The Art Dealers Association of America (ADAA) has announced the participating galleries for the 2019 edition of its Art Show, set for February 28 through March 3 at the Park Avenue Armory.  First-time exhibitors at the show include Kayne Griffin Corcoran, Luxembourg & Dayan, and Jessica Silverman Gallery. (more…)

Christie’s November sale in New York will include one of the series of 14 Nymphéas works that were among Claude Monet’s last paintings, estimated at $30 to $35 million.   “By the turn of the 20th century, the pond became the almost-exclusive subject of Monet’s art, inspiring an outpouring of creativity that, for many, marks the summit of his career,” the auction house said in a statement. (more…)

Art Basel Miami Beach has announced its exhibitors list, set to run December 6 to 9 at the Miami Beach Convention Center. The fair welcomes 268 galleries, including 29 new exhibitors.  (more…)

Deborah Marrow, the director of the Getty Foundation will retire, Art News reports. “She has provided inspiring leadership in almost every aspect of the Getty, in roles including as director of the Getty Foundation, acting director of the Getty Research Institute and as interim president of the Getty Trust,” says James Cuno, the president and CEO of the J. Paul Getty Trust. “She brought clarity and vision and selfless dedication to her work, and made loyal professional friends around the world.” (more…)

Isa Genzken has won the Nasher Sculpture Prize, a $100,000 award that recognizes excellence in sculpture. “We’d be hard pressed to name an artist with a more textured and dynamic sculptural practice than Isa Genzken,” says Jeremy Strick, the Nasher Sculpture Center’s director. (more…)

Cosima von Bonin is now represented by Gaga in Mexico City, Art News reports. The artist will launch her first solo show with the gallery (and her first in Mexico City) next year. (more…)

The Solomon R. Guggenheim Museum will provide free admission to CUNY students, thanks to a new grant from the Stavros Niarchos Foundation. “We are grateful for this catalytic gift from the Stavros Niarchos Foundation to activate a program that encourages students and staff members from participating CUNY schools to engage with the Guggenheim’s many offerings,” says director Richard Armstrong. “Expanding and diversifying our audience is a key priority for the museum, and we are delighted to present more opportunities for area college students.” (more…)

Tania Bruguera’s abstract Tate Turbine Hall Commission project is set to open this October, and gets a profile in The Guardian.  “It will need the audience to uncover the work, to reveal the work. It will only exist if there is a genuine collective effort to make the work happen,” she says of the work. “To make it you have to work with people you have never met.” (more…)

The Serralves Foundation Museum of Contemporary Art in Porto, Portugal is currently embroiled in controversy, after Artistic Director João Ribas resigned over alleged censorship of a Robert Mapplethorpe show. “The proposal of the exhibition was to present the works of an explicit sexual nature in an area with restricted access, given the tenor of several exhibited works and being that Serralves is an institution visited annually by almost a million people of all backgrounds, ages and nationalities, including thousands of children and hundreds of schools,” the institution said in a statement. “The foundation considered that the visiting public should be alerted, in accordance with the legislation in force.” (more…)

The LA Times profiles Thelma Golden, and the work she has done to build Harlem’s Studio Museum into a landmark American institution. “Often, it makes me laugh when people who have never been to the museum would come visit,” she says.  “The two things people would often say is that they thought I’d be taller and that the museum would be much bigger.” (more…)

A Joan Mitchell painting from the estate of Barney Ebsworth is anticipated to break the artist’s auction record, estimated to sell at $14 million to $16 million.  The work will hit the auction block at Christie’s New York in November. (more…)

Marina Abramovic was attacked yesterday at Palazzo Strozzi in Florence, with an amateur artist smashing a painting he made of her over her head.  “In a split second I saw his expression change and become violent, as he came towards me very quickly and forcefully,” Abramovic says. “Danger always happens quickly, like death itself.” (more…)

Four of Pablo Picasso’s women from the collection of Washington, DC real estate developer Sam Rose and his wife, Julie Walters, will go on sale this fall at Christie’s in New York, carrying a combined low estimate of $28 million. “As a noted Picasso connoisseur, Sam Rose spent many years assembling these compelling portraits with his wife, Julie Walters,” says Conor Jordan, Deputy Chairman, Impressionist and Modern Art, Christie’s. “From the lyrical eroticism of the years of Marie-Thérèse eclipsed in turn by the tumultuous era of Dora, and then the vernal rebirth of Françoise’s presence, through to Jacqueline’s classical, watchful aura, this suite of works shines a glorious light on Picasso’s art and traces its progress over twenty-five years of innovation.” (more…)

NADA has announced the gallery list for the 2018 edition of its Miami fair, which will now serve as the central fair of the organization’s yearly programming after its 2019 New York fair was cancelled.  (more…)

The Met is looking into plans to lease its space at the Breuer Building to the Frick Collection as the museum undergoes renovation in 2020.  The plan would save the museum $45 million. “Our objective in expanding our programming to The Met Breuer was to present the modern collection and other strengths of our encyclopedic holdings, and to enable our curators to organize cutting-edge exhibitions. We are extremely pleased with the visitor response and critical acclaim for these programs and look forward to building on what we have learned in the years ahead at The Met Fifth Avenue,” says President Daniel Weiss.  (more…)

Jeffrey Deitch has an interview in the LA Times this week, as he tours the newspaper around his new space in Hollywood. “For people coming from different parts of America, coming from different countries,” he says, “this is a really L.A. space. And that’s what I wanted — an only-in-L.A. space.” (more…)

Artist Mary Kelly is interviewed in The Guardian this week, discussing her own work and her views on the recent move towards increasingly hostile international relations and hard borderlines between countries. “Living all over very different places gives you insight about how different cultures and political systems work, but it also shows you in some way how things are connected,” she says.  (more…)

Hauser & Wirth is planning a location in the resort town of St. Moritz, Switzerland, Art News reports. The 4,000 sq. ft space will be the ninth location for the gallery. (more…)

Chinese art and antiquities have been spared from Trump’s trade tariffs, the Art Newspaper reports. “The free exchange of art is beneficial to all and may provide an avenue toward mutual understanding leading to better relations on other fronts as well,” says dealer James Lally. (more…)

Writer Olav Velthuis has a piece on the state of the art market this week in The New York Times, noting the challenges and threats posed by the current fair system. “The fairs have existed since the late 1960s, but only in the last two decades have they developed into the market’s potentate,” he says. “Almost half of all gallery sales are nowadays conducted at the fairs, up 16 percentage points from 2010. Gallery owners on average participate in five fairs a year. Not because they like them so much as because they have to.” (more…)

Sally Tallant, director of the Liverpool Biennial; Lauren Haynes, curator of contemporary art at the Crystal Bridges Museum of American Art in Bentonville, Arkansas; and Dan Byers, director of the Carpenter Center for the Visual Arts at Harvard University in Cambridge, Massachusetts, have all been selected to curate sections of the 2019 Armory Show, Art News reports. “Curators often have their finger on the pulse,” Director Nicole Berry says. “They can provide new and exciting works that challenge the viewers that they might not see at other fairs. It is important to us to have art on view that isn’t being seen elsewhere. We want to have that sense of discovery—something special and interesting.” (more…)

Artist Geta Brătescu has died at 92, according to gallery Hauser & Wirth.  “Geta Brătescu was a true artist who even in the darkest times maintained her sense of playfulness and freedom,” Iwan Wirth, the cofounder and president of the gallery, said in a statement. “Her powerful life force went in so many directions, from drawing and graphics and photography, to animated videos and tapestry, that even in her 90s she embodied the spirit and passion of a young person. That Geta lived to see her art embraced so enthusiastically on the international level at the 2017 Venice Biennale and at her first New York solo exhibition at our gallery last year, means so much. She will be dearly missed.” (more…)

A Nazi-looted Renoir was officially returned this week to the sole heir of the art collector from whom it was stolen, Art Newspaper reports. “Nobody told me about the painting,” says Sylvie Sulitzer, who received the work. “We never talked about the war at home. It was taboo.” (more…)

The estate of Diane Arbus will now share representation Fraenkel Gallery and David Zwirner, Art News reports. “I am honored to have been entrusted to help the Estate and Fraenkel Gallery with the extraordinary legacy of Diane Arbus, whose radical work remains as relevant today as when her photographs were taken,” Zwirner says. “The Estate and Fraenkel Gallery’s handling of Arbus’s work has been exemplary and we are thrilled to partner with them.” (more…)