Search Results

New York – Rita Ackerman and Carol Rama: “Body Issues” at Marlborough Contemporary Through February 10th, 2018

Friday, February 9th, 2018

London – Margaret Lee: “…banana in your tailpipe” at Marlborough Contemporary Through February 3rd, 2018

Thursday, February 1st, 2018

Marlborough Chelsea Couples with Marlborough Contemporary to Consolidate Galleries’ Contemporary Program

Friday, February 24th, 2017

New York – “Marlborough Lights” at Marlborough Broome Street Through August 1st, 2015

Saturday, July 18th, 2015

New York – Andrew Kuo and Scott Reeder: “It Gets Beta” at Marlborough Chelsea Through March 28th, 2015

Tuesday, March 31st, 2015

New York – “Another Look at Detroit” at Marlborough Chelsea and Marianne Boesky Through August 8th, 2014

Friday, August 8th, 2014

AO On-Site: “PIZZA TIME!” at the Marlborough Broome Street Gallery Until October 6th, 2013

Monday, September 23rd, 2013

AO Onsite Auction Preview – New York: Sotheby’s, Christie’s, and Phillips de Pury to Hold Contemporary Art Auctions November 7-9, 2011

Monday, November 7th, 2011

AO News Summary – Madrid: ARCOmadrid International Contemporary Art Fair concludes Sunday, February 20th, 2011

Monday, February 21st, 2011

Marlborough

Tuesday, December 25th, 2007

New York – Hannah Levy: “Swamp Salad” at C-L-E-A-R-I-N-G, Bushwick Through March 11th, 2018

Sunday, March 11th, 2018

AO On-Site – New York: Independent NY at Spring Studios, March 8th – 11th, 2018

Saturday, March 10th, 2018

Leo Fitzpatrick Profiled in Vogue

Saturday, July 8th, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

AO On-Site – Miami Beach: NADA Art Fair at the Fontainebleau, December 3rd – 5th, 2015

Sunday, December 6th, 2015

AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site – New York: The Armory Show Summary at Piers 92 & 94, March 8–11, 2012

Tuesday, March 13th, 2012

AO On Site – New York: The Armory Show at Piers 94 & 92, March 8-11, 2012

Thursday, March 8th, 2012

AO On Site: The 76th Whitney Biennial 2012 VIP Pre-Show and Overview at the Whitney Museum through May 27, 2012

Thursday, March 8th, 2012

Art Fair Preview, news summary and schedule: The Armory Show and Armory Week 2011 Begins in New York City

Tuesday, March 1st, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Sotheby’s to Reset Modigliani Auction Record with Massive $150 Million Estimate this May

April 24th, 2018

Modigliani, via Art NewsSotheby’s will set a new world auction record with Amedeo Modigliani’s Nu couché (sur le côté gauche) at this month’s Impressionist and Modern Sale in New York, with an estimate of more than $150 million. The figure is the highest estimate ever placed on a work of art, and has already been confirmed as a record breaker. “This painting reimagines the nude for the modern era,” says Simon Shaw, the co-head worldwide of Sotheby’s Impressionist and modern art department.
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NYT Spotlights Museums’ Efforts to Highlight Latinx Artists

April 24th, 2018

Clarissa Tossin, via NYTA piece in the New York Times this week notes the increased focus by museums towards Latinx artists.  “We’re at a really important point in history where plural curatorial voices can show not just a survey,” says Marcela Guerrero, who was recently hired as the Whitney’s first curator specializing in Latinx artists. “We can now go deeper and start unpacking what Latino art really is.”
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Anicka Yi Interviewed in Frieze

April 24th, 2018

Anicka Yi, via FriezeAnicka Yi is interviewed in Frieze this week, discussing her practice and what she sees as the next steps for women in the arts. “In general, I learned fairly early on that cisgender, straight-identifying females tend to not help other women,” she says of her early experience in the arts. “It’s not even a conscious malicious act, in most instances. It’s a deep conditioning that somehow distancing yourself from the perceived ‘weaker pack’, with all its attendant baggage, might advance your uniqueness as an individual, making you less prone to be judged as a ‘vulnerable woman’.”
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