Global contemporary art events and news observed from New York City. Suggestion? Email us.

New York – Sophie Calle: “Here Lie the Secrets of the Visitors of Green-Wood Cemetery” Presented by Creative Time, Through April 30th, 2042

Tuesday, May 2nd, 2017

Sophie Calle, Here Lie the Secrets of the Visitors of Green-Wood Cemetery (Installation View), via Lindsay LeBoyer for Art Observed
Sophie Calle, Here Lie the Secrets of the Visitors of Green-Wood Cemetery (Installation View), via Lindsay LeBoyer for Art Observed

Sophie Calle’s work has long dealt with the shadows and specters of intimacy, delving into spaces and sites where the artist’s active engagement with both her subjects and viewers turns the corner from artistic interaction to less easily defined forms.  It’s a messy sense of shared space and time, one which the artist takes great care to reflect both her own engagement and the varied perceptions of her participants in equal measure, and one which feels all the more delicate and immediate as a result.  (more…)

New York – Pedro Reyes: “Doomocracy” at Brooklyn Army Terminal Through November 6th, 2016

Wednesday, October 26th, 2016

Pedro Reyes, Doomocracy (Installation View), via Art Observed
Pedro Reyes, Doomocracy (Installation View), via Art Observed

Doomocracy, the long-anticipated collaboration between Pedro Reyes and Creative Time, has opened at the Brooklyn Army Teminal in Sunset Park, bringing a timely “house of horrors” to a city preparing for both the thrills and chills of the Halloween season, and an election cycle that has been often been fraught with a similar sense of doom and gloom.

The Voting Booth installation, courtesy Will Star Shooting Stars for Creative Time
The Voting Booth installation, courtesy Will Star Shooting Stars for Creative Time

(more…)

Kara Walker Preps Domino Sugar Factory Installation

Sunday, April 27th, 2014

Kara Walker’s upcoming Creative Time commission in Williamsburg’s Domino Sugar Factory is the focus of a profile in the New York Times this week, taking a look at the nearly finished project and its series of monumental sculptures dedicated to the slave labor that established the American sugar manufacturing market. “In some ways, doing a project like this is a bit of a nose-thumbing at detractors, naysayers, haters,” Walker says. (more…)

Creative Time Announces Kara Walker’s Domino Sugar Factory Installation to Open May 10th

Sunday, March 2nd, 2014

Creative Time has announced the opening dates for Kara Walker’s installation at Williamsburg’s former Domino Sugar Factory.  A Subtlety will open on May 10th, and will be free and open to the public.  “Walker’s physically and conceptually expansive work will respond to both the building and its history, exploring a radical range of subject matter and marking a major departure from her practice to date,” the organization said in a release.  Creative Time will also focus it spring gala around the opening of the event, honoring Walker. (more…)

Artist Trevor Paglen Visualizes America’s Surveillance Agencies

Tuesday, February 11th, 2014

In partnership with Creative Time Reports, Trevor Paglen and The Intercept have embarked on a project to illustrate and visualize the various surveillance structures and institutions currently active in the United States.  Providing images of the headquarters for the largest organizations in the U.S. surveillance network, Paglen is seeking to provide a tangible visual signature for these often abstracted institutions.  “I hope these images first of all will be helpful for people to wrap their heads around what some of these agencies are, to point to them and acknowledge that they exist, that they’re doing work,” Paglen says.  “Beyond that I hope that they can contribute to a wider cultural vocabulary that we can use to try and see these institutions, to understand them and the effect they have on the society around them.” (more…)

AO On-Site: Creative Time’s 2nd Annual Creative Castles Sand Castle Competition at the Far Rockaways, August 9th, 2013

Monday, August 12th, 2013


Ghost of a Dream’s Living Trophy Sculpture, via Daniel Creahan for Art Observed

This past friday, Creative Time returned to the beaches of Far Rockaway for its second annual “Creative Castles” sand castle building competition, welcoming a diverse group of artists to the redeveloping waterfront at Beach 86th Street for another year of bizarrely original sand sculptures, structures and imaginative installations.


Rachel Owens’ Sperm Whale Car, via Daniel Creahan for Art Observed (more…)

AO On Site Photoset – New York: Creative Time Gala Honoring Julian Schnabel At Domino Sugar Factory, April 30th, 2013

Monday, May 6th, 2013

One of the most anticipated art events of the year, Creative Time’s annual gala took place Tuesday night at the Domino Sugar Factory in Williamsburg, honoring painter, artist and filmmaker Julian Schnabel.  Celebrating the artist’s career and creative output, the event lived up to expectations, hosting nearly 600 guests inside the Sugar Factory’s remarkably maintained space.  Featuring a menu prepared by renowned chef Mario Batali, as well as a performance by Laurie Anderson and a tribute to Schnabel by Dick Cavett, the event once again showcased Creative Time’s reputation as a driver in the New York art world.


May Andersen, Julian Schnabel and Anne Pasternak

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Al Pacino Talks with Creative Time About Friendship with Julian Schnabel

Monday, April 15th, 2013

Creative Time is honoring artist and filmmaker Julian Schnabel this year during its annual Spring Gala, and has just released a video of actor Al Pacino, recounting his personal experiences with Schnabel.  “He came to my house once and looked at a couple of my paintings.”  Pacino said.  “I thought: ‘he’s looking at a painting I did.  If he likes, it I know he’s a real phony.  He didn’t like it, and with Julian, he lets you know right away.” (more…)

Bloomberg Interviews Nick Cave for “Heard•NY”

Tuesday, March 26th, 2013

Artist and musician Nick Cave’s Heard•NY opened at Grand Central Terminal in New York yesterday, filling the terminal with actors dressed in surreally designed horse costumes.  Bloomberg spoke with the artist about his practice, and his goals for the installation, which will remain open all this week.  “I’m looking at the station as a platform to get people back to that place where we dream. We’re in a world where we’re trying to do what we can to exist and hold on to our jobs. So I’d like to transmit this dream-state feeling, to get us out of our day-to-day routine for a moment.”  Cave says. (more…)

Nick Cave Brings His Soundsuit Horses to Grand Central

Friday, January 18th, 2013

Musician, artist and writer Nick Cave will bring 30 of his signature Soundsuits, intricately designed to resemble horses, to Grand Central Station this March.  The horses, which are operated by two actors, will “graze” in the main hall of the station, and will occasionally break into dance when accompanied by two harpists.  The project, titled “Heard•NY” is co-produced by Creative Time and MTA Arts for Transit. (more…)

AO Newslink

Tuesday, November 6th, 2012

Creative Time will launch a new work by artist Trevor Paglen into outer space on November 21, 2012. The Last Pictures will enter perpetual orbit and remain on view for five billion years, affixed to the exterior of the communications satellite EchoStar XVI. The work consists of one hundred photographs micro-etched onto a silicon disc encased in a gold-plated shell. (more…)

AO Newslink

Monday, October 8th, 2012

Creative Time will launch its online news magazine this month called Creative Time Reports. With a focus on artist-written articles from global sources, the nonprofit says that “whether addressing elections or climate change, censorship or immigration, Creative Time Reports believes artists have the power to inspire and encourage a more engaged and informed public”. (more…)

AO On Site – New York: Trevor Paglen Discusses “The Last Pictures” project with Werner Herzog at Creative Time pavillion, New York Public Library

Friday, September 21st, 2012

Trevor Paglen discussed his latest project, The Last Pictures, with filmmaker Werner Herzog on the Bryant Park terrace last night. The project, an ultra archival disc that has been micro-etched with 100 photographs and encased in gold, was commissioned and presented by Creative Time. Poet Tracy K. Smith introduced the dialogue with a reading of her work, and Creative Time Chief Curator, Nato Thompson, made introductory remarks.


Image: Werner Herzog at The Last Pictures event presented by Creative Time, photo by Art Observed

(more…)

AO On Site – Far Rockaway: Creative Time Artist Sandcastle Competition, Friday August 18th, 2012

Monday, August 20th, 2012

Creative Time Artist Sandcastle Competition, all photos by Maya Steward.
On Friday, August 17th, Creative Time, held its Inaugural Artist Sand Castle Competition. Artists Tom Sachs, Dustin Yellin, Ryan McNamara, Snarkitecture, Jen Catron & Paul Outlaw, Jen DeNike, Ricci Albenda, Marie Lorenz, Mary Mattingly, Kenya (Robinson), Shelter Serra, Laura Wasserson & Amit Greenberg, and William Lamson competed to create castles, with sand, water, and any amenities they could make use of beach-side.
(more…)

AO On Site fair and event preview: Art Basel Miami Beach 2010 begins today through December 5th

Tuesday, November 30th, 2010


Tiermetabolismus V (Katzchen) by Jonathan Meese at Bortolami Gallery, Art Basel Main Fair, Hall B, Booth I-09.

Art Observed will be on site as of today for the ninth edition of the America’s biggest contemporary art fair: Art Basel Miami Beach which will open to the public on Thursday December 2 and will run through Sunday, December 5.

The main section of the fair will house over 180 galleries and over 40,000 are expected following the December 2nd opening.  Annette Schönholzer and Marc Spiegler are the main fair organizers alongside its main sponsor UBS with Cartier, NetJets and AXA Art as the associate sponsors.  While Art Basel is still the main draw, the NADA Fair (the New Art Dealers Alliance) up the road at the Dauville Beach Resort will open to the public Thursday December 2. It will run through Sunday December 5 and also should not be missed.


Untitled (Art Fair Floor) by Ryan Reggiani.  Kate Werble Gallery at Nada Art Fair, booth 312.

The fair week is notable for its bridging of the Latin American buyers with American and British art centers as well as its uniquely intense amalgamation of social, media, fashion and other spheres of influence into the business of selling art.

The global art market seems to have stabilized this year and the main fair, along with its very significant satellites, should be met with lively buying this round.  Beyond this, all around Miami, the social calendar will be infused with events to the point where there is little chance to avoid regretfully missing something.


A view of an installation by Terrence Koh at The Island, an event during the week (see bel0w).

More text and related links after the jump… .

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AO Onsite – New York: Key to the City sponsored by Creative Time, with artist Paul Ramírez Jonas at Times Square through June 27, 2010

Friday, June 4th, 2010


Artist Paul Ramírez Jonas at the Key to the City kiosk in Times Square – all images by Lucy Kissel for ArtObserved

Together with the public arts organization Creative Time, New York-based artist Paul Ramírez Jonas has reinvented the civic honor of bestowing a “Key to the City” for one of the summer’s most exciting public art programs. Through June 27, 25,000 custom-made keys will be exchanged between everyday citizens in a bestowal ceremony at the Key to the City kiosk located at the heart of Times Square – catapulting a citywide exploration of secret doors, community gardens, graveyards and hidden deposit boxes at over 20 sites throughout the five boroughs of New York City. Mayor Bloomberg – who normally awards the ceremonial key to distinguished heroes and esteemed visitors – received the first one yesterday. “Every day, millions of New Yorkers and visitors from around the world interact with one another in every neighborhood” Bloomberg said, noting how the project “celebrates those interactions by helping bring a tradition typically reserved for special occasions to our everyday lives. The keys….will provide New Yorkers with a new way to experience some of our cultural organizations, city landmarks and small businesses.” Participants are encouraged to share their photos of the project on the Key to the City Flickr Page – a special prize from DKNY and a Creative Time book will be awarded to every person who takes a photo of themselves at all of the sites. Information on public hours, a map of the various sites and how to get to the kiosk can be found on the Key to the City website.

More images and a round-up of related links after the jump….
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Newslinks for Sunday June 21, 2009

Sunday, June 21st, 2009


A sculpture of horses and a carriage at Versailles by Xavier Veilhan via artcollc

On September 13, Xavier Veilhan will follow in Jeff Koons’s footsteps by bringing contemporary sculpture to the Chateau de Versailles [ArtCoLLC]
On the lack of transparency in the art market reflected in this year’s Art Basel [Economist]
An interview with Chuck Close in which he discusses how his perceptive disabilities are reflected in his work
[Wall Street Journal]


A still from Deadpan by Steve McQueen via the GuardianUK

Beginning July 1st, Creative Time will present Turner Prize winner and current UK Venice Biennale representative Steve McQueen’s Deadpan on the MTV screen in Times Square [Creative Time]
Parkett Art magazine marks 25 years this June 25th in Chelsea, NY
[EFlux]
Conceptual artist Dan Graham is speaking at 192 Boo
ks in Chelsea, New York on Wednesday, July 1 [192Books.com]


Trafalgar Square’s empty fourth plinth, which will host Antony Gormley’s ‘One & Other’ via Guardian UK

The first round of participants have been announced for Antony Gormley’s living statue project: ‘One & Other,’ on Trafalgar Square’s fourth plinth in ondon [BBC]


A previous installation of Terracotta Army via VisitStHelens

In related, Anthony Gormley sets up his 40,000 figure “Terracotta Army” in a Devon, UK barn [TelegraphUK]
Dartmouth receives a $50 million donation to support the visual arts [Dartmouth]
Architect Richard Meier is designing major expansion for the Gagosian Gallery in Beverly Hills [LA Times]


Picasso’s ‘Le Moulin de la Galette’ owned by the Guggenheim, allegedly sold under Nazi duress, via Artnet

Judge issues written memo chastizing MoMA and Guggenheim and heirs of Nazi victim for secret settlement over two Picasso paintings in restitution case [Bloomberg]
The Whitney kept it festive this week for its annual Art Party and auction in West Soho, New York [Park Avenue Peerage]
Behind the scenes shots of the making of Banksy’s Bristol exhibition
[The WorldsBestEver]


‘Screentest’ for designer Adam Kimmel’s new campaign via Hint

Black and white films and stills by Andy Warhol’s long-time assistant Gerard Malanga from Designer Adam Kimmel’s look book, exhibited at Thaddeus Ropac gallery, feature art world figures Matthew Barney, Francesco Clemente, Ryan McGinley, Dan Colen, Aaron Young and Nate Lowman [AdamKimmel]

Still from Brett Gorvy’s interview with Andy Warhol’s assistant, Gerard Malanga, via Christie’s

In related (to the Kimmel story), Christie’s Brett Gorvy speaks Gerard Malanga on Warhol’s ‘Death and Disaster’ series [Christie’s via Art Market Monitor]

Moody’s, which currently has Sotheby’s bonds below investment grade placed its debt on review for a possible downgrade [Bloomberg] More on the damage to Sotheby’s profits here [ArtNewspaper]
Guy Bennett, co-head of Christie’s Impressionist and Modern art department worldwide, resigns
[NY Times]
Christie’s begins more salary cuts
[Bloomberg]
Citing financial difficulties, Bellwether Gallery closes after a ten year run
[Art Fag City]
the Art Institute of Chicago lays off 20 staff members
[Chicago Tribune via Artsjournal]
With its endowment down by 18%, the Solomon R. Guggenheim museum will lay off 25 full-time staff [CrainsNewYork]
Art museum attendance in the US is down 23%-26% [ArtReview]
And a summary on the methods New York galleries are using to deal with the recession [NYTimes]

Go See: 'Chewing Color,' curated by Marilyn Minter at 44 1/2 in Times Square, New York, April 1–30, 2009

Monday, March 30th, 2009

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Trailer for Marilyn Minter’s ‘Green Pink Caviar’ via The World’s Best Ever

Starting Wednesday, April 1st is ‘Chewing Color,’ a video installation curated by Marilyn Minter as the latest presentation of At 44 1/2, Creative Time’s collaboration with MTV. ‘Chewing Color’ comes after a series of videos by Gilbert & George, Malcom McLaren, and other artists, shown on MTV Studios’ gigantic high definition screen in the midst of Times Square, between 44th and 45th Streets.  Films in the series include Minter’s ‘Green Pink Caviar,’ Patty Chang’s ‘Fan Dance,’ and Kate Gilmore’s ‘Star Bright, Star Might.’ ‘Chewing Color’ will be shown at the top of the hour, every hour during the month of April.

At 44 1/2 – Creative Time Presents Chewing Color [Creative Time]
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Marilyn Minter’s Green Pink Caviar [The World’s Best Ever]
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Chewing Color curated by Marilyn Minter [SLAMXHYPE]
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Marilyn Minter in Times Square
[ThisHeartsonFire]

x

Ralph Lauren adds 2 new labels in tailored clothing for the fall.

Daily News Record July 27, 1995 | Gellers, Stan NEW YORK — Ralph Lauren is dead serious about the tailored clothing business.

So much so, that for the first time in the company’s 28-year history, the designer is using his own name only on both the new purple and blue labels to identify and underscore the company’s move into higher price ranges. However, the Polo Ralph Lauren label continues as the company’s flagship.

As explained by the designer’s brother, Jerry Lauren, senior vice-president, men’s design, Polo Ralph Lauren, “Ralph felt that because Polo was doing so many things, it was time to identify each area.” Thus, the three labels. This move is expected to more than double its tailored clothing business.

And that’s what the new Polo Men’s Tailored Clothing Co. is all about starting with this fall. The world of Polo clothing has grown dramatically and will now cover the waterfront starting with seasonal fabrics for suits at $395 in the Polo Ralph Lauren line to a stratospheric $2,000 for Ralph Lauren purple label — with a lot of stops along the way.

In addition to the long-established Polo Ralph Lauren label is the new purple Ralph Lauren label for top-of-the-line clothing that will be imported from England. New, too, is the Ralph Lauren blue label for upper-moderate canvas clothing made in the U.S.

Both the purple and blue labels separate the designer’s name from the Polo brand. And with this new solo identification, the company is tiering its tailored clothing businesses for the first time to go after three distinct market niches.

The purple label, with suits priced from $1,500 to $2,000, is bespoke British tailoring with roped shoulders and a nipped-in waist. English shirts and ties will also be featured under the purple label.

The blue Ralph Lauren label is contemporary American designer clothing with suits retailing from $795 to $1,195. Sportswear is planned for next fall for this label.

Finally, the ongoing Polo Ralph Lauren label, described as the company’s roots, continues its softly constructed traditional model and includes sportswear and furnishings.

Adding another reason for the major overhaul that broadens Polo’s marketing stance, Dennis Trites, president of the Polo Tailored Clothing Co., explains: “We will finally have the broader product assortment we need to satisfy our growing global business. The Europeans want to buy Ralph Lauren at more price points and as complete collections. Now we have it.” Polo currently does about half its men’s wear volume outside of this country in 75 stores with either the Polo or Ralph Lauren name, both licensed and owned by the American company. There are 55 freestanding Polo stores in this country. Commenting on how the added collections will help grow Polo’s clothing volume, Trites relates, “We’re about 10 percent tailored clothing now, and we would like to feel that with the additional two new labels, we’ll be able to go to 25 percent.” He points out that the new segmented marketing strategy will do more than broaden the company’s total reach. It’s this: Polo’s image in the U.S. as the king of sportswear will get a bit of a makeover starting this fall when tailored clothing becomes more prominent in the company’s advertising. web site ralph lauren coupon web site ralph lauren coupon

It’s even hinted that Lauren himself might become more visible in the future.

Big changes, Trites remarks, will also come in the distribution pattern with regular tailored clothing departments at major stores finally getting a crack at several of the company labels.

In a preview for DNR of the new labels presented in lifestyle settings at the company’s offices here, Jerry Lauren stresses that the purple label clothing “was Ralph’s dream of what a suit should be. It’s a powerful look and everything he would wear himself.” Shown against a rich black and white background with a Steinway baby grand piano as the focal point, the aggressive purple label suit silhouette in single- and double-breasted suits was literally modeled after the clothes the designer had tailored for himself in London.

In sharp contrast and shown in juxtaposition is the new Ralph Lauren blue label collection. The room setting for these suits and sport coats is in a palette of beige through rusty browns, and could have come out of Darryl Zanuck’s home in Hollywood in the late ’30s.

The inspiration for the collection, remarks Lauren, is “Ralph’s purple label signature model.” But for a broader customer appeal, two additional bodies are offered. He describes the suits as “bespoke translated to contemporary clothing made in America. Each body has its own set of specs, because that’s the way Ralph thinks.” The line includes two- and three-button single-breasteds and a six-button double-breasted, which can button one or two buttons. The sleeper, however, is a three-button peak-lapel suit, which, according to Trites, has had a “tremendous response in first showings with some of our customers.” The Polo Ralph Lauren clothing, meanwhile, hasn’t changed. The models still have the company’s signature soft shoulder styling. But they’re visibly different from the purple and blue collections which, according to Lauren, “have much more interest in the sleevehead and the fit at the waist.

“Ralph isn’t interested in high padded shoulders.” The distribution for each of the labels actually reflects the personality of the clothing and the label. The purple label will have limited distribution, with Saks, Neiman Marcus and the Polo stores initially getting the line. In addition to the off-the-peg clothing, made-to-measure will be offered without a surcharge.

The blue label, as noted, will be marketed to regular tailored-clothing departments in department and better specialty stores. This compares with the previous distribution pattern with Polo selling only to Polo stores.

The Polo label will also be sold through Polo stores and also, for the first time, will also be presented in in-store sportswear departments.

Trites points out that in some smaller markets, the Polo clothing will be shown in regular clothing as well as sportswear departments “where the suits will be strongly highlighted. So we’re now covering all bases with all classifications.” He also indicates that with the designer name achieving a separate entity and identity, the company’s Polo Sport label will become that much more powerful on its own.

Adding a footnote on the Polo retail business, the executive points out that many of the American stores are going through arevamping that will add considerably more square footage.

Sales for the trio of labels will currently be handled by the clothing company.

As for the potentials that will open up as a result of the three-tier marketing, Trites continues: “We needed this breakdown to sell more product outside of the U.S. And we’re perceived quite different abroad. In Italy, for example, where most men want to wear Savile Row suits, Ralph Lauren is known for his clothing.

“And in Europe, his name, rather than the Polo brand, is used on some of the stores. We really haven’t used the Ralph Lauren name up to now to sell Europe. Now we have the right product, the image and the different labels to do it.” Gellers, Stan

AO On Site: Creative Time presents Democracy In America at the Convergence Center in the Park Avenue Armory in New York City, September 21 through 27

Friday, September 26th, 2008


Democracy in America: The National Campaign at the Park Avenue Armory via Art Observed

Creative Time is presenting a week-long exhibition of public artworks at the convergence center for Democracy in America: The National Campaign at the Park Avenue Armory. Curated by Nato Thompson. The exhibition houses work done by over 40 artists, including Jon Kessler, Allison Smith, and Chris Stain. Democracy in America: The National Campaign is a multi-phased initiative that has traveled across the country collecting artistic interpretation of the country’s view on political democracy.  Site-specific projects that look at issues of democracy were created by artists Rodney McMillan, Olga Koumoundouros, Mark Tribe, Steve Powers, and Sharon Hayes and are now on view at the Armory, as well as ongoing mobile projects, such as Tactical Magic’s Ice Cream truck. The week-long exhibition is happening in conjunction with a series of performances, speeches by artists and political leaders, and viewer participatory projects. Creative Time calls the yearlong program, Democracy in America: The National Campaign, one of its largest public art initiatives through out its 34-year history.

Art Observed Exclusive Video of the opening:
Rachel Mason’s performance for the opening night at the Park Avenue Armory [Art Observed]

Convergence Center at Park Avenue Armory [Creative Time]
Nato Thompson on “Democracy in America” [Artinfo]
Democracy in America: Convergence Center at Park Avenue Armory [Flavorpill]
Democracy in America Convergence Center [ArtCal]
Creative Time’s Democracy in America Convergence Center [WorldsBestEver]

(more…)

U.S. Premier of Malcolm McLaren’s video project, Shallow, in Times Square

Thursday, July 3rd, 2008

Shallow, Malcolm McLaren via Rawartint

Creative Time has announced the U.S. premier of the video, Shallow, by Malcolm McLaren of the Sex Pistols. The video is a series of film clips taken from films of the 1960s, all of which contain the moments right before or after sex scenes. The film is going up on MTV’s huge outdoor HD screen the middle of Times Square between 44th and 45th Street. The film will be up through August and plays at the top of the hour, every hour. McLaren’s video is just one of Creative Time’s projects, others include David Byrne’s Playing the Building and Mike Nelson’s Psychic Vacuum.

At 44 1/2 Creative Time presents Malcolm McLaren [Creative Time]
Malcolm Mclaren’s ‘Shallow’ And Creative Time [Rawartint]
Porn-again Times Square [NYDaily]
Malcolm McLaren and MTV Bring “Artful Porn” To Times Square [Exclaim]
McLaren take porn to New York City [ContactMusic

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David Byrne/Creative Time turn NY building into sound sculpture

Friday, May 23rd, 2008


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Playing the Building via Creative Time

From May 31- August 10, the artist and musician David Byrne will transform the landmark Battery Maritime Building in lower Manhattan into a massive ‘sound sculpture.’ The project is being executed with the help of Creative Time, the innovative arts organization known for its experimental public art. Visitors will be invited to ‘play’ the building, making music by controlling an organ that is attached to devices installed throughout the structure.

Playing the Building [Creative Time]
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David Bryne [David Byrne]
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David Plays the Building [Gothamist]
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David Byrne Explains [Fargfabiken]
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Teaching An Old Building New Vibes [NY Times] (more…)