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Whitney to Open Seven Days a Week for Summer Months

Monday, June 27th, 2016

Whitney Studios Set to Open to Public

Wednesday, May 18th, 2016

Whitney Curator Scott Rothkopf Profiled in New York Times

Thursday, May 5th, 2016

Whitney Names New Meatpacking District Complex After Leonard Lauder

Wednesday, April 6th, 2016

Artists Installing Guerrilla Show at Whitney Banned for Life

Tuesday, March 22nd, 2016

LACMA Documents Transport and Install of Stella Work to Whitney Retrospective

Saturday, January 9th, 2016

New Yorker Tours Whitney’s Conservation Department

Monday, January 4th, 2016

Adrian Searle Calls Whitney Exhibition “Best Show of the Year”

Wednesday, December 16th, 2015

Whitney Announces 2017 Biennial Curators

Thursday, November 5th, 2015

New York – Frank Stella at The Whitney Museum Through February 7th, 2016

Thursday, November 5th, 2015

Whitney and Centre Pompidou Announce Exhibitions of Donations from Thea Westreich Wagner and Ethan Wagner

Monday, October 12th, 2015

Adam Weinberg Notes Doubled Attendance at Whitney Since Its Opening

Monday, September 28th, 2015

Met Announces Plans for Former Whitney Building, Set to Open in May

Thursday, August 27th, 2015

R.I.P. Melva Bucksbaum, Vice Chair of Whitney Museum

Tuesday, August 18th, 2015

The Met Considering Lucio Fontana Exhibition at Former Whitney Site

Thursday, July 9th, 2015

Whitney Names New Officers to Board of Trustees

Monday, June 29th, 2015

Scott Rothkopf Taking Over as Chief Curator of Whitney

Wednesday, May 20th, 2015

Whitney Inaugurates New Emerging Artist Series

Monday, May 18th, 2015

Renzo Piano Unveils Handbag to Match Recently Opened Whitney

Monday, May 11th, 2015

First Lady Obama Inaugurates New Whitney Museum

Sunday, May 3rd, 2015

Empire State Building to Light Up with Famous Artworks for Whitney Opening

Monday, April 27th, 2015

New York – “America is Hard to See” the Debut Exhibition at the Newly Completed Whitney Museum, Through September 27th. 2015

Monday, April 27th, 2015

Early Reviews Praise New Whitney Museum

Wednesday, April 22nd, 2015

Oil Protests Staged at Whitney Last Night

Wednesday, April 15th, 2015
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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