Artist Kehinde Wiley recently spoke with The Economist about a new series of his immediately recognizable portraits, made during his travels in Israel.  Part of his World Stage series, the new works explore new facets of the complex mesh of ethnic identities and personal politics at play in the Middle Eastern state.  “Mostly I worked with friends of friends,” Mr Wiley says. “I wanted to work with males, ages 18 to 35, who in some way were dealing with or challenging the anxiety and narcissism of youth-entertainment culture.” (more…)

An interior by French post-impressionist Henri Le Sidaner has been discovered in an office of the Pittsburgh, Pennsylvania School District.  The work, which was purchased in 1933 and donated to the school system, has been considered missing for 80 years, and is valued at $500k.  “It was really great it turned up and we know where it is now,” said Louise Lippincott, curator for fine arts at Carnegie Museum of Art.

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James Franco, Gay Town (2012), via Peres Projects

Peres Projects located in Berlin is presenting a month-long, solo exhibition by American actor, filmmaker, writer and artist James Franco from Saturday February 9th, titled GAY TOWN.

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Anselm Kiefer, Die Ungeborenen (Installation View) via Galerie Thaddaeus Ropac

Exploring the origin and creation of life, Die Ungeborenen (“The Unborn”) is a new collection of canvases and sculptures by German artist Anselm Kiefer, currently on view at Galerie Thaddaeus Ropac’s new Pantin location in Paris.

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Tracey Emin, Floating, (2012), via Galleria Lorcan O’Neill

Currently open in Rome, Galleria Lorcan O’Neill’s fourth presentation of Tracey Emin’s work is a mature, low-key, yet penetrating selection of the artist’s diverse practice, showcased in both of their spaces on Via Orti D’Aliberti.  Emin has recently been appointed Commander of the Order of the British Empire (CBE), as well as a professor of drawing at the Royal Academy (RA) along with Fiona Rae, making them the first two women to be elected into the academy.  Given her entrance into these exclusive circles as an official representative of British culture, the Italian location of this show offers an interesting reevaluation of Emin’s art.
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Paul Klee, Comedians’ Handbill (1938), via Metropolitan Museum of Art

On view at the Metropolitan Museum of Art through February 24, “Late Klee” presents a concentrated survey of the last fifteen years of Paul Klee’s life and career. The one-room exhibition consists largely of small-sized works on paper and cardboard, each representing a facet of the artist’s prolific oeuvre and wide-ranging interests. (more…)

An unnamed collector has come forward, claiming that he has found an upper section of Gustave Courbet’s immediately recognizable nude, “Origin of the World.”  The new segment depicts the subject’s head and sholders, complimenting the notorious section of the work primarily depicting her genitalia, that now hangs at the Musée D’Orsay.  The new section has been confirmed by leading Courbet expert Jean-Jacques Fernier, who says that he is “convinced” that the works are two parts of the whole. (more…)

Collector David L. Bryant has spoken out against accusations that he is reneging on an agreement to donate Jasper Johns’s Tantric Detail triptych to the Museum of Modern Art.  The dispute was made public after billionaire Henry Kravis, who purchased the works jointly with Bryant, filed a lawsuit alleging that Bryant was attempting to back out of an agreement to donate the works after a set period of time.  “I have always planned to give my half of the paintings to MoMA.” Bryant said.  “I have never said nor do I have any intention of reneging on my agreement with the artist to do so.”  (more…)

The Office for Contemporary Art Norway has announced that it will send a special exhibition to Venice this year, titled Beware of the Holy Whore: Edvard Munch and the Dilemma of Emancipation.  Featuring several rare works by Edvard Munch and a newly commissioned film by Lene Berg, the exhibition will explore the dichotomy of freedom and isolation found in the state of emancipation, and will take place from 31 May to 22 September 2013 at Galleria di Piazza San Marco of Fondazione Bevilacqua La Masa. (more…)

Luc Tuymans, The Summer Is Over (Installation View), via David Zwirner

With a consistency that can almost be regarded as mechanical, 2013 marks another show by Belgian painter Luc Tuymans at David Zwirner in New York.  Since joining the gallery in 1994, the Belgian painter has held solo exhibitions in the gallery every two years, and is currently presenting a new series of thematically interwoven works that expound on his sparsely colored, figurative approach, titled The Summer is Over.

Luc Tuymans, Zoo (2011), via David Zwirner

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A painting by French Master Charles Le Brun has been discovered at the Hôtel Ritz in Paris.  The work, titled Le Sacrifice de Polyxène, had hung for years in plain sight in the suite where Coco Chanel had lived for 30 years, but only drew attention recently, when the Hotel closed for renovations.  “It is a magical discovery,” said Cécile Bernard, a Christie’s expert. “The painting must have been there for at least 50 years.” (more…)

Painter Jean-Michel Basquiat’s tribute to his favorite writer, William Burroughs, titled Five Fish Series will be on the auction block at Sotheby’s February 12th Contemporary Arts sale. The work is estimated to sell from £4.25 million to £6.25 million.  “Basquiat is the blue chip artist of the moment,” said Sotheby’s contemporary specialist Alex Branczik. “He is recognised today in perhaps the same way he recognized Burroughs in the 1980s as someone who was streets ahead of his time – Basquiat is the artist who everybody wants at the moment so we have high hopes of it doing well at auction.” (more…)

Andrea Mary Marshall, Gia Condo (Installation View) – All photos by Elene Damenia for Art Observed unless otherwise noted.

Blending fashion photography, performance, video and painting, the second solo exhibition by artist Andrea Mary Marshall explores the artist’s alter ego – the drag-embracing, Mona Lisa-fixated painter Gia Condo.  Across 13 canvases and a series of photographs, the artist explores issues of gender and identity that surround the famous painting of the smiling woman, re-imagining them in the style of predominantly male contemporary artists like Keith Haring, Francis Bacon, and Marcel Duchamp.

Andrea Mary Marshall, Gia Condo (Installation View)

Art Observed spoke with Marshall at the opening of her exhibition at Allegra LaViola Gallery about the character of Gia Condo, and her motivations for the exhibition.

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Alex Hubbard, Bent Paintings (Installation View), Courtesy of Galerie Eva Presenhuber

Bent (Why Horses Paint), is a selection  of new works by multimedia artist Alex Hubbard, and his first solo show with Galerie Eva Presenhuber in the gallery’s Löwenbräu complex exhibition space. Hubbard’s paintings move beyond the medium’s traditional two dimensional form, bending into shapes and structures which often seek complete autonomy from the wall.

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Carroll Dunham (Installation View), via Gladstone Gallery

Walking the line between representational abstraction and pure expressionism, the work of American painter Carroll Dunham works in a language that incorporates his unique viewpoint and artistic background into the classical formats of portraiture and landscape. (more…)

Ferdinand Hodler, The Dents du Midi from Champéry (1916) Courtesy Neue Gallery

Over the course of his lifetime, Swiss painter Ferdinand Hodler moved among a variety of subjects and approaches, from audacious works of symbolism, to sweeping landscapes, to a vigorous body of portraiture.  This expansive oeuvre is currently on view at New York City’s Neue Gallery in “View to Infinity,” showcasing the diversity and unique perspectives running through Hodler’s work.  The show is presented in conjunction with the Fondation Beyeler, Basel, where it will show from January 27 to May 26, 2013

Ferdinand Hodler, Two Women in Flowers (1901-1902) Courtesy Neue Gallery

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Barnaby Furnas, Jonah in the belly of the Whale (2012) courtesy Marianne Boesky

Visceral and dynamic, the canvases of American graffiti artist and painter Barnaby Furnas ripple with a kinetic energy.  Filling his paintings with evocative imagery, explosive movement and the near-omnipresent splatters of blood that has become one of his calling cards, Furnas has culled a reputation for his unique take on culture and history.

Barnaby Furnas, The Gutter #2 (2012) courtesy Marianne Boesky

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Jack Goldstein – Where Is Jack Goldstein? (Installation View), courtesy Venus Over Manhattan

A member of the first graduating class of CalArts in 1972, Jack Goldstein made enormous and immediate contributions to the fine arts landscape in the 1970s and 1980s before vanishing from the public eye and tragically ending his own life in 2003.  Now, almost ten years after Goldstein’s death, collector Adam Lindemann is hosting an ambitious retrospective of Goldstein’s early work at his Venus Over Manhattan Gallery, pulling from Goldstein’s practice in painting, photography, poetry and film, including a recreation of Goldstein’s influential performance piece, Two Fencers. (more…)

Guillermo Kuitca in front of his work at The Drawing Center, photo by H. Hannig for ArtObserved

Argentinian painter Guillermo Kuitca has, for the past several decades, continued to explore the visual aesthetic of organization, the varied architectural and illustrative lines at the heart of the maps, floor plans and aerial views, abstracting these images into his own personal artistic language.  The record becomes a personal interpretation, and vice versa.

Guillermo Kuitca at The Drawing Center photo by Cathy Carver

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Cy Twombly – The Last Paintings (Exhibition View), Gagosian Gallery

In 2010, one year before his death, iconic American painter Cy Twombly completed a number of new works — primarily in green, red, orange and yellow — that would end up being the last pieces that he would complete in his lifetime.  These vivid works are now being exhibited at Gagosian Gallery in London, having made their way from Los Angeles to Hong Kong to their current location.

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David Hockney – A Closer Winter Tunnel, February–March (2006), Guggenheim Bilbao

British painter David Hockney has, over the course of his 50 year career, continually pushed the conceptions of landscape painting, exploring various approaches to form, color and composition that mirror his ongoing fascination with shifting technologies and cultural perception. Now, his work is being shown at the Guggenheim Museum in Bilbao as the second venue of a major exhibition of the Yorkshire native’s work, including a large collection of works done in his home town.

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Lehmann Maupin’s “Friends with Benefits,” installation view. All photography by M. Peralta for Art Observed unless otherwise noted.

“Friends with Benefits,” Lehmann Maupin‘s summer group show on view at their location at 201 Chrystie Street, is a correspondence between generations that reveals the concerns of each. The gallery asked five of their artists–Tony Oursler, Angel Otero, Tim Rollins, Mickalene Thomas, and Nari Ward–to ­­request work from young artists they would like to support. Curated by Carla Camacho and Drew Moody, the result is an appealing disjunction of artistic histories, showing contemporary artists engaged with the concerns of a former generation while also reflecting on the artistic currents of their own time. The exhibition’s starting point, as described in the press release, is the notion of “the gallery community as a fertile space,” which takes a positive stance on the white cube as a place where older artists can encourage the work of younger artists.

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Marian Goodman Gallery, “Ellsworth Kelly,” installation view. All photography courtesy Marian Goodman Gallery unless otherwise noted.

Ellsworth Kelly‘s installation of four 2-panel paintings executed this year is on view at Galerie Marian Goodman in Paris until July 13, 2012. The show, as the gallery’s press release relates, is his first in Paris in 20 years, when his formative paintings made in his youthful residence in the city were exhibited at the Galeries Nationales du Jeu de Paume. This new work comprises four paintings, each consisting of a curved geometrical relief on a white panel, progressing on the ordered spectrum from red, yellow, blue, to green. Laconically hung a single panel to each of the four walls in the gallery, the paintings seem a further distillation of Kelly’s painterly system, a continuation of the experiments he first executed in Paris in his early years.

Marian Goodman Gallery, “Ellsworth Kelly,” installation view

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