Klaus Biesenbach, the chief curator at large of MoMA P.S.1, is profiled in The Wall Street Journal, discussing his approach to art. “In America, art is free, but it’s not understood as a viable, necessary function in society. Art is still thought of as something luxurious or elitist, but it’s not.”
Image: Matthew Higgs introducing performers Malcolm Mooney and Sun Foot. All images by Heather Hannig for ArtObserved.
The Seventh Annual NY Art Book Fair opened last night at Moma/P.S. 1., presented by Printed Matter, Inc., with a performance by Malcolm Mooney and Sun Foot. The fair presents artists’ books, catalogs, monographs, periodicals, and zines presented by 283 international presses, booksellers, antiquarians, artists, and independent publishers from twenty-six countries. Lucy Lippard and Paul Chan are the keynote speakers for this year’s Contemporary Artists’ Books Conference. (more…)
All photos by L. Streeter for Art Observed.
At six o’clock on Saturday evening, throngs of guests could be seen gathering at the entrance of Robert Wilson’s art compound in Watermill, New York, awaiting entrance to “Voluptuous Panic.” Patrons of the arts gather here once a year to support the foundations ongoing effort to “provide a unique environment for young and emerging artists to explore new ideas and foster their career development” (via Watermillcenter.org). Artists from over 30 different countries living at the estate as a part of the Watermill International Summer Program Residency were asked to create installations and performances overlaying the six acre estate. Guests were invited to wander the grounds and woods exploring the various installations. This year, the attending crowd fit right in with the somewhat manic works themselves; the dress code, entitled “Fearless” allowed for a very flamboyant, almost surreal flock of guests.
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Marina Abramović, Portrait with white lamb. 2010. Courtesy the artist, Marco Anelli and Lisson Gallery.
Currently on view at Lisson Gallery London is an exhibition of new and retrospective works by Marina Abramović. The installation showcases videos, photographs, and sculpture, divided in two parts between galleries across the street from one another. In one, her seminal Rhythm series is mounted in its entirety for the first time; in the other, Abramović’s new series Back to Simplicity makes its debut.
Back to Simplicity reveals a somewhat softer side of Abramović: exhausted from her recent 90-day performance at the MoMA New York, the artist returned to nature to renew her energy. Shot in upstate New York, where Abramović intends to open an institute for the preservation of performance art, the recent images are a far cry from the challenging, violent, and provocative work for which Abramović is known. Instead of pills, guns, or other tools of violence, the artist’s new companion is the lamb. As a symbol of innocence, this creature carries with it a gentler, more vulnerable air.
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Marina Abramović. Video still from Confession. 2010. Image courtesy the artist and Lisson Gallery.
More text, images, and link to the artist’s Twitter interview with Lisson Gallery after the jump… (more…)
In a recent discussion with writer Jonathan Lethem at Cooper Union, Patti Smith was asked if it was possible for young artists to come to New York City and find the path to stardom that she did. In response, Smith told the crowd, “New York has closed itself off to the young and the struggling.” On Sunday, May 23, PS1 MoMA opened the third iteration of its quinquennial celebration of emerging artists who live and work in New York – Greater New York – which will run through October 20, 2010. This year’s show features some 68 artists which marks a steep fall from the 160 artists in the 2005 edition, perhaps adding some truth to Smith’s words.
According to the press release, this year’s show – overseen by P.S.1 director Klaus Biesenbach, Museum of Modern Art drawings curator Connie Butler, and P.S.1 curatorial adviser Neville Wakefield – will center “largely on the process of creation and the generative nature of the artist’s studio.” Leading up to the opening of Greater New York, artists including Franklin Evans, Dani Leventhal, and Kalup Linzy utilized PS1 as studio space to create new work on-site. This sort of artistic production will be ongoing throughout the exhibition in locations like the Boiler Room, where Whitney Biennialist Aki Sasamoto has invited the artist Saul Melman to collaborate. The Bruce High Quality Foundation also engages with this notion with their commission to develop an “art pedestal exchange program,” a seemingly minimal installation that groups beautifully refined new “art pedestals” that will be offered to art schools in exchange for their old worn pedestals. Over the course of the exhibition what began as a pristine white installation will transform into an amalgam of used exhibition furniture.
Conrad Ventur’s “This Is My Life (Shirley Bassey)”
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Marina Abramovic and Klaus Biesenbach at Moma
Marina Abramovic gave a lecture Monday evening at the MOMA as a precursor to her major retrospective which will open there on March 14th. Abramovic has had a prolific career as a performance artist, much of her work pushes the boundaries of the physical body in endurance based pieces that posit her body as the art object. The lecture was introduced by Klaus Biesenbach, director of MoMA’s PS1, as a way for Abramovic to speak before entering into a lengthy period of silence, a requirement for the main performance piece to the show, her longest solo piece ever performed. She will spend over 600 hours in the museum over a period of three months without speaking or moving.
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New MOCA Director, Jeffrey Deitch. Via LATimes
More on MOCA’s new director, Jeffrey Deitch, who brings his more business-oriented background to the Museum in LA: [Bloomberg] Deitch’s contract with the museum has certain safeguards against conflicts of interest that might arise from his foot in the business world– among the new rules, Deitch must notify the museum’s board of anything he adds to or sells from his collection. [LATimes]
Eli Broad and his Broad Art Foundation reveal that they are considering 3 different Westside locations on which to build and endow a museum for his art collection. The third site was recently revealed as being a ten-acre parcel on the campus of West LA College in Culver City. [LA Times]
Works by Picasso and Henri Rousseau have been stolen from a private villa in the South of France, marking the country’s second major art robbery in that week– (work by impressionist painter Edgar Degas was stolen from the Cantini Museum in Marseilles only days before). [FT]
To stay apprised of the latest relevant news of the art world…
Head of a Muse, Raphael via Guardian UK
-Offered for the first time at public auction as part of Christie’s Old Masters sale, Raphael’s drawing “Head of a Muse”- a study for a figure in one of his Vatican frescoes, if it achieves its estimate £12-16million, will break the auction record for an old master drawing currently held by Michelangelo’s and Leonardo da Vinci’s works [Guardian UK]
-As art collectors become more cautious with their purchases, dealers at Frieze and FIAC fairs put works on reserve, among them $40 million Mondrian allegedly put on hold for Bernard Arnault [Bloomberg]
-Ms. Temkin, the chief curator of painting and sculpture at The Museum of Modern Art in New York, introduces unexpected changes, unframing certain paintings and subjecting the almost sacralized permanent collection to frequent renewal [The New York Times]
“Your Mercury Ocean” Skateboard by Olafur Eliasson via aarting
-Another collaboration between Mekanism and Olafur Eliasson results in a 13-ply deck 3d patterned skateboard with a mirror coating [aarting]
-In related, Olafur Eliasson commissions by the mayor of Copenhagen to design a bridge for the Danish capital; the artist shares his plans for a transparent bridge in a close vicinity to the water [The Art Newspaper]
– The survey carried out by the Art Fund, the UK’s independent art charity, shows that despite the substantial drop in public funding and investment income, a figure that proves to grow in the context of economic fall is the number of visits to museums [Art Knowledge News]
-In the midst of economic uncertainty, gallery Matthew Marks, which represents artists such as Jasper Johns, and Peter Fischli and David Weiss, plans on expansion with a new space on the West Coast [The New York Times]
To stay apprised of most of the relevant art news for this past week… (more…)
Terence Koh and Simon De Pury at the 16th Watermill Summer Benefit. Photo by Patrick McMullan
Robert Wilson greeted his guests as they arrived at the 16th Annual Watermill Summer Benefit- an event he choreographs every summer in order to raise funds for the artistic community to which he is the director. The evening included a silent auction, a live auction hosted by Simon de Pury – Chairman of Philips de Pury auction house, over 10 art installations interpreting this years theme “Inferno,” dinner, theater performances of various genres and attendance by many from the worlds of art, fashion and music.
Related Links:
Hot as Hell At Watermill [ArtInfo]
Fire Starters at Watermill Benefit [WWD Lifestyle]
Isabella Rossellini shows for Water Mill Benefit [Newsday]
Flaming Creatures [ArtForum]
The 16th Annual Watermill Summer Benefit Hot As An “Inferno” [Hamptons]
About Watermill Center [Watermill Center]
The 16th Annual Watermill Summer Auction and Benefit [Art Observed]
Attendees walk the trails behind the 16th Annual Watermill Summer Benefit and Auction at the Hamptons, all photos by Art Observed unless noted
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