A piece in the Art Newspaper traces the initially contentious history of Pablo Picasso’s now iconic public sculpture in downtown Chicago, which earned considerable derision and criticism when it was first unveiled in 1967. “The tone, and I remember it so vividly, was that we had been had, this alien beast or whatever it is with no name arrived and some poseur artist has played a joke on the city,” says Mark Kelly, Chicago’s current cultural commissioner of its first showing. “I would like to believe that I became a little more open and curious to my urban surroundings and to what was considered art.”
Read more at Art Newspaper
