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AO Preview – Venice, Italy – “All the World’s Futures,” the 56th Venice Biennale, May

Sunday, May 3rd, 2015

2015 Venice Biennale Artists Announced

Friday, March 6th, 2015

Joan Jonas to Represent USA at Venice Biennale Next Year

Friday, April 18th, 2014

Venice Biennale’s New Opening Date Leaves Art Fairs Scrambling

Wednesday, March 12th, 2014

AO On-Site – Venice: Jeremy Deller’s English Magic, The British Pavilion at The 2013 Venice Biennale

Monday, June 10th, 2013

AO On Site – Venice: The Unofficial Palestine Pavilion at 2013 Venice Biennale – Otherwise Occupied

Wednesday, June 5th, 2013

Venice Biennale Announces the Winners of this Year’s Golden Lions

Saturday, June 1st, 2013

AO On-Site – Venice: The 55th Venice Biennale, Opening Day

Thursday, May 30th, 2013

AO Preview – Venice: The 55th Venice Biennale, June 1st-November 24th, 2013

Tuesday, May 28th, 2013

Vatican Announces Artist List for Venice Biennale

Wednesday, May 15th, 2013

Venice Biennale to Highlight a New Group of Young British Artists

Tuesday, March 19th, 2013

The Vatican Gets Contemporary Art Pavilion at Venice Biennale

Tuesday, March 19th, 2013

Venice Biennale Releases Full Artist List

Friday, March 15th, 2013

Edvard Munch and Lene Berg to Represent Norway at Venice Biennale

Wednesday, January 30th, 2013

AO On Site at the 54th Venice Biennale 2011: The Courtauld Institute’s “One of a Thousand Ways to Defeat Entropy,” through November 27, 2011

Saturday, June 18th, 2011

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of François Pinault Foundation’s “In Praise of Doubt” at Punta della Dogana, through December 31, 2011

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview of Mike Nelson’s “I, Impostor” at the British Pavilion

Sunday, June 5th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Lithuanian Pavilion

Sunday, June 5th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of “The Heard and the Unheard” by Soundscape Taiwan for the Taiwan Pavilion

Saturday, June 4th, 2011

AO On Site for the 54th Venice Biennale 2011: Preview (with photoset) of the 54th International Art Exhibition in the Central Pavilion, and announcement of 2011 winners of the Golden and Silver Lions

Saturday, June 4th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Anish Kapoor’s “Ascension” at Basilica San Giorgio di Maggiore

Saturday, June 4th, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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