friend-of-Andy Warhol blocked by Warhol foundation due to its never having heard of the man [New York Post]
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A review of “After Nature”- an apocalyptic themed exhibition at the New Museum [NYMag]
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Accusations of a conflict of Interest concerning François Pinault and Jeff Koons at Versailles exhibition [ArtForum]
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A full 1/2 of Gagosian Gallery’s London sales are to Russians [ArtInfo]


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Norman Foster-designed Sperone Westwater gallery coming to the Bowery

Friday, September 12th, 2008


Proposed design for Sperone Westwater gallery building on Bowery, designed by Norman Foster, via Curbed

The Sperone Westwater gallery recently announced its $8.5 million acquisition of a building on the Bowery, just a block away from the New Museum, solidifying the area’s reputation as a burgeoning art hub. The five story, twelve thousand square foot pre-war building will be re-designed by Lord Foster, whose work includes landmarks such as the Reichstag, the Heart Tower, and the 30 St Mary Axe in London (better known as The Gherkin). The proposed new building’s facade will boast glass tubes, and a bold red cube-shaped moving room as a highlight, setting the building apart as a unique, modern piece of architecture in an older neighborhood.

Sperone Westwater
Foster and Partners

BLOCKBUSTER: Norman Foster plans Bowery Gallery Building
[Curbed]
SoHo apartment building sells for $8.5 million
[CoStar]

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Go See: Elizabeth Peyton at the Aldrich Contemporary Art Museum, Connecticut, through November 16

Tuesday, July 29th, 2008


Self Portrait, Elizabeth Peyton, 1999

The Aldrich Contemporary Art Museum in Ridgefield, Connecticut is featuring the first wide-scale show of Elizabeth Peyton’s photography through November 16. The collection of approximately fifty photographs was taken by the artist between 1994 and 2008.  Of note is that , a major survey of her painting career will be on view in October in “Live Forever: Elizabeth Peyton” at the New Museum.

Elizabeth Peyton: Portrait of an Artist, 2006 Larry Aldrich Award Exhibition [Aldrich]
A Painter’s Social Network, Traced in Her Photographs [NYTimes]
Elizabeth Peyton To Recieve 2006 Larry Aldrich Award [Artipedia]
Elizabeth Peyton Returns To Connecticut [YankeeMag]

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New Museum announces Triennial based on “20 something” artists

Wednesday, July 16th, 2008

The New Museum of Contemporary Art in New York City via Guardian

The New Museum of Contemporary Art in New York announced yesterday, July 15, that they are starting a new international triennial art exhibition in the spring of 2009. The triennial, entitled Younger than Jesus, will showcase young emerging artists from Generation Y, born circa 1980. A curatorial team led by the director of special exhibitions Massimiliano Gioni, senior curator Laura Hoptman, and Rhizome.org director and adjunct curator Lauren Cornell, along with a network of ten international correspondents and over 150 “informers” are organizing the triennial and scouting the young artists.

New Museum Plans Triennial, Seeks Young Artists for 2009 Debut [Bloomberg]
New Museum Launches Triennial [Artinfo]
New Museum Plans Emerging Artist Triennial [NYSun]
New Triennial from New Museum [Artnet]
(more…)

NEWSLINKS 04.29.08

Friday, May 2nd, 2008


Damien Hirst and the skull via the age

Hirst’s $100M diamond skull cancelled at Hermitage[Financial Times]
New Museum: “freeze-dried packet of desiccated minimalism” [Arts Journal]
Rome mayor to tear down museum designed by Richard Meier? [NY Times]
Artistic Director of Art Basel steps down [Bloomberg]
Public art illuminates Fifth Avenue [NY Sun]

NEWSLINKS 03.13.08

Thursday, March 13th, 2008


The New Museum via Gawker

New Museum’s first tag [via Gawker]
Rembrandt up for $49 million, reportedly less than 1/2 estimated value [New York Post]
Richard Dupont’s sculpture exhibition at the Lever House [The New York Sun]
NY Debut of Italian art publication FMR aka “most beautiful magazine in the world” [New York Sun]

Newslinks 03.09.08

Sunday, March 9th, 2008


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Gustav Klimnt, Beethoven Frieze via secession.at

Klimpt’s historic ‘Beethoven Frieze’ to be reconstructed at Tate Liverpool [NY Times]
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Old master stolen by Stasi (East German secret police) valued at $2 million [Bloomberg]
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The architectural intelligence of the New Museum
[Financial Times]
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Update: Goat farm video, other favorites, at Whitney Biennial [Bloomberg]
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Brooklyn and Manhattan street art gains fans, collectors [NY Times]
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A case against art for Trafalgar Square’s Fourth Plinth [Financial Times]
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Gagosian’s Uptown Gallery Expands, with a new director (former Picasso biographer) [Art Info]
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Bulgaria Summons National Security Council over New Strategy.

Sofia News Agency September 12, 2010 Bulgaria’s President Georgi Parvanov has summoned the National Security Council over the draft of a new National Security Strategy.

The meeting is scheduled for Friday, September 17, 2010, at 1:30 pm, the Presidency announced on Sunday. web site national security council

The meeting has only one issue on its agenda a discussion of the draft for Bulgaria’s National Security Strategy.

Interior Minister and Deputy PM Tsvetan Tsvetanov has been invited to report on this topic.

According to the National Security Council Act, the Council includes, in addition to the President, the Parliament Chair, the Prime Minister, the Ministers of Defense, Foreign Affairs, Interior, and Finance, the head of the State National Security Agency (DANS), the Head of Defense (i.e. formerly known as the head of the general staff of the army), and the chairs of all parliamentary groups. go to website national security council

Bulgaria’s President Parvanov and Defense Minister Anyu Angelov have been tangled in a conflict over the appointment of a new head of the Military Information Service, i.e. Bulgaria’s military intelligence. On Friday Bulgarian PM Borisov said he hoped the conflict will be resolved before the meeting of the National Security Council.A

Newslinks for 12.3.07

Monday, December 3rd, 2007


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Photo via The New Museum

Nicolai Ourousoff, Architecture Critic, on The New Museum [NYT]
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Video from Inside The New Museum [Gawker]
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Jeff Wall at White Cube, London [Guardian]
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Gallery Built Inside of a Napa Valley Mountain [NYT]
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Eye of the beholder: Sephora’s finances; Analysts, company disagree on its outlook.(Statistical Data Included)

Advertising Age March 19, 2001 | Tsui, Bonnie Shoppers demand freedom, and cosmetics retailer Sephora aims to please. The sale of high-end brands such as Christian Dior and Dolce & Gabbana alongside the likes of Clinique, Hard Candy and Burt’s Bees speaks volumes about the direction in which luxury retailing, particularly beauty products, may be headed. Yet despite the investment parent company LVMH Moet Hennessy Louis Vuitton has poured into Sephora’s U.S. expansion, will the “open-sell” concept prove successful enough to ring up the profits?

One of the largest retailers of perfumes and cosmetics in Europe, Sephora made its move to the U.S. in 1998 with Sephora USA. Self-proclaimed as “the future of beauty,” Sephora stores allow customers to roam freely and sample products on an open floor without the interference of the sales clerks usually found at traditional department-store cosmetics counters. The brand and its online affiliate [Sephora.com] are units of the Selective Distribution Group of Paris-based luxury giant LVMH.

Sephora now has 461 stores in 12 countries, compared with 57 stores in France in early 1998; 17 stores opened in the U.S. alone in 2000. LVMH is looking to derive a third of its revenue from U.S. operations and is intent on extending retail networks here-particularly with Sephora. But analysts are not so sure about Sephora’s profitable expansion as LVMH’s own net profit growth falls short of forecasts.

2001 OUTLOOK LVMH reported 2000 earnings March 7, announcing a 27% rise in operating income to $1.82 billion. But slower sales growth reflected weakening currency in key markets Japan and the U.S. Net profit growth was squeezed to 4%, far short of the expected 22%; net profit of $787 million was stunted by the costs of heavy promotion of the Sephora cosmetics chain in the U.S. Last year’s acquisitions binge, which included the purchase of struggling beauty e-tailer Eve.com’s assets, also pressured profits. The group, however, asserted it will achieve “double-digit growth in sales and operating income” in 2001. LVMH does not break out sales and financial performance by unit. Stating the company is not yet ready to issue marketing plans, Sephora did not wish to comment at press time.

“There are differing opinions on whether or not Sephora is financially successful,” said Karen Young, chief executive officer of The Young Group, a beauty consulting firm. “Some industry people think they’re not doing well-there’s been a lot of speculation about it, which makes you ask what’s going on.” Analysts remain equivocal about LVMH and Sephora’s performance. On March 6, Goldman Sachs cut its earnings per share and share price targets for LVMH, due to the cost of investment in auction businesses and weakness in the yen and the U.S. dollar (Japan and the U.S. make up LVMH’s biggest consumer markets). The investment banking and securities firm said it estimated higher losses at the group’s dot-com units, which includes eLuxury.com, as well as at its Sephora retail stores in the U.S. LVMH took Sephora under its wing in 1997. here sephora coupon code

LVMH group Chairman Bernard Arnault confronted analysts and other market watchers with a positive air. “The first half will be affected by morose American sentiment, but each time we have gone through a period of uncertainty, we have made progress in relation to competitors,” he said. The only sign of slowdown for 2001’s first two months was not in the company’s luxury goods, he added, but in champagne-not surprising now that the millennial hoopla has died down. in our site sephora coupon code

LVMH also stated it continues to focus on investment activities for Sephora, claiming “accelerated sales growth” as “new store openings continued in key markets.” Operating costs, however, were just shy of breakeven for the selective retailing unit, and LVMH acknowledged investments in the Sephora store chains did negatively impact results.

`TREMENDOUS WAVES’ Despite the question of its financial profitability, Sephora has made a huge impression as a retail concept in the world of cosmetics-particularly with luxury goods, where exclusivity and personal attention have always reigned.

Initially, retailers were reluctant to give up the individual sell stance on cosmetics, which requires customers to ask for assistance. Most believed once a salesperson was “helping” a customer, he or she would be more likely to buy more product. Some analysts have described Sephora’s approach as the “Barnes & Noble” of beauty and makeup. Sephora has been heavily visible in promotions, most recently masterminding the first-ever Beauty Runway Show in last month’s “7th on Sixth” Mercedes-Benz Fashion Week in New York.

“Almost anyone in the industry that you ask would say that they’re making tremendous waves, the ripple effects of which are still not obvious,” said Suzanne Grayson, president of Grayson Associates, a marketing consultancy in the cosmetics and toiletries industry. “It’s not just the fact that it’s a great retail store with a huge selection, it’s the environment that is totally different.” Ms. Grayson cites exposure to all price points of merchandise and the ability to help yourself as key points in Sephora’s plan. “When you say `open sell,’ this is it to the ultimate degree … though department stores are moving in the direction of open sell to a large degree in cosmetics. And though what they’re doing is not necessarily because of Sephora, it’s a justification of the fact that Sephora’s model works.” “They’ve been a wake-up call to more traditional department stores, [which have] lost tremendous market share in the last 10 years in terms of cosmetics,” agrees Ms. Young, the beauty consultancy CEO. “But the funny thing is … for the most part, when you go into these renovated department stores, the atmosphere doesn’t feel any different. It’s the same sales approach they’ve been using for 30 years.” Sephora’s arrival, Ms. Young notes, has changed the landscape of the cosmetics shopping experience. “It’s much more user-friendly than a department store. But from a marketing standpoint…the final execution is not as well thought-out as it should have been. It may have been too rushed, trying to put so much in place so quickly.” From a consumer perspective, she added, Sephora’s second tier-meaning consumer amenities and stock depth-is weaker than that of many larger department stores.

A NEW MODEL FOR LUXURY?

Once Sephora arrived, however, retailers such as Macy’s West reorganized their beauty sections to mimic Sephora stores. In August 1999, Sephora USA filed suit against Federated Department Stores and Macy’s West for intentionally copying the look of its stores. The suit was settled in June 2000; terms were not disclosed. But the question of whether this kind of open sell environment could work for other luxury products is an interesting one.

Ms. Young, for one, thinks it can’t. “For cosmetics, [the Sephora model] works to be young, fun and spontaneous because it’s the nature of the beast,” Ms. Young said. With higher price points, however, there are higher expectation levels for a kind of service and atmosphere customers don’t expect at mass retail stores.

“To Americans, luxury typically includes something more, that some editing has already been done. With other luxury goods, you don’t expect an endless array, you expect that someone has set a taste level, complete with refined atmosphere and service.” COMING AD PUSH Lloyd & Co., New York currently is working on creative development for Sephora’s coming 2001 campaigns. The agency’s first work was done for an April 2000 Sephora.com print, radio and online campaign titled “The most beauty online.” The New York flagship store and site launched in October 1999 with a $20 million campaign from Omnicom Group’s DDB Worldwide, New York.

Sephora.com, meanwhile, faces its own set of challenges. For January 2001, the site received 237,000 unique visitors, according to Jupiter Media Metrix. LVMH’s eLuxury received only 92,000 unique visitors that same month. The tracking firm said luxury sites have not yet reached one million unique visitors per month, and beauty product sites have not performed well-fragrances and cosmetics fall near the bottom of a ranking of unique visitors to retail Web sites.

As for Sephora’s financial future, the picture is unclear. “I’ve heard from analysts that they will probably make $160 million to $200 million this year in business,” Ms. Young said. “Clearly, Sephora is in an investment spending mode. Right now, we’re all hovering over the body, waiting to see if money is being made. It might take a while to find out.” Contributing: Alice Z. Cuneo Tsui, Bonnie