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Robert Indiana Interviewed on NPR

Tuesday, January 7th, 2014

New York: Robert Indiana: “Beyond Love” at the Whitney Museum Through January 5th, 2013

Monday, October 28th, 2013

New York – Robert Indiana: “A – Z” at Woodward Gallery, Through October 26th, 2013

Sunday, October 6th, 2013

Robert Indiana Wins Suit Over Hindi “LOVE” Sculptures

Tuesday, January 22nd, 2013

City of London to Show Works by Gormley, Indiana and Chapman Brothers this Summer

Sunday, May 12th, 2013

Don’t Miss – New York: “50 Americans” by Robert Mapplethorpe at Sean Kelly Gallery through June 18th, 2011

Friday, June 17th, 2011

New York: Heimo Zobernig: “chess painting” and “nework” at Petzel Galleries Through February 17th, 2018

Tuesday, February 6th, 2018

AO Auction Recap – London: Sotheby’s Contemporary Evening Sale, October 15th, 2015

Thursday, October 15th, 2015

AO Auction Recap – New York: Phillips Contemporary Evening Sale, May 14th, 2015

Thursday, May 14th, 2015

Jasper Johns Will Testify in Art Fraud Case

Thursday, January 23rd, 2014

Art Fraud Suspect Arrested While Out on Bail

Monday, June 24th, 2013

AO Onsite Photoset – Art Basel Miami Beach 2012: VIP Preview at Miami Beach Convention Center December 5th, 2012

Thursday, December 6th, 2012

AO On Site Photoset – Art 43 Basel Vernissage and VIP Preview

Wednesday, June 13th, 2012

AO Auction Results – London: Phillips de Pury & Company Contemporary Art Evening Sale, February 16, 2012

Sunday, February 19th, 2012

AO On Site Photoset – Art Basel Miami Beach 2011: Art Public Sculpture Park in Collins Park, December 1-4, 2011

Tuesday, December 6th, 2011

AO Auction Results: Christie’s Post-War & Contemporary Art Evening Sale, London. Results were overall dissapointing, Bacon, Rothko go unsold

Friday, February 13th, 2009

New York Times Stages Photoshoot of Pictures Generation Artists

Monday, February 13th, 2017

London – Nathaniel Mary Quinn: “Past/Present” at Pace Gallery Through October 4th, 2014

Saturday, September 20th, 2014

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

Don’t Miss: Bruce Nauman, For Children / For Beginners at Sperone Westwater through December 18th, 2010

Sunday, December 12th, 2010

Don’t Miss – Middlesbrough, UK: Ellsworth Kelly at Middlesbrough Institute of Modern Art through February 21, 2010

Monday, February 15th, 2010

Go See – Middlesbrough, England: Gerhard Richter at Middlesbrough Institute of Modern Art, through November 15, 2009

Wednesday, October 28th, 2009

Newslinks 1.14.08

Monday, January 14th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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