Archive for the 'AO On Site' Category

AO On-Site – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention Center, March 23 – 25th, 2017

Thursday, March 23rd, 2017

Dinh Q Le in the fair's Encounters section courtesy 10 Chancery Lane, via Vivienne Shi for Art Observed
Dinh Q. Le in the fair’s Encounters section courtesy 10 Chancery Lane, via Vivienne Shi for Art Observed

The Hong Kong Convention and Exhibition Center opened its doors this morning on the first hours of Art Basel Hong Kong, signaling the launch of Hong Kong Art Week in the city, and bringing crowds of collectors, dealers and other art world professionals to bear on the lengthy hallways and aisles of the event.  Marking a distinct focus on the Asian market, the fair boasted an impressive look at the continent’s contemporary arts circuit, with a burst of early sales that hinted at an ongoing willingness to spend at major events.  True to form, the event managed to bring out an impressive list of international VIP’s.  Hans Ulrich Obrist, Melissa Chiu, and Uli Sigg could all be seen wandering the aisles of the fair, as well as Ryan Gander, Rashid Johnson, and Christo, who was presenting a survey of his work at Galerie Gmurzynska.

Francis Picabia at Hauser & Wirth, via Vivienne Shi for Art Observed
Francis Picabia at Hauser & Wirth, via Vivienne Shi for Art Observed

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Mexico City — Gabriel Orozco: “Oroxxo” at Kurimanzutto Through March 16th, 2017

Wednesday, March 15th, 2017

oroxxo1c_kurimanzutto_sophiekitching
Gabriel Orozco, installation view, Kurimanzutto, 2017, via Sophie Kitching for Art Observed

Gabriel Orozco’s new solo presentation takes place in Galeria Kurimanzutto, in San Miguel Chapultepec, Mexico DF. The show, which opened last month in conjunction with Zona Maco 2017, sees Orozco exploring a unique two-part exhibition that draws attention to Mexico’s core contemporary culture embedded in the everyday: its Oxxo tiendas, with their cheap consumer goods massively distributed across the country. These retail stores satisfy the daily needs of millions of Mexicans with sodas, snacks, cigarettes, toilet paper, shampoo, condoms, etc… Over the past 40 years, the Oxxo chain, subsidiary of the multinational multi-billion dollar company Femsa, has expanded to over 14,000 locations.

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Gabriel Orozco, installation view,  Kurimanzutto, 2017, via Art Observed

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AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

NADA, via Art Observed
NADA, via Art Observed

One could have been mistaken for assuming there wasn’t much a NADA New York fair during Armory Week could add to the already broad scope on both the city’s art scene and the international network that the week’s many fairs and openings already offered.  Yet at the same time, NADA seems to have long prided itself on its surprises, and its first edition in Tribeca (away from its usual haunt at Basketball City on the Lower East Side) made for a timely update on the fair’s already sterling reputation in the art fair circuit.

Joani Tremblay at Projet Pangee, via Art Observed
Joani Tremblay at Projet Pangee, via Art Observed

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AO On-Site – New York: SPRING/BREAK Art Fair at 4 Times Square, February 28th – March 6th, 2017

Saturday, March 4th, 2017

The Pursuit of It by Nicole Grammatico and Christina Papancolaou, via Art Observed
The Pursuit of It by Nicole Grammatico and Christina Papancolaou, via Art Observed

Marking a curator-first approach to the art fair format popping up around New York this week, the sixth installment of SPRING/BREAK Art Show opened Tuesday, February 28th at 4 Times Square, a departure from its usual space at the James A. Farley Post Office midtown.  Drawing on a similar concept from last year, where rows of offices allow small-scale exhibitions spread throughout the fair, SPRING/BREAK continued the mission of its founders Andrew Gori and Ambre Kelly, a diverse, freewheeling look at the varied aspects of the city’s young arts community. (more…)

AO On-Site – New York: ADAA’s The Art Show March 1st – 5th, 2017

Saturday, March 4th, 2017

Richard Diebenkorn at Van Doren Waxter, via Art Observed
Richard Diebenkorn at Van Doren Waxter, via Art Observed

Returning to its home base at the Park Avenue Armory uptown, the ADAA’s The Art Show offers a moment to reflect amid the massive offerings of contemporary work spread out across the city.  It is one of the few fairs dedicated not only to recent practices, but equally to a longer view of Modern, Post-War and Contemporary Art in relation to even broader historical analogs.  This focus, in combination with a more selective, curatorial approach to the fair itself, and the more restrained atmosphere of the location, gives the Art Show its own appeal, one that presents itself as equally withdrawn from the broader bustle of the art world outside its walls, and more richly engaged with the history of the field that has ultimately produced the work spread across New York this week.

Noam Rappaport at James Fuentes, via Art Observed
Noam Rappaport at James Fuentes, via Art Observed

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AO On-Site: Independent NY at Spring Studios, March 2nd – 5th, 2017

Thursday, March 2nd, 2017

Independent NY, via Art Observed
Independent NY, via Art Observed

Marking its eighth edition and second in its new home at Spring Studios in Tribeca, Independent NY opened shop this afternoon for another year operating in conjunction with the high-end glitz of the Armory Show several neighborhoods to the north.  Offering a more nuanced, mellow browsing experience in conjunction with the fair’s invite-only exhibitor structure and immense glass windows, the fair has built a reputation as a boutique event with impressive draw, with this year only strengthening that appeal. (more…)

AO On-Site – New York: The Armory Show, March 1st – 5th, 2017

Thursday, March 2nd, 2017

Armory Show, via Art Observed
Armory Show, via Art Observed

The doors are open and the 23rd edition of The Armory Show is underway in New York, kicking off the annual hustle and bustle of the March art calendar and its increasingly loaded week of fair sales, openings and events.  Spread out across the lengthy convention center spaces on Piers 92 and 94 on Manhattan’s West Side, the fair, Benjamin Genocchio’s first as director, seems to have taken advantage of the fresh start afforded by its new leader.

Yayoi Kusama's Platform Installation, via Art Observed
Yayoi Kusama’s Platform Installation, via Art Observed

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AO On-Site – Mexico City: Material Art Fair at Expo Reforma, February 9th – 12th, 2017

Monday, February 13th, 2017

Koak at AlterSpace, via Art Observed
Koak at AlterSpace, via Art Observed

Taking over the spacious halls of the Expo Reforma once again (the first time in the same location as a previous edition), the Material Art Fair opened its doors this Thursday to strong attendance and interest from collectors and attendees.  Embracing an expanded floor plan for the fair without increasing its gallery count, this year’s edition of Material was distinctly walkable, as larger booths meant more space for ambitious pieces and multi-artist selections, a choice that only strengthened the show’s appeal.

Sangree at Yautepec, via Art Observed
Sangree at Yautepec, via Art Observed

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AO On-Site – Mexico City: Zona Maco Art Fair, February 8th – 12th, 2017

Friday, February 10th, 2017

Zona Maco Wolfgang Tillmans Regen Projects Eleanor Lutz
Wolfgang Tillmans, Eleanor / Lutz, portrait, (2016), Regen Projects. All photos via Art Observed.

As the doors of the Centro Citibanamex opened today in Mexico City, Zona Maco rolled into its 14th edition, bringing a surge in exhibitions, films, and programs to the proceedings of the yearly art fair event in the Mexican capital.  Welcoming galleries from around the globe, the fair’s early-year scheduling offered something of a kick-off to the year’s market events, while offering an indication of current market strength, as well as a spotlight on the Latin American art circuit.

Pedro Reyes at Lisson, via Art Observed
Pedro Reyes at Lisson, via Art Observed

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AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 1st – 4th, 2016

Thursday, December 1st, 2016

art-basel-miami-beach-via-art-observed
Art Basel Miami Beach, via Art Observed

After a first evening of parties in both Miami proper and Miami Beach, the main event of Miami Art Week, Art Basel Miami Beach, has opened its doors at the Miami Beach Convention Center, bringing with it another round of special projects, talks, and other installations alongside the more traditional booths.  The 15th edition of the fair, which draws 269 galleries from a total of 29 countries from around the globe, was clearly feeling some tightness from a slower market, with shorter lines for the VIP Preview today, and less of a rush towards premiere works, but strong sales seemed to continue throughout the day, revealing a buyer pool that seems more invested than feverish.

Toiletpaper for Fondation Beyeler, via Art Observed
Toiletpaper for Fondation Beyeler, via Art Observed

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AO On-Site – Miami Beach: Untitled Art Fair on Ocean Drive, November 30th – December 4th, 2016

Wednesday, November 30th, 2016

Untitled Art Fair, via Art Observed
Untitled Art Fair, via Art Observed

Spread across the sandy vistas just off Miami Beach’s iconic Ocean Drive, Untitled Art Fair opened its doors this week for the 5th annual edition of its fair during Miami Art Week. Recognized for a curator-first mentality and a focused, yet exploratory tone, the fair’s early hours offered a striking first look at the caliber and diversity of works on view in Miami this week. The fair, has hit its stride with this year’s offering, bringing a group of exhibitors that push distinctly cohesive threads and perspectives over the course of the fair, even as each offers a singular perspective on their chosen media or discourse. (more…)

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

Frieze London, via Art Observed
Frieze London, via Art Observed

The doors are open and the 2016 edition of Frieze London is now underway, bringing a wide range of works and artists to bear on the fairgrounds at Regent’s Park in the northern part of the city.  With its VIP Preview concluding today, the fair made its first big push of sales alongside the kick-off for a number of its projects and performance works, which conclude this Sunday.

Samara Golden at Canada Gallery, via Art Observed
Samara Golden at Canada Gallery, via Art Observed

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New York – German Paintings: Georg Baselitz, Martin Kippenberger, Albert Oehlen at Skarstedt Gallery Through October 29th, 2016

Tuesday, September 20th, 2016

Martin Kippenberger, Ohne Titel (Aus der Serie 'Fred the Frog') (1990), via Art Observed
Martin Kippenberger, Ohne Titel (Aus der Serie ‘Fred the Frog’) (1990), via Art Observed

Skarstedt Gallery’s 79th Street town house takes a cunning turn on the rule of threes this month, as the space shows a minimal, yet nuanced exhibition focusing on German painting.  Culling together three works each from a trio of post-war innovators (Albert Oehlen, Georg Baselitz and Martin Kippenberger), the gallery allows a subtly arranged, yet distinctly felt series of interconnected themes and formal investigations over the course of the exhibition.   (more…)

Zürich – “Schwitters Miró Arp” at Hauser and Wirth Through September 18th, 2016

Thursday, September 1st, 2016

Kurt Schwitters, Merzbild 1B Bild mit rotem Kreuz (Merzpicture 1 B Picture with Red Cross) (1919), via Hauser and Wirth
Kurt Schwitters, Merzbild 1B Bild mit rotem Kreuz (Merzpicture 1 B Picture with Red Cross) (1919), via Hauser and Wirth

Joining in the celebration of the Dada Movement’s 100th birthday this year in Zürich, Hauser and Wirth gallery has selected a premier group of works by on of the style’s prominent masters, bringing together works by Kurt Schwitters, and simultaneously placing them in conversation with pieces by Hans Arp and Joan Miró.  Examining the personal relationships and shared formal interests over the course of each artist’s work in the first half of the 20th Century, the exhibition is a fascinating blend of historical background and visual tour-de-force, bringing together a rare series of works through a less frequently explored series of connections.

Hans Arp, Geometrische Collage (Collage géometrique) (1918), via Hauser and Wirth
Hans Arp, Geometrische Collage (Collage géometrique) (1918), via Hauser and Wirth

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New York – “Bad Faith” at James Fuentes Through September 11th, 2016

Tuesday, August 30th, 2016

Jessica Diamond, No Money Down, (1986 2016), via Art Observed
Jessica Diamond, No Money Down (1986/2016), via Art Observed

Taking the currently fraught political climate in the U.S. as a starting point for a deeper reflection on national and local history, James Fuentes’s summer group show offers a fitting cultural parallel in the early years of the 1980’s in New York City.  Charting the era’s conservative economic and foreign policies, the exhibition, curated by Andrew J. Greene & James Michael Shaeffer, brings together works by Nayland Blake, Jessica Diamond, Peter Halley and Robert Morris executed between 1982 and 1984.  Recording and critiquing a range of social and economic crises during the era, the show is a subtly resonant look at the deeper histories of cultural critique in the city, and the role artists have played in this process.

Peter Halley, Yellow Cell with Conduit (1982), via Art Observed
Peter Halley, Yellow Cell with Conduit (1982), via Art Observed

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Los Angeles – Agnes Martin at LACMA Through September 11th, 2016

Tuesday, August 23rd, 2016

Agnes Martin, Falling Blue (1963), via Art Observed
Agnes Martin, Falling Blue (1963), via Art Observed

Currently on view at LACMA, Agnes Martin’s ambitious and expansive retrospective has touched down on American soil, giving the late artist her first major museum exhibition in the U.S. since 1992.  Previously on view at the Tate Modern in London, the show studiously wends its way through Martin’s career, beginning with a series of New York School paintings from the late 1950’s that not only makes a strong case for her inclusion among the pantheon of the city’s great post-war painters, but equally hints at the artist’s later work.  Even as her early work traces similar interests in space and the expressive capacity of color and form, a distinct focus on line and space makes her pieces here particularly noteworthy, with delicate yet careful attention paid to the interactions between each mark, and the qualities of weight and gesture that her minimal selections imply.

Agnes Martin, With My Back to the World (1997), via Art Observed
Agnes Martin, With My Back to the World (1997), via Art Observed

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AO On Site, Marfa, TX – Robert Irwin: Debut of “Dawn to Dusk” Permanent Installation at Chinati Foundation

Tuesday, July 26th, 2016

Robert Irwin, Dawn to Dusk (2016), via Art Observed
Robert Irwin, Dawn to Dusk (2016), via Art Observed

For the past two decades, Robert Irwin’s installation in the Texas town of Marfa has been something of a distant possibility, a long-rumored project commissioned by the Chinati Foundation, and focused around the dilapidated grounds of the former Fort D.A. Russell hospital where the organization makes its home.  Now complete, the massive installation work, Irwin’s only permanent, free-standing composition, has transformed the space into a placid marker of time, a place where meticulous architectural geometries make masterful use of the West Texas sun and landscape in a prime example of Irwin’s unique sculptural vocabulary.

Robert Irwin, Dawn to Dusk (2016), via Art Observed
Robert Irwin, Dawn to Dusk (2016), via Art Observed

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New York – Selections from the Sol LeWitt Collection at The Drawing Center Through June 12th, 2016

Wednesday, June 8th, 2016

Sol LeWitt, Wall Drawing #1271 Scribbles 12 (2007)
Sol LeWitt, Wall Drawing #1271 Scribbles 12 (2007), all photos via Quincy Childs for Art Observed

The Drawing Center in New York is currently presenting selections from the collection of Sol LeWitt, offering a glimpse into the creative inspirations of one of the Post-War era’s central figures.  Showcasing an array of memorabilia and art including Japanese woodblock prints, hand-colored tourist photographs, and letters from his contemporaries, the show traces a lifetime of intellectual exchange and exploration by the pioneer of minimalist and conceptual practice. (more…)

AO On-Site – New York: Frieze Art Fair, May 5th – 8th, 2016

Thursday, May 5th, 2016

Alex Da Corte Outside Frieze, via Art Observed
Alex Da Corte outside Frieze, via Art Observed

Frieze New York opened its doors to a misty Wednesday morning on Randall’s Island yesterday, yet the damp weather did little to dull the early rush of VIP’s attendees to the annual art fair, as strong attendance was evident throughout the lanes.   (more…)

Whitney Names New Meatpacking District Complex After Leonard Lauder

Wednesday, April 6th, 2016

Leonard A. Lauder, via The WhitneyThe Whitney Museum is naming its new Meatpacking District building after collector and philanthropist Leonard Lauder, following a dinner last night at the museum where Lauder was also awarded with the inaugural Whitney Collection Award.  “Leonard Lauder is one of the greatest benefactors in the Whitney’s history,” says Director Adam D. Weinberg. “I cannot express how grateful we are to Leonard for his exceptional generosity, leadership, and devotion.” (more…)

AO On-Site – Hong Kong: Art Basel Hong Kong at the Hong Kong Convention and Exhibition Center, March 22nd – 26th, 2016

Saturday, March 26th, 2016

Tony Cragg, Untitled (2015), via Art Observed
Tony Cragg, Untitled (2015), all photos via Quincy Childs for Art Observed

The opening hours of Art Basel Hong Kong have come and gone at the Hong Kong Convention Center this week, as the Asian art world descending on South China’s bustling metropolis for the first hours of high-profile sales. The fair saw strong international attendance during the VIP Vernissage, with Brooklyn Museum Director Anne Pasternak, Tracey Emin, Cai Guo Qiang, Hans Ulrich Obrist and Julia Peyton-Jones all spotted walking the aisles of the fair during its opening day, as were Mariko Mori, Hernan Bas, and Owen Wilson. (more…)

Mexico City — “xylañynu. taller de los viernes.” Gabriel Orozco, Abraham Cruzvillegas, Damián Ortega, Gabriel Kuri and Dr. Lakra at Kurimanzutto Through March 17th, 2016

Saturday, March 19th, 2016

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Damián Ortega, Paisaje 2 (2016), and Gabriel Orozco, Blind Signs (2013) via Sophie Kitching for Art Observed

The collective exhibition “xylañynu. taller de los viernes” curated by Guillermo Santamarina, brings together recent works by five artist friends and close collaborators: Gabriel Orozco, Abraham Cruzvillegas, Damián Ortega, Gabriel Kuri and Dr. Lakra. Thirty years ago they started meeting at Gabriel Orozco’s house in Ttlalplan to create a kind of alternative art school which became their “Friday Workshop”. Hosted between 1987 and 1992 by a then 25-year-old Orozco slightly older than his peers, the workshop embodied an experimental meeting place, which allowed each of them to investigate and progressively give form to their own artistic language. The latent synergy and embedded connections between their creative processes is for the first time displayed at their Mexican Gallery Kurimanzutto.

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Los Angeles – Art Los Angeles Contemporary Evening Preview, January 28th, 2016

Saturday, January 30th, 2016

Outside of Art Los Angeles Contemporary at Barker Hangar, via Art Observed
Outside of Art Los Angeles Contemporary at Barker Hangar, via Art Observed

Art Los Angeles Contemporary opened its doors this past evening at the Barker Hangar in Santa Monica, bringing the city’s art scene, as well as many from New York, London and further afield to the sunny haze of the California metropolis.  The fair, which has seen increasingly high praise over the past years, saw strong attendance and packed aisles in the early hours as visitors occasionally paused to look towards the sound of planes taking off just overhead.

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New York – Donald Judd at David Zwirner through December 19, 2015

Wednesday, December 16th, 2015

Donald Judd, Untitled (1991), via Rae Wang for Art Observed
Donald Judd, Untitled (1979), via Rae Wang for Art Observed

Over the course of his sculpting career, Cor-ten steel remained a consistent source of inspiration for Donald Judd, its variance in texture, hue and responsiveness to light offering the artist a malleable yet solid framework to continue his investigations in spatial interaction, light and time throughout his pieces.   Taking this material fascination as its starting point, David Zwirner is presenting a series of pieces from across the artist’s career, joined together by his use of Cor-ten, and underscoring the metal’s complementary characteristics when applied towards Judd’s aesthetic project. (more…)