Search Results

AO Preview – Frieze New York Art Week, May 7th – 11th, 2014

Wednesday, May 7th, 2014

Turner Prize Winner Steve McQueen Prepares Release of New Film, “12 Years a Slave”

Wednesday, October 16th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

AO On Site – New York: New Museum Triennial Exhibition ‘The Ungovernables’ through April 22, 2012

Tuesday, March 6th, 2012

Friday, September 9th, 2011

Living Artists

Thursday, July 7th, 2011

AO On Site (with photoset) – New York: Benefit for The Foundation for Contemporary Arts held at Lehmann Maupin Gallery, Lower East Side, Thursday, December 9th, 2010

Friday, December 10th, 2010

Don't Miss- New York: John Baldessari "Sediment (Part 2)" at Marian Goodman through December 4, 2010

Sunday, November 28th, 2010

AO News Summary: Jorge Pardo wins $500,000 MacArthur ‘Genius’ Grant

Wednesday, September 29th, 2010

AO Onsite – New York: Project on Creativity with Chuck Close at the New Museum, Wednesday, May 26th, 2010

Monday, May 31st, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Don’t Miss – Middlesbrough, UK: Ellsworth Kelly at Middlesbrough Institute of Modern Art through February 21, 2010

Monday, February 15th, 2010

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009

Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York through May 2, 2009

Tuesday, March 31st, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

Go See: Hernan Bas at the Brooklyn Museum, New York, through May 24, 2009

Monday, March 2nd, 2009

Go See: The Glamour Project group show at Lehmann Maupin in New York, through March 21, 2009

Friday, February 27th, 2009

Go See: Elizabeth Peyton at the Aldrich Contemporary Art Museum, Connecticut, through November 16

Tuesday, July 29th, 2008

Pipilotti Rist

Thursday, January 3rd, 2008

Jean-Pierre Lehmann

Tuesday, December 25th, 2007

Gallery openings this weekend

Thursday, October 18th, 2007

Auction Results – London: Sotheby’s Postwar & Contemporary Evening sale, Friday, October 12th, 2012

Friday, October 12th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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