Red Curve in Relief (2009) by Ellsworth Kelly, via Villa Medici.
Currently on view at the French Academy in Rome the Villa Medici is an exhibition featuring the work of two great artists: Twentieth-century American artist Ellsworth Kelly (b.1923) and French Neoclassical master Jean-August-Dominique Ingres (1780-1867) who was once the director of the Villa Medici. The show will explore the relationship between the two artists despite the many centuries which separate them.
More text and related links after the jump….
Portait of Jean-Baptiste Desdeban (circa 1810) by Jean-Auguste-Dominique-Ingres via Villa Medici.
The exhibition presents recent work by Ellsworth Kelly which have yet to be shown to the public, including a selection of his plants and figure drawings, 8 oil paintings, and 28 drawings. These are juxtaposed with a selection of drawings and paintings by Ingres (4 oil paintings and 32 drawings) which have been specifically selected by Kelly from the collections of the Musée Ingres of Montauban, the Louvre, the Besanҫon Musée des Beaux-Arts and the Musée de Lyon.
Blue Curves in Relief (2009) by Ellsworth Kelly, via Villa Medici.
The exhibition is jointly curated by Kelly and Eric de Chassey, the director of the French Academy. The first room shows three portraits by Ingres which includes the Portait de Desdeban (circa 1810) painted in the Villa Medici and situated adjacent to Kelly’s Blue Curves (2009). Subsequent rooms display six monumental reliefs by Kelly, some of the most recent work in his oeuvre. Other rooms are composed of the two artists’ drawings divided into groups.
Madame d’Haussonville (ses bras) (1845) by Jean-Auguste-Dominique Ingres, via Villa Medici.
The viewer will constantly be presented with works by both artists so that the form and content of each work will remain in the viewer’s mind. They will thus be forced to concentrate on the similarities in form which inherent the work of both Kelly and Ingres.
Purple Curve in Relief (2009), via Villa Medici.
Regardless of the many years which separate the lives of Ingres and Kelly, both artists are masters of the curve. Whether it be the back of one Ingres’ elegant odalisques or the simple curve in one of Kelly’s minimalist canvases distinguishing one color and shape from the other, both artists employ such form to mold and characterize their subjects.
Banana Leaf (1992) by Ellsworth Kelly, via Villa Medici.
Both Kelly and Ingres deal with the duality of fragmentation and unity in their work testing proportion, physicality and form. Although these two artists live many centuries apart with inherent and noticeable differences, the juxtaposition of their works reflect the similarities to be found between different artistic epochs, methods and subject matter.
Exhibition Page [Villa Medici]
Jean-Auguste-Dominque-Ingres and and Ellsworth Kelly at Villa Medici [Design Boom]
Ingres, Ellsworth Kelly face-to-face at Rome Expo [The Independent]
Jean-Auguste-Dominque-Ingres e Ellsworth Kelly a Villa Medici [Corriere Romano]