Harold Ancart, Untitled (2021), via David Zwirner

Marking the first exhibition to focus exclusively on the artist’s sculptural work, David Zwirner is presenting a selection of new sculpture by artist Harold Ancart at the gallery’s Paris exhibition space, a show that also marks the artist’s first solo exhibition in the French capital. The show, which compiles a set of new sculptures from a series begun in 2017, the exhibition focuses in particular on swimming pools, cast in concrete, and painted with rich layers of color that recall art-historical, architectural, and everyday influences.

Harold Ancart, Untitled (2021), via David Zwirner

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Rob Pruitt, Studio Calendar 2020 (2020), via 303 Gallery

Marking his first solo exhibition with 303 Gallery, Rob Pruitt returns to New York with a body of new works assembled under the title These Are the Days of Our Lives. Serving as a fitting reflection on the passage of time, social memory and the tumultuous, unforeseen changes of the past two years as they have unfolded across political and public realms, the show makes for a unique and insightful look into Pruitt’s studio practice and ongoing body of work.  (more…)

Nairy Baghramian, Side Leaps (Installation View), via Marian Goodman

Presenting a series of new works at Marian Goodman’s London Projects exhibition space, Nairy Baghramian’s Side Leaps brings a new series of enigmatic sculptural interpretations to the British capital. This is the first time that this body of work has been exhibited in the UK, with several drawings never having been seen previously, and showcases Baghramian’s use of sculpture and form as a starting point for conversations on space and perception.  (more…)

Simone Leigh at Hauser & Wirth, via Art Observed

After a long hiatus and the challenges posed in the wake of months of crippling pandemic lockdowns, the Frieze Art Fair has returned to Regent’s Park in London for its annual run, bringing with it over 160 international galleries and a range of projects and talks that underscore its continued vitality in the world of contemporary art. The full first edition back in the British capital since the fair was forced to cancel its 2020 edition due to Covid-19, this year’s opening was a return to form, filling its exhibition halls with a range of diverse works and artists from around the globe. (more…)

Ibrahim Mahama,  (2019-2021), via White Cube

Marking his third show with White Cube, artist Ibrahim Mahama brings together a body of new works addressing the passage of time, the notion of obsolescence and the potential for regeneration. The Ghanian artist, whose work often incorporates materials from the everyday landscape of his home in Tamale, touches down at the gallery’s Bermondsey exhibition space for Lazarus, a show that draws reference from the biblical story of a miracle resurrection and one of Mahama’s works on view, a group of suspended sculptures formed from armatures made of metal rebar and draped with tarpaulin, which together take on the form of cloaked figures or large bats. Haunting and ethereal, the work challenges framings of economic and cultural history in his home country and abroad.  (more…)

Anish Kapoor, Blackness From Her Womb (2021), via Lisson

On view now at Lisson Gallery in London, Anish Kapoor presents a new series of paintings, an element of his practice that has rarely been seen, exploring the intimate and ritualistic nature of his work. Created over the past year, the show provides a poetic view of the artist’s recent preoccupations, while delving into his more expressive and visceral modes of practice. The exhibition is presented in conjunction with the artist’s show at Modern Art Oxford. (more…)

Issy Wood, What if you showed up (detail) (2021), via Carlos Ishikawa

Marking the latest entry in a body of work that has long evaded easy classification, painter Issy Wood has opened a show of new works this month at Carlos/Ishikawa, continuing her exploration of the painted canvas as a site for the juxtaposition of realities, memories and figments of the imagination. (more…)

Ron Nagle, Pink Flamenco (2021), via Matthew Marks

Ron Nagle is known for his intimately scaled sculptures made of ceramic elements that are slip-cast, fired, and embellished with epoxy and other synthetic materials that allow him to expand his forms beyond the limits of clay. Evoking otherworldly landscapes or surreal architectural arrangements, Nagle’s inventive works elicit a vast range of associations. A new exhibition of the artist’s work is now on at Matthew Marks in New York. (more…)

Jack Pierson, Stay (1992), via Regen Projects

Spanning the full width and breadth of his career, Regen Projects is currently presenting a selection of works by the artist Jack Pierson, underscoring his ongoing and extensive practice, and its engagement with themes of memory, desire, longing, beauty, despair, loss, and glamour.Arranged as a poetic, achronological, and comprehensive installation, Less and more tracks Pierson’s diverse yet idiosyncratic practice. (more…)

Helen Marten, Horizontal Weather (2021), via Sadie Coles

Currently on view at Sadie Coles HQ‘s Kingly Street location, artist Helen Marten presents a body of new works that continue her investigation of a space shaped by participants and her pieces simultaneously, the show here draws on the ancient philosophical metaphor of “the body politic”, taking the allegory of a single individual body into a raging grammatical city, a contemporary projection of systems, agency and the digestion of ideas. (more…)

Rashid Johnson, Untitled Totem (2021), via David Kordansky

On view in Los Angeles this month, artist Rashid Johnson has brought forth a selection of new works at David Kordansky that continue his exploration of a wide range of media and formats. The show, which includes new paintings, bronze sculptures, works on paper, and the debut of a new 35mm film will occupy all three of the gallery’s exhibition spaces. (more…)

Lisa Yusakavage, Yellow Studio (2021), via David Zwirner

On view now at David Zwirner’s 19th Street location in New York, artist Lisa Yuskavage marks her seventh solo exhibition at the gallery with a selection of new work that sees the artist continuing to mine her surreal approach to figuration, and her expression capacity for charging scenes with a latent tension complicated by notions of sexuality, the body, and society.  (more…)

Pol Yves Taburet at Balice Hertling, via Art Observed

Opening this year in another hall of the Messe Basel, the Liste Art Fair returns to Basel Art Week with another edition of its event showcasing works by a range of galleries presenting the latest and newest voices in contemporary art. Running in conjunction with the Art Basel fair just a few minutes away in another hall of the expansive exhibition center, Liste welcomes 81 galleries from 33 countries, each centering on younger artists, new concepts and exploratory work. (more…)

Tacita Dean, Purgatory (2nd Cornice) (2021), via Marian Goodman

Marian Goodman opens its fall exhibition calendar in New York this month with a selection of works by artist Tacita Dean, centered around a set of new works made in association with ‘The Dante Project,” commissioned by The Royal Opera House in London to create new designs for The Royal Ballet, which will premiere in October 2021. Centered on Dante’s Divine Comedy, with new music by Thomas Adès and choreography by Wayne McGregor, the ballet is structured in three parts: Inferno; Purgatorio; and Paradiso. Dean represents these three realms of Dante’s journey in an adventure through various mediums and means of representation, with works that move from drawing to photography and film; from negative to positive, representation to abstraction, and monochrome to color. (more…)

Elaine Cameron-Weir at JTT, via Art Observed

After a trying year in the art world, and a rigorous series of precautionary measures, the 2021 edition of Art Basel has opened its doors for its early hours, preparing for a public opening this weekend with an expansive offering of works from European galleries and those further afield. Coupled with the fair’s ongoing “Art Basel OVR” project, this year’s live edition of the fair returns its physical model, inviting over 250 leading galleries and more than 4,000 artists from five continents, on view both on-site and online. Open once again at the Messe Basel, the fair continues its reputation as a flagship for the international fair brand.  (more…)

Marcel Dzama, Who Loves the Sun (Installation View), via David Zwirner

David Zwirner presents new work by artist Marcel Dzama this month, continuing the artist’s exploration of travel, nature and colorful reflections on the history and social underpinnings of art. The show coincides with the opening of a major survey of the artist’s work at the Sara Hildén Art Museum, Tampere, Finland. (more…)

Dread Scott, Never Forget, Never Forgive: They Left Us to Die (2006), via P·P·O·W

This Septamber at P·P·O·W, the gallery is presenting RECOVERY, a group exhibition exploring art as a critical gesture towards collective resistance and remembrance. Acting as individual altar spaces, the works presented in this exhibition form commemorative sites to recover knowledge, provide proof, overcome loss, and contain memories.  (more…)

Leilah Babirye at Gordon Robichaux, via Art Observed

Art-goers descended upon Cipriani South Street in the newly renovated Battery Maritime Building last week for the much anticipated 12th installation of the Independent Art Fair, which opened in New York on September 9th. Formerly located at Spring Studios in Tribeca, the fair has garnered a reputation as a reliable source of fresh talent, and took up new residence  this year within the spacious corridors of the historic waterfront locale at the lower tip of Manhattan.

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Philip Guston, Entrance (1973), via Hauser & Wirth

Open now at Hauser & Wirth’s New York exhibition space, the gallery gives a meticulous treatment to the early breakthroughs of painter Philip Guston. Charting the figurative innovations that Guston pioneered in the last decade of his career, the show brings together eighteen masterworks created after the artist turned away from abstraction to assert an unprecedented new figural language. On view through the end of the month, the show offers a rare opportunity to appreciate Guston’s expressive and enigmatic pivot during the last year of the 1960’s, and the political and social undertones of his work.  (more…)

Wendy Red Star at Sargent’s Daughters, via Art Observed

This past weekend, New Yorkers flocked to the Javits Center, not for COVID-19 vaccinations, but rather for the much-anticipated Armory Show, which made its return after last year’s cancelled edition, and which marked the first major art fair in the United States since the pandemic struck. In the wake of lockdown, following an extended period of postponed events and online viewing rooms, eager art-goers packed into the Javits Center, where the fair is now located. In the spacious, newly renovated convention center along the Hudson River, the fair presented more than 150 booths, with more than 40 international galleries. Serving as a fixture of modern and contemporary art, the fair kicked off the New York art world’s busiest week of the season—Armory Week. (more…)

Anthony Caro, The Bull (1970), via Karma

Currently on at its New York gallery space, Karma has partnered with Parker Gallery to present a contemporary bicoastal tribute to The De Luxe Show, the landmark 1971 exhibition at the DeLUXE theater in Houston, in honor of its 50th anniversary. Presented in both LA and New York, the show offers a unique exploration of the show and its impact nation wide.

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Martin Roth, From 2017-2021 Martin Roth transformed a ruin into a garden for a plant concert (2021), via Art Observed

Throughout the course of his artistic practice, the late Martin Roth channeled nature as an active creative agent, using plants and flowers as instrumental collaborators in his practice. In 2017, Roth envisioned the transformation of an abandoned nineteenth-century historical structure into an immersive public garden, a “plant concert hall.”  Though the artist passed away before the enactment of his project, the Newburgh, New York-based Strongroom—a non-profit arts organization—executed his plans this summer. Strongroom presented the site-specific installation during the second installation of Upstate Art Weekend 2021, the three-day self-directed event celebrating the arts in the Hudson Valley.

Martin Roth, Installation View (2021), via Art Observed

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Martine Syms, Loot Sweets (Installation View), via Bridget Donahue

Martine Syms has built a reputation for a practice of elevating the material of everyday life. Using repurposed contexts and personal materials, the artist’s videos and physical work use text and other items to create dense narratives the flitter around the edges of the work on view. For her show at Bridget Donahue, on view through the middle of September, the artist presents an intriguing selection of new pieces that continue this exploration.  (more…)

Hugo Montoya, How ya like me now? (2019), via Art Observed

For the second installation of Upstate Art Weekend, the New Art Dealers Alliance (NADA) presented a collaborative exhibition at Foreland, a new contemporary arts campus in the Hudson River Valley. Co-organized by curator Jesse Greenberg of JAG Projects, NADA x Foreland showcased works from over 100 artists presented by 81 galleries, nonprofits and artist-run spaces selected through an open call. While celebrating the rich cultural legacy of the Hudson River Valley, Upstate Art Weekend aimed to cultivate community and collaboration in the wake of lockdown, as the art world begins to reopen. While exhibitors ranged from Dubai to Guatemala City to Bucharest, NADA x Foreland focused on artists from New York State, with particular attention to the Upstate region. The works were not displayed in booths, but rather arranged together within the newly restored Civil-War-era spaces of the Foreland campus on the bank of Catskill Creek. (more…)