The Guardian reports on a dispute between Marina Abramovic, the Serpentine Gallery and a group of writers, curators and artists who claim that Marina Abramovic’s new performance at the Serpentine fails to acknowledge the work of Mary Ellen Carroll, another artist who has explored concepts of non-action and doing “nothing” as the core of her performance works. “There are differences,” says art historian David Joselit . “I am not prepared to say Marina Abramović is involved in plagiarising or anything like that. I just think there should be a conversation.”
Read more at The Guardian
