Since the early 1990s, Rineke Dijkstra has been creating photographic and cinematic portraits that expose, examine, and celebrate humanity. It is a rare occurrence when one bears witness to the complexities and nuances of life epitomized in a fleeting gesture or facial expression. It is even more rare to capture these gestures or expressions on camera. Dijkstra’s work is devoted to a fascination with these possibilities found within the miracle of physical embodiment.

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Senior HSBC bank manager Michael Foreman was identified as the man who fell to his death from a Tate Modern balcony last week.

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ArtInfo released the second part of its “The 50 Most Exciting Art Collectors Under 50.”

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Christian Marclay‘s ‘The Clock’ has returned to New York for viewing at the David Rubenstein Atrium in Lincoln Center. The 24-hour art video is a compilation of thousands of clips from all periods of cinema. With no beginning or end, the film incorporates short clips that correspond precisely to the time when the visitor is viewing the film. Every shot features either an image of a timepiece or a discussion about the time of the day.

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Courtesy of Pace Gallery, Alexander Calder’s Tripes (1974), a 19 foot tall steel sculpture, will be on display at the St. Pancreas Renaissance Hotel in London. This sculpture coordinates with both the London Olympics and Pace’s expansion to London.

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Terence Koh, my mother destroyed me and still the tea that is the hope of my ship (2012)

 
This summer, Chinese-Canadian artist Terence Koh brings his unique brand of sculptural performance to The Fireplace Project in the high-society woodlands of Easthampton. Koh’s “yes pleased” will run through August 12 and features the eerie and erotic minimalism that has shaped his career from its beginnings, when the artist moonlighted under the monicker asianpunkboy.

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Former MOCA Chief Executive Charles E. Young has called for the removal of museum director Jeffrey Deitch following a tumultuous month that included the resignation of long-time curator Paul Schimmel and artists John Baldessari, Catherine Opie, Barbara Kruger and Ed Ruscha. In an email to donor and influential board member Eli Broad, Young concluded that “I will do anything I can to try to right the MOCA ship, but nothing will work, in my mind, without a new Captain/Director.”

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Martin Creed’s Olympic-specific work, entitled Work No 1197, All the Bells in a Country Rung as Quickly and Loudly as Possible for Three Minutes occurred this morning at 8:12 in the morning to herald the opening of the games.

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 Gardar Eide Einarsson – Sorry If I Got It Wrong, But Something Definitely Isn’t Right (Gallery View)

Currently on view at the Team Gallery’s space on Grand Street New York City is an exhibition of new work by Gardar Eide Einarsson, showcasing the Norwegian’s multidisciplinary scope, and confrontational approach to exhibition.  In this most recent show, Sorry If I Got It Wrong, But Something Definitely Isn’t Right, the artist explores the intricately connected systems of political dissent currently at play on the global stage.

 Gardar Eide Einarsson – Untitled 1969 (2012)

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Tracey Emin‘s ‘The Central line’ design released as the 16th cover of the London Underground Tube Map.

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Image courtesy Wien Belvedere

Franz West, the iconic Austrian sculptor who was known for bucking trends, has died at age 65. Mr. West resided in Vienna, and according to his family, had been enduring a long battle with liver disease when he finally succumbed on Wednesday.

Image courtesy the Public Art Fund

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An unnamed man in a suit plunged 100 feet to his death off the Tate Modern‘s members-only balcony yesterday, leaving hundreds of onlookers shocked.

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Jackson Pollock, “Ocean Greyness” (1953), Solomon R. Guggenheim Museum

This summer, the Solomon R. Guggenheim Museum celebrates a groundbreaking period in its history with “Art of Another Kind,” an installation featuring works collected primarily from 1949-1960. This era began with Solomon R. Guggenheim’s passing. The movement caught fire under new director James Johnson Sweeney’s affinity for the explorative and abstract work of artists he referred to as “tastebreakers,” and ended soon after the museum’s 1959 relocation to Frank Lloyd Wright‘s iconic white structure docked in the Upper East Side.

Judit Reigl, “Outburst” (1956), Solomon R. Guggenheim Museum

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Tino Sehgal via The Independent

Anglo-German artist Tino Sehgal opened ‘These Associations’ in the Tate Modern‘s Turbine Hall yesterday. As the 13th Unilever Commission, the performance art installation is the museum’s first live commission. ‘These Associations’ features shifts of around 50 participants at a time, partaking in different games, dances, and social interactions designed by Sehgal.

Turbine Hall, the venue for ‘These Associations’ via BBC News

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Unilever‘s sponsorship of the Tate Modern‘s yearly art installation in the Turbine Hall has expired. The decision for renewal will be put on hold, as the venue is set to close for construction in 2013.

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Banksy releases three Olympic-themed works in anticipation of the London 2012 Olympic Games.

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All photographs taken by Lisa Marsova for Art Observed

For the past two months, the Metropolitan Museum of Art has housed a sizeable abstract installation by Argentinian artist Tomás Saraceno on its rooftop terrace.  The structure, titled “Cloud City”, is Saraceno’s first site-specific commission in the United States.  With a production spanning only the past decade, Saraceno is a relative newcomer to the art world, but his interdisciplinary investigations in environment have already generated wide attention.  As a complex fusion of architecture, geometry, and the cosmos, “Cloud City” is a continuation in Saraceno’s study of the overlay of art and science.

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ArtInfo published a list of “The 50 Most Exciting Art Collectors Under 50, part 1.”

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In a strongly titled article, “A Los Angeles Museum on Life-Support” The New York Times analyzes the recent fall-out and standing of LA’s Museum of Contemporary Art, examining director Jeffrey Deitch‘s role in the recent happenings.

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Rafael Lozano-Hemmer‘s ‘Open Air,’ featuring 24 searchlights controlled by a mobile app and the voices of the visitors, will open at the Benjamin Franklin Parkway in Philadelphia on September 20th of this year.

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Ellsworth Kelly’s Dartmouth Panels, a large external wall piece, commissioned by Leon Black, the recent buyer of Edvard Munch’s ‘The Scream’, has been installed on Dartmouth’s Hopkins Center for the Arts, preceding the opening of the Black Visual Arts Center in September.

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The New York Times reports on the strange case of Robert Rauschenberg‘s Canyon and the legal dispute involving the heirs of Ileana Sonnabend, the famed art dealer and previous owner. Because Canyon features a dead bald eagle, the current owners are unable to sell the Rauschenberg due to the 1940 Bald and Golden Eagle Protection Act. Although, due to its selling restriction, the work has been appraised at zero dollars, the IRS insists on taxing the family $29 million.

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Gabriel Orozco, Sandstars (2012)

Exploring qualities of taxonomic classification, Mexican-born artist Gabriel Orozco frequently picks his subjects apart, examining numerous elements before assembling or arranging them in the gallery context.  His pieces have explored the interaction between nature and culture on micro and macro levels, using scientific forms to classify and categorize these encounters.

Gabriel Orozco, Astroturf Constellation (2012)

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Katie Koti, The Pull (2011). All photos taken on site for Art Observed by Ryann Donnelly

Yale’s Photography MFA thesis show, presented by Wirth Art Advisory is on view at Ana Tzarev gallery in New York City through July 21. Curated by Sabrina Wirth, the show entitled Group Portrait features 9 emerging photographers: Peter Baker, Richard Choi, Felix R. Cid, Thomas Gardiner, Pao Houa Her, Katie Koti, Kate A. T. Merrill, Sarah Muehlbauer, and Maayan Strauss.

Opening of Group Portrait Yale Photography MFA Thesis Show

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