Robert Indiana’s estate is the subject of an in-depth piece in the NYT this week, examining the influence the late artist’s caretaker has exerted over the control of his works and images, and may have driven the production of a series of works attributed to the artist that have raised questions over their authenticity. “I would be surprised,” says scholar John Wilmerding, “if any serious and informed Indiana critic or writer would accept these works, in my opinion.”
Read more at NYT
