Alec Baldwin has officially filed suit against Mary Boone Gallery this week over the controversial Ross Bleckner painting he purchased from the dealer in 2010.  The work was purchased with the understanding that Baldwin was getting a piece by the artist made in 1996, but the suit claims that experts have claimed the work is a copy of the original.  Baldwin is suing for the difference in value between the two works, plus attorney fees. (more…)

The nationalist Finns party has blocked state funding for the Guggenheim Helsinki, stating that the funding for the museum is a waste of taxpayer money during a time of austerity.  “This is the end of the matter, we have ruled out state funding once and for all, for this government,” says Sampo Terho, the parliamentary head of the Finns party.  “We are not opposed to the project as such, we just don’t think it is something that the state should participate in.” (more…)

Antony Gormley is interviewed in the Financial Times this week, explaining his views on architecture, and how the principles of construction and design factor into his own work.  “We’re dealing with a made world,” he says, “rather than an elemental one, and I’ve set myself the task of trying to make an account of what it feels like to live now.” (more…)

Kerry James Marshall sits down with the New York Times to discuss his upcoming Met Breuer retrospective, his expansive body of work, and his views on the political implications of his art.  “The revision of any kind of established model is always a political act,” he says, particularly if the model was built “without ever having to accommodate any of the people who have been banging on the door to get in.” (more…)

MCH Group, the Swiss Conglomerate behind the Art Basel brand, has purchased a controlling share in New Delhi’s India Art Fair.  The fair will not become an Art Basel event, but rather will operate in a separate portfolio of region fairs held by MCH. (more…)

The WSJ profiles the work of Carmen Herrera, and the artist’s continued artistic vitality at the age of 101, as she prepares to open a major exhibition at the Whitney Museum.  “I work, and I work, and I work,” she says. “I’m happy, and I do it. And then somebody rings the bell.  All I want is to be left alone, like Greta Garbo. And you see what happened to her.” (more…)

An arts residency aboard a Chinese shipping vessel has made a turn towards the surreal, as the recently declared bankruptcy of Hanjin Shipping Company has left its ships, sailors, and resident artist Rebecca Moss stranded at sea without a port that will allow the company to dock.  “The predicament in which I currently find myself is extraordinarily absurd,”,” the artist said in a recent email. (more…)

Ibid Gallery has relocated to a 13,000 square foot exhibition space in Los Angeles’s Boyle Heights neighborhood, inaugurating the space with a trio of shows.  The gallery plans to operate multiple exhibitions at a time, dedicating separate galleries to different projects and focal points.   (more…)

Maya Lin is the subject of a lengthy profile in the New York Review of Books, charting the artist’s progression from her early work designing the Vietnam War Memorial, to her recent land works and sculptures.   (more…)

The Art Market Monitor reads into a recent SEC filing by Sotheby’s, and notes that Taikang Life, which recently purchased a sizable portion of Sotheby’s stock, will work with the auction house to find a “mutually acceptable” independent director to fill the seat on its board requested by the Chinese corporation.  “We welcome Taikang’s investment in Sotheby’s and are optimistic about its support for our strategic initiatives,” Sotheby’s said in a statement. (more…)

Buenos Aires will serve as the first stop for Art Basel’s new Cities initiative.  The global fair brand recently announced a plan to expand into new regions and urban locales through project fairs and other events.  The program in Argentina is set to begin late next year. (more…)

Michael Shvo has been indicted for an alleged plan to evade $1 million in tax payments for purchases of fine art and other luxury goods.  “Michael Shvo went to great lengths to defraud New Yorkers,” Manhattan DA Cyrus Vance said in a statement. “This indictment puts other purchasers of fine art on notice: the purposeful evasion of New York state and city taxes is a tax crime, and those who scheme to avoid their obligations will be held criminally and civilly accountable.” (more…)

Kamel Mennour is opening a gallery space in London, the latest gallery to expand into the British capital.  “Of course we are all worried about Brexit but London is an extremely visited city and it is a second home for me. I visit two or three times a month—it’s so easy to get to from Paris—and I love the idea of the interconnection between these two big cities,” Mennour says. (more…)

Bruce Nauman is profiled in the New York Times this week, as the artist prepares to open a new show of work at Sperone Westwater, and looks back on the development of his uniquely raw approach to making work.  “I realized it wasn’t abstract,” he says of an early video work. “There’s a lot of emotional content when you use your body, because it’s your body.” (more…)

The Perez Museum in Miami has received a gift of 400 works from the collection of Ruth and Marvin Sackner, a body of pieces focusing on links between textual and visual aesthetics.  “If you are interested in text as it relates to artwork, you kind of have to come see us to really get a sense of this important collection,” says director Franklin Sirmans. “You have to come through here.” (more…)

Christie’s New York Post-War and Contemporary Art sale this fall will include Les Grandes Artères, a major work by Jean Dubuffet that carries an estimate of $15 million to $20 million, hinting that it will make a play to top the artist’s current $25 million record.  “He’s incredibly undervalued for his overall position in art history, ” says international head of Post-War and Contemporary Art Brett Gorvy. (more…)

Sir Nicholas Serota, who has served as the director of the Tate for almost 30 years, has been appointed the head of Arts Council England, and will leave his position at the institution sometime next year.  “Tate has always been fortunate to have enjoyed the support of artists and to have benefited from the international acclaim for the work of British artists in recent years,” he told The Guardian.  “I leave an institution that has the potential to reach broad audiences across the UK and abroad through its own programs, partnerships and online.” (more…)

The Wall Street Journal has a timeline tracing the movements of money in and out of the 1MDB fund in Malaysia, which was frequently used in high-profile purchases of art in recent years, and which is at the center of what could be one of the largest financial scandals in recent history.  The article includes a number of transcripts from conversations between bank employees and financier Jho Low, who helped to administer the fund.   (more…)

The WSJ looks at the work of Simon Denny this week, as the artist preps his show of work at Petzel Gallery this week, and discusses his ongoing interest in blockchain technology.  “I became interested in how different people with different types of agendas are invested in the future of what this could be,” he says. (more…)

Steve McQueen is the recipient of the Johannes Vermeer Award. awarded by Dutch culture minister Jet Bussemaker.  The $112,000 prize is awarded to an artist working in the Netherlands, and is intended to help fund a special project by the artist.  (more…)

The New York Times looks at Doug Aitken’s soon to be installed underwater sculpture off the coast of Catalina Island, which the artist created as part of his exhibition for MoCA Los Angeles.  “So much land art is monumental, static,” he says. “I’m interested more in artworks that are continuously changing or evolving — artworks as living systems.” (more…)

Artist Sally Mann is interviewed in the New York Times this week, as she prepares for a new show at Gagosian in New York. The piece traces the death of Mann’s son, and frequently dwells on her friendship with Cy Twombly, who lived close to Mann’s Virginia home. “He taught me a lot,” she says. “He was so loose and free and energetic.” (more…)

An article in the Art Newspaper notes the increased number of curators leaving more traditional posts to join auction houses, focusing on the economic and cultural appeal of working in the commercial sector. “What was interesting… for me was the opportunity to transcend place and suddenly to become a global art professional,” says Jonathan Binstock, who left a position at the Corcoran to work for Citi Bank’s art advisory. “It’s a totally different kind of life.” (more…)

Christie’s has changed its fee structure for the first time since 2013, with works up to $150,000 adding a 5% premium, works up to $3 million claiming a charge of 20%, and works above that price receiving a 12% premium. (more…)