Sunday, July 31st, 2011

The NYTimes on the relationship between the Met Museum and its new acquisition of the Marcel Breuer building, home to the Whitney Museum of Art [AO Newslink]
Global contemporary art events and news observed from New York City.
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The NYTimes on the relationship between the Met Museum and its new acquisition of the Marcel Breuer building, home to the Whitney Museum of Art [AO Newslink]

Gagosian Gallery quietly releases info on its representation of the visual art of recording legend Bob Dylan [AO Newslink]

David Dawson, David and Eli in progress, 2004
The relationship between master and apprentice is evident in the works from painter Lucian Freud and his assistant David Dawson now on view at Faurschou Beijing through August 14th. Dawson has worked as Freud’s assistant since 1991 and has been one of the few people allowed to photograph Freud in his studio as he works. The exhibitions pairs Freud’s painting David & Eli, (2003-04) with ten photos taken by Dawson at Freud’s studio between 2004 to 2006.

Installation view of Lucian Freud and David Dawson at Faurschou Beijing
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Installation View, Sculpture Now (2011). All images courtesy of Galerie Eva Presenhuber Sculpture Now is a presentation of 35 works by 27 artists, each represented by Galerie Eva Presenhuber in Zurich. The exhibition has been arranged by collaborative Swiss artists Peter Fischli and David Weiss, who have worked together for over 25 years. As indicated by the number of exhibitors, Sculpture Now includes artists such as Urs Fischer, Richard Prince, Andrew Lord, Eva Rothschild, YBA’s Angela Bulloch, and Sylvie Fleury alongside others such as Trisha Donnelly. Paintings by Joe Bradley and Sue Williams are showcased are shown along with the sculpture. A concurrent exhibition of Franz West will also close at Eva Presenhuber on July 30th.
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Ai Weiwei, Washington Square Park Protest (1988), all photos courtesy of Three Shadows Photography Art Centre and Chambers Fine Art, via Asia Society.
Art Observed was on site at the Asia Society’s Ai Weiwei retrospective, which comprises over 200 photographs taken by the artist in some of his most pivotal years. Between 1983 and 1993, Weiwei documented protests of system, political, gender, and artistic. The show is a collection of black and white photographs, numbered simply and elegantly. The titles are Weiwei’s own, scrawled at the bottom of each piece. A visitor follows Weiwei through his life in the East Village. “New York Photographs” chronicles Weiwei’s interest in transformations, as they manifest through the artist’s perspective, and closes August 14.

Ai Weiwei, Robert Frank & Allen Ginsberg (1989)
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Augmented Reality App replaces billboard ads with art, will feature street artists Ron English, John Fekner, PosterBoy, Doctor D and Ox [AO Newslink]

All images installation views of Jake or Dinos Chapman at White Cube, 2011. Courtesy Coco Bayley for Art Observed.
Jake and Dinos Chapman – The Chapman Brothers – reinstated themselves in the London art scene last week, across the two White Cube galleries. Both the Mason’s Yard and Hoxton gallery spaces are used in this double act, double venue exhibition. The show, Jake or Dinos Chapman, runs from the 15th of July to September 17th and is alarmingly extensive. The brothers are infamous for their elaborate teasing, deliberate vulgarity, and mocking of aestheticism- this show is no different. However, for the White Cube exhibition, Jake and Dinos Chapman, who have consistently worked together professionally and are known as a gruesome twosome double act, have this year separated and worked alone. Using different studio spaces, they have been working independently on the content of this exhibition, only having revealed their pieces to one another a few weeks ago.
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Pablo Picasso plays at The Journal Gallery, all images by Stefan Idowu-Bello for ArtObserved
On Saturday night, Art Observed was on site at The Journal Gallery in Williamsburg for a night which began with a poetry reading from New York based poet, Michael David Quattlebaum Jr., (who goes by Mykki Blanco) who read from his debut book ‘From the Silence of Duchamp to the Noise of Boys.’ The poems are a personal retrospective of the author questioning his rebellious youth, which lead to him running away, and eventually finding a spiritual awakening in New York. Mykki Blanco embraced the sweltering city heat by standing bare chested in front of the crowd, wearing only a floral floor length skirt and a complimentary flower behind his ear.
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Dasha Zhukova, partner of über-collector Roman Abramovich, head of Garage Center, Moscow, to launch fashion-art magazine in September called ‘Garage’ [AO Newslink]
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NY Times reports on Doug Aitken’s exploration of alienation in the modern age in new installation “Black Mirror,” featuring Chloë Sevigny [AO Newslink]

Joe Bradley, Duckling Fantasy (2011) installation view, courtesy Almine Rech.
Joe Bradley’s “Duckling Fantasy” is currently on show at Paris’s Almine Rech Gallery. The exhibition consists of new, somewhat large-scale paintings from oil, oil sticks and pencils, that continue Bradley’s interest in color and dirt.
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The Economist: Asia accounts for quarter of global auction revenue, “lion’s share is made up of art,” painting is most desirable medium [AO Newslink]

New York’s Metropolitan Museum announces record attendance (5.6 million), fiscal year includes blockbuster exhibitions “Alexander McQueen: Savage Beauty” and Picasso [AO Newslink]

Gagosian Gallery now represents critically acclaimed Chinese painter Zeng Fanzhi [AO Newslink]

David Zink Yi, Untitled (Architeuthis) (detail) (2011), via Hauser & Wirth
Hauser & Wirth in New York is currently showcasing David Zink Yi’s Pneuma, through July 29th. In this show, Zink Yi conveys a multi-faceted and fragmented identity, ultimately questioning the validity of the physically ephemeral and emotionally ethereal spirits. Seven mixed- media experiments in film, installation and sculpture are rendered deliberately mysterious to suggest the complicated nature of self. The exhibition’s name is sourced from etymological route of “pneuma” is the Greek word for breath (the root word for pneumonia, as the afflicted experience a difficulty circulating air), but literally means “spirit,” which resonates on a religious and metaphysical level in Judeo-Christian religious history, and in Zink Yi’s art.
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Cecily Brown, St. Anthony on the Bridge (2010). All images via Gagosian Gallery
Small-scale paintings and works on paper by Cecily Brown will be on view at Gagosian Gallery in London through July 29th. The exhibition opened on June 8th, and is Brown’s first exhibition of gouaches and watercolors together. The exhibition is a continuation Brown’s use of imagery adapted from German children’s book series of cautionary tales, Struwwelpeter’s The Story of Fidgety Phil, as began in 2006.
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Willem de Kooning, via The Pace Gallery.
Midtown New York’s Pace Gallery is hosting its first exhibition of art by Willem de Kooning, of which it gained exclusive representation in the fall. Like much of the late artist’s own work, “The Figure: Movement and Gesture” is focused on and around the human body, as it is translated by different methods and techniques of representation. The show closes on July 29.
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