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Hauser & Wirth Now Represents Estate of Günther Förg

Friday, June 1st, 2018

New York – “A Luta Continua: The Sylvio Perlstein Collection” at Hauser & Wirth Through July 27th, 2018

Sunday, May 27th, 2018

Hauser & Wirth Prepares Major Los Angeles Show for the Late Jack Whitten

Tuesday, May 22nd, 2018

London – Lorna Simpson: “Unanswerable” at Hauser & Wirth Through April 28th, 2018

Thursday, April 26th, 2018

Michelle Obama Portrait Artist Amy Sherald to Join Hauser & Wirth

Tuesday, March 20th, 2018

New York — Allan Kaprow: “Paintings New York” at Hauser & Wirth Through April 7, 2018

Saturday, March 17th, 2018

Hauser & Wirth to Represent Zeng Fanzhi

Sunday, March 11th, 2018

Los Angeles – Mike Kelley: “Kandors 1999 – 2011″ at Hauser & Wirth Through January 21st, 2018

Tuesday, December 26th, 2017

Mark Bradford to Open Program at Hauser & Wirth Hong Kong

Friday, December 22nd, 2017

New York – Arshile Gorky: “Ardent Nature: Landscapes 1943-47″ at Hauser & Wirth Through December 23rd, 2017

Thursday, December 21st, 2017

Los Angeles — Ellen Gallagher: “Accidental Records” at Hauser & Wirth Through January 28th, 2018

Monday, December 18th, 2017

London – Marcel Broodthaers: Un Jardin D’Hiver at Hauser & Wirth Through November 18th, 2017

Monday, November 13th, 2017

Hauser & Wirth to Open Space in Hong Kong

Friday, September 22nd, 2017

Florence Derieux Joins Hauser & Wirth as Director of Exhibitions

Wednesday, September 20th, 2017

Los Angeles – Monika Sosnowska at Hauser & Wirth Through September 17th, 2017

Saturday, September 9th, 2017

New York — Philippe Vandenberg Is On View at Hauser & Wirth Through July 28, 2017

Friday, July 28th, 2017

New York: Roni Horn at Hauser & Wirth Through July 29th, 2017

Monday, July 17th, 2017

Fondazione Piero Manzoni to Move Representation to Hauser & Wirth

Friday, June 9th, 2017

Los Angeles – Jason Rhoades: “Installations, 1994 – 2006″ at Hauser & Wirth Los Angeles Through May 21st, 2017

Friday, May 19th, 2017

Hauser & Wirth to Host Film Series on Rooftop in Chelsea This Summer

Friday, May 19th, 2017

Hauser & Wirth to Represent Estate of Geta Brătescu

Sunday, April 30th, 2017

Randy Kennedy Leaving New York Times to Direct Special Projects for Hauser & Wirth

Thursday, April 13th, 2017

Hauser & Wirth Now Represents Lorna Simpson

Tuesday, April 4th, 2017

New York — Jack Whitten at Hauser & Wirth Through April 8th, 2017

Monday, April 3rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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