Search Results

New York – Elizabeth Orr: “Our Hallway Is Surrounded” at Bodega Through October 15th, 2017

Sunday, October 15th, 2017

Paris – Olafur Eliasson: “Contact“ at Fondation Louis Vuitton through February 16th, 2015

Thursday, January 8th, 2015

The Louvre begins building $135 million Islamic art wing

Tuesday, August 5th, 2008

Auction Recap: Phillips Contemporary Art Evening Sale, London, October 16th, 2013

Thursday, October 17th, 2013

AO Auction Results – London: Christie’s Oct. 14th Contemporary Art Auction in London Brings in 19.6 million GBP, Hirst Sells Under Presale Estimate

Friday, October 15th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

New York – Gina Malek: “On What Remains” at E. Tay Gallery Through January 13th, 2018

Monday, January 8th, 2018

New York – “Contingencies: Arte Povera and After” at Luxembourg & Dayan Through December 16th, 2017

Tuesday, December 12th, 2017

New York – Marguerite Humeau: “Riddles” at Clearing Gallery Through July 23rd, 2017

Saturday, July 8th, 2017

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

AO On-Site: Independent NY at Spring Studios, March 2nd – 5th, 2017

Thursday, March 2nd, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

New York – Ernesto Neto: “The Serpent’s Energy Gave Birth To Humanity” at Tanya Bonakdar Through December 17th, 2016

Wednesday, December 14th, 2016

New York – William Eggleston: “Selected Works from The Democratic Forest” at David Zwirner Through December 17th, 2016

Wednesday, November 23rd, 2016

New York — “The Female Gaze, Part Two: Women Look at Men” at Cheim & Read Through September 2nd, 2016

Tuesday, August 16th, 2016

AO On-Site – Berlin: “The Present in Drag,” the 9th Berlin Biennale at the KW Institute and Feuerle Collection Through September 18th, 2016

Sunday, July 10th, 2016

New York: “Donald Judd, Roy Lichtenstein, Kenneth Noland: A Dialogue” at Castelli Gallery Through June 30th, 2016

Friday, July 8th, 2016

New York – Anish Kapoor: “Today You Will Be in Paradise” at Gladstone Gallery Through June 11th, 2016

Wednesday, June 1st, 2016

New York – Vigée Le Brun: “Vigée Le Brun: Woman Artist in Revolutionary France” at The Met Through May 15th, 2016

Sunday, May 1st, 2016

New York – Patrick Meagher: “Suggested for You” at Equity Gallery Through April 30th, 2016

Saturday, April 30th, 2016

AO On-Site – New York: SPRING/BREAK Art Show in the Skylight at Moynihan Station, March 1st – 7th, 2016

Saturday, March 5th, 2016

New York – Tauba Auerbach: “Projective Instrument” at Paula Cooper Gallery Through February 13th, 2016

Monday, January 25th, 2016

New York – Robert Motherwell: “Elegy to the Spanish Republic” at Dominique Lévy Through January 9th, 2015

Thursday, January 7th, 2016
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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